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Show DeMaSSe wSsiMps Saiwe's Fury Bn Epic "Reap The Wild Wind" ' ' ' , S " .t', i7 '- s . V.rVVV . V- i''. I ' -V"' J ..'( ' .' V ' 1 W "i ' ,r, . ' ' . "' ' . --'i.-cr.: -v.. - ',. j ., . x,. ; " . , - .-"' ... v? PMMMMPMHPIW WrMBtlllW MiiailllllMillHmiMWnraiiMiiMliMm iMIIlTllIf 1 "Si LCrAt t LAa" and "epic' are much overworked words but If they ever applied t any motion picture Ihrjr apply to Cecil B. DeMUlr's trorieouS and pisty wja of the sea, "REAP THE WILD WIND," the Paramount film In Technicolor openlnf next WEDNESDAY at the PARKS THEATRE. Perhaps the most halr-ralslnjr scene ever filmed b the one that serves as the central motif for the Ht ot trick yho- aluminum i WW nfi MaMwtamMtMfcdtolMwMtoaiJJtoMM' IMiii ml Ar"wwf M'n" toBr.ipliy above, a faMoms-deep httic between RAY MILLAND, JOHN WAYNE and a giant squid, a horrendous creature with a 60-foot spread or trutae'rs. The story, a swashbuckling yarn'of windjammers, pirates and ship wrecker, Is set In the 1840's off the Florida, Keys, and has beautiful TAILETTE GODDARD for Its spitfire heroine. I |