OCR Text |
Show i Leschetiszky's Death Is a Severe Loss, By the death last weeU of Theodore j f. i-.etlFzy. the world lost in the flesh r.o or' Its most notable Hpurcs In music.' t is unquestioned that his influence am! ' I i'ork -will prove an endurine monument i o his memory. Spenrer Clawson. Jr., i . pupil of the preat nutster teacher, who new him well, writes tor The Tribune , oncerning hit teacher, bk follows: . ' Theodore I.es'hetiszky was undoubtedly un-doubtedly the most famous piano : 11 teacher of our time. He was a pupil ' of Carl Czerny and an intimate as- , sociate of Anton Rubenstein. tor i many years at the St. Petersburg conservatory. He may justly be tailed I the legitimate successor to Franz L-lszt In the piano-teaching world. i It la popularly suppose., that L.es- i chetiszk'y was the originator of the t 1 method of piono teaching that bears his name. Tills, however. Is not ex- 1 actly the case. The method of tech- i 1 nique that has been evolved and 1 hears his name is the .invention of i i some of his pupils, who became his assistants or uivier-teachers, and it j ' eriibodies their Ideas of how to ac- ' complish that tone production which i I,eschetiszkv derna nded from Ms pu- ' pils. And whilp h pre at technician i himself, there were perhaps none of ' : his pupils who pot that class of work , " ! from him himself. He exacted cer- tain things in technic, hut left It to a ' the pupil to get them as best he or she miht. 1 V.'hen taking a lesson of Lesche- 1 : tiszkv. ins whole time was devoted i entirety to intcrnpretallnn, of which i I he was a master. There probably i never lived a man more widely read ' in the piano literature of the world. 1 One Instance 1 remember particu- ' larly. where in taking a lesson on a 1 certain Beethoven sonata, in show- l 1 ing how it should be interpreted, he f rlayed the whole thing through from j : beginning to end from memory. After j ' finishing, he remarked casually that J he did not think he had played that sonta since the year 1S.0, show ing 1 ; what a wonderful, retentive memory ' he muat have possessed. The takinp of a lesson with Les- chetlsKky was no small ordeal, for he ! never was pro tup t in dismissing the - preceding pupil, consequently, if you were summoned for 3 o'clock, you . might get vour lesson at 4:30 or 5, t ' and by that time all the rest who j . were to come after you would be aa- i seinbled. and when H was your turn 1 : to play yon would have a circle of 4 exacting crith-s around the piano looking with avid eyes for anything in the nature of an error or a slip, so t hat the working of the nervous system of a pupil was anything but , agreeable. t ; Ana the old gentleman's patience j' w-?s not of a very far-reaching or- j ; i der. either. If tilings didn't go ex- I ' acilv to suit him he would get very i angry and sometimes become quite , t insulting. One time, when overhear-i overhear-i ln a f-:-rtain Englishman who could 6t understand German, taking a les-r les-r ; ' ion. the old gentleman became e- i ceedinply esi-Uerl and, in his nerv ousness, lie kept asking the srentle- ! j man his name. '"What did you nay . i your name was?" The pupil would i it tell his name. "Where are you from?" ( i The pupil would tell him. '"Albright, f : .Scarcely a measure would the punil 2 f render when onr-e more would come the question. "What did you tav your name was?" "Where are you from?" and so on: repeated, perhaps twenty i or thirty times, it could readily be 7 ! imagined what effect that would have i-otl! on the pupil takinp the lesson j and the ones in the adjoining room j 1 I ovf-rhearinp it. j 1 '. . At another time a pianist came to j ' ' i lay for the pn"ifes;or. and played tlie 5 Chopin concerto. Op. 11. When he ji 1 rot through, the old gentleman made j t hi? very flatten! rp remark to him : ( ; "My servant. "Leopold, ha? never C T'pyed a piano in his life, hut T will 0 I'-'t yo'j any amount you want to bet ( .'' Th&t hp can play that concerto a ( hi Mid red times better than you can." J l: With that he dismissed him. Ti:e y 1 ( a.crin of the vjrformer may per- 1 1 ban be imasinwJ. ( ' "Hut. with all his pe'-uliariii-. lie ( 'Midou'r.tedly prod'eed the greatest . numher of prat pianists of any I 1 teacher that has yet lived, and it is J- no f asr,'Pration to say . that the I :1 rreatOFt piano teahfr so far has I ! been Theodore Les- hetlzky. j ; zz i I Schuster Programme at Heath Methodist j ; j , j 7 ,1 Pupilc of thr On?tnv Sr-lnjstr ."hool J !i ' f MuPie. HFiptcd by Ml .N1lic Hnr- ? ! rnii'k, coniralto: Miss ''harU!e rerkr-s, ? ' iritm; Tldwis H wen 1rna n, '!,, ilii'-r. and Tis farnh Prrks. reader, ill srivR h fr niiii''t proaramme to-( to-( : i ht at 'he Heath MMhodiFt .-hurcii, I ! . ;ir!:t:i West ar.d Third South sirr-l.. csinning at 7:"0 olo-k. The pro-3 pro-3 ' rani me follows: i Ra rr.-a roiU'" T'nt v violin pla ver I '. OTiflfa. "Cor"!!" ....Master Ham Lwlfi I "iniin d;it. "'vatlnt" Clyde Jones t ( , Charlnrf Prk-? ', Wn'-y rity" A fbrta .Joik-s fHfr!o fl'anciaj !;,dMn Ha.lfhO.I r '' 1 thr r nUi I frd C SAh we ml ',.in n r " iohu qitfrte: if j ri-d-- Jot.f. Ivlwiri Had-1' 1. l.""fT ".KUiHHn a nd f fa t ry 1 .1 ' I 1 rrr-v.-)r MhU-r Ha IV J , ' ccli ie S.i vm, 'rkf r' ra-i'c Sf',ic I-icl"'lt4 S"Iiut"r .-'' r : i r t- li'cL;" . . . . I ,:'-r li.iinian m- t--''i i:i .Nllif Ha hro'Kk c 'tH'-iT'O ( '.f-rr,l i t '' fe JniK-P '' Nfv ; t-v. M y iirl, to Then" . .' Violin quartettr i Orpheus Club Pleases : Raysville Audience r ' " , ')":.,'.!, ('!. )il!h Hid trni' li apprf'-l- I - a fHir-S.-.-d ..Jif.t.-r. V ., . t 1 ,f- 1 . 1 v Kr I'.'a v n!t'hi a Kivvi!U- J . 'rp:'"!- n-rir 11... til; r-rt inn r ' . H '-a..-.d- . T'i .-lif. w;in r-.l i ; ':nyuiv- in i,f ItF r-ilit m j n be i and J ', i'-'t ''' Mo.nivr nl a I ' .: :- ' " th-ir next a n--a TM I .) - i'.v t. loiyt v.'Te V.i;.'hn W I . ';. tr.r, I'.l-it; Mi-, '1 . v frNr-HI ,- f V'liM..ti, Hol"!e. '-,f,. : I pe-'I pe-'I ' .. ha:i"i!'-; W. M. t.n r.';d'-ti. l,a-f. , -'' J ' llegedus h Using World-famed Violin ) ', - -.,.. H'f'lnv. tnf U-) ff'iiii.-.rh.n , ,. v i,., I.. ,,M r ii l"'"al i,. in ..) .. . ( til' i r l.i I l.j7.l I '"ii lii V1. h i.'iiii' null -iiili' li:r-; .. l.l " i ' 1 1 Mm In A ii.i-i i. ii M i v , r.il 'Ht.iil -.I.,,..,,!.- i j . -1 r 1 1 -M 1 1 1 . II ) , I ,' .r ii." ni'jt Ki'iii.i'i" ' " i'!i" ., ; ,iirlii l"l hi ll..ii i-iil . Ii. - II. r.i.i. I i.i M i .i'l I ' Iii.ii- viiilln 1 1 .' ', i ' n... i." i in i'. MISS DOROTHY MORRISON, 16 years of age, who will be heard soon in a piano concerto recital, supported by a symphony orchestra of fifty men under the direction of Professor Pro-fessor Thomas Giles. I- i - - " -V V, , " ' ! V ,s i N I I x k " vV , . . ' , . t N 1 , - - 1 j . : , . - . . k I ' " v IMJ IrHl " " ' " (Ml j j i Dorothy Morrison to j Play Great Concerto Professor Thomas Ones "f the tni-cr-sity of Utah will, wn I: in th' next t hree weeks, preser his advanced pupM. Mi-s Lxirothy M-orrison. in a pi oiri am "f concertos, embodying the great Ts-'hai-kowsky piano concerto N . 1 in Is ilat minor. Miss Morrison, who is but hi yeais of age. will he supported by a syin-I syin-I phony orchestra of fifty men u rd-r t he direction of Professor Odes. An -''fort is I being marie to have Die rp'-ital wh!"- thej State Teachers' association hoidhit; vx . convention in alt 1 ke. The d'-i'urif date will probably be an noun red next wf ek. In view of thr- fact that MKs Morrison will play the Kreatest of the Ts'-haikowsky concert"?, a bri' f review of this master's I work is interei-"hng. j Peter Dion Ts.-haikow-ky, irrr-atrst of all j j Pvtissian coniposers, bum lYiO, died 1 "0.1, was tli composer of Hympbf.iriir. oprrath- land piano mmic b--ires 107 songs -f all j j description. His irmt famous mhonh' 1 jwork iB the great "Pathetique Fyinphuny," I ce!!r-d No. ! iHis greatest uncra is. undoubted 1 '.' ' "Vh.izen On legi n." little known in 1 hi-- I r-ountiy. riie ni''Pt pcifi'tmr-d and p-isilly 1 greatest piano work by this versatile artist is u in nest ioi:a biy tiir- vrn rW-rf'i I 1 piano roneerro No. 1 in R flat tninrir. opus -.'3. Written shortly after tiip brf-yk- , in-r up of his affair -if the hfari. with hc-siree hc-siree Airot. mother '( Lola Artot. now of the Berlin Royal opera. thTs t rpin r-w"Mr, work iK a rnomuriTitHl one. filled with passaEjes of tcndernriss and asaln scintillating scintil-lating with p-irt s full of bri 1 1 ia r.'-f a nd 1 fury. The work "as con. pored 111 171 and ! wa " H-vercly handler) h-- nco!o.h P.uhin -; Ktfin. while on the other hand, the master pianist, Dr. Hans von P.i-r-low. pr-rfo-rnr-l ! it "perfect and mature in foim ainl full Jf.vlr--ln the sense that ;iif. i nt nt iurm and j era ftsma nhip ;i ; e ov r. -hr-re orv eded." It i fi'iii- eidr-nt that In afre,- n.ir? Tsr-iall:owl-'v vir-w was tin- f-anie as that held by HulhliHte,,, (,mii,.r ()f 11m famous pianiMi. as Ii" pr. ( -f ed t" improve im-prove the solo pa 1 1 and the result Is ru--Aork now known a-: t'e hitiliftii "dm-l be-twren be-twren ptftir( anrl or''h' sr i a." This, v.av ro-vl-ed nr.) fini-d.f-d in hv'.. Tin- wMih of thenvtllc niatetial. jt-. t pja lit (" of wtinth Slid j.ulsin'-' vitalltv havr- niarlr of the work a fm.orite vdih-le -v1' h arliste, and' ea.rrv a'idi"ii''e upon audience awav, j Or'fjvfi niet iona iy, from whi'-h thr atiove ! was Kleyned. say- r.f his boitrr unrks: ! Thrre is r-uouch r,f f i if, hurnan and I divln. in s'l'-h works an hi--; four later r-vrnphonis. thn overture 'TJ'-nifo and I Jnltr-l," thf piano n,i,0:!o in p fhit irinor. the third strintr rpjarteiu.. thr npr-ras OnhL-li;" itnd "Pi'inr- IiRMir." fn insure thrm a 1- r 1 tr U-;,:e of liu-. T:--ha ikuws'ky ha maiiv ihiiiC'i to av Whi'-h ill'" Of the ur'.i'eM . teint t. liumanit-, ;n,d Ii" k;i y. ilietn with su'-h warmth and iti'iniatr. fee. Ir.K thnl thr-v uf.er,, Je-v -A fe-.dathm than a 11 niter- f '-d a t fl 1 fi m e f r ni 1 1 rmr hah irmernioi-t t"'-t mm-ie witli i r u s t ra hf--f on 1 In 1 in 1 ion of t h- t 1 h -lime and Mie phi t i 1 nd I n-n i- "ill al- " li-Ii him: -i" -Mid r- -rr v it he - j l,Orc p-a I tet Of fr lil.L; lh.ll: 1 height , ' 'I if ' ni'irt pose t !e n- ; r.- i'ahle .,:ie.-i-.n lV- I , , '.: V. hi . Tmc1 aik- '.v-h: "k ifin- ic yair r u ! ,., tan niril.r I he .,(' ioun l plv: , j lon- as pe--'.;nd in ai-d toriinni'.; d"uhi J o T'hadow iitf.rfal liMit v, '-o ldnd'i j their c - re.e- hoed hi the I , ,t -i "e j fiUhjeelH f, .lee,,-,- hil'nnp Pinrn , t h i u 1,-ief -vii'i Weep.-, h he f'wr, !U rnl-,f,.lfn rnl-,f,.lfn :t, tpiP h "f the finrt ,, hh i tn'eut . Mr- I hni nt ;, vntpat hb ;(. a rid i mm bid i ecrei ful. -!'. , Ensemble Rehearsal of "Messiah Today .Member-: of Hp- .-"nil Luke Oral'Mio . wt v w ill lM'"d tin- ;it'cripjon at on ! -.olpla'lc.l Mi:-ir liall fur an en-emple heral of ' ' 'I'fp- Me-.siali, ' ' I latphd h j ,;, ter nrali.no. wl.'n-h will he pi. rntr.l I here on Ni-.' V'-;ir ' dav . A I t lie ,, vimi. and In I me-!,,,;, of mi. held la-t S'Pidav. the :-M. tulanco ii nr r n t h'p.i a -I p- i n t ere -1 m-h- u 1.011 n c r.f MIU'-ll -.TaHCiefM Kill lO Jill - .Mir'.-I ,1. d. 'I'herr i- yitl.-tanl ral red on to help- e U,fl! I'!ieh .i,h.eir,e,,t a-eoMit" i 1 1 v il an ': cr irp-r c:i in;- ro;v j h in 1 1, e a! of thie-e v. ho haw ihp.'c, tal.cn n Children Are Ready With Good Programme Kehear.-als are brins held daily for the cantata v h'cii will bt uivcn by the children chil-dren oi ti:e junior choir of St. Mary's catholic .-nt hedrul at tiie Ortind theater on tlie n'f-'ht of November i'l. The lit. lie v. Hisimp Jo-eph S. tJ'.ass. C. M.. 1'. !.. will be the piiit of the evunln; and the little folks will do their beM. About fiftv children will take part in the pro-eranime. pro-eranime. whh'h will conist of drilw. fancy dances a nd pret ty ciioru.-es. A moni; the ehidren who will appear a rr Anna Aurep. Ma re a ret Connor?, I aphr. Li a and Katharine Hunt. Thomas and Georne Cronin. .lua tma Pedman. Moni. a Svhultz ami p.ervl Gray. .Some of the very little children" who will do solo numbers are ('"eneviex e P"tte, Alice O'Brien. Mary 'lid-hum, 'lid-hum, I-a Hue Jackson. Cleo Tiipmas. horeen .M' Kviilv. Virginia McHuku, Jane 'ia lliva n. Ka i herine O'Honneil, Ad r Inline Synionj-, Ooitt Aures and others. Twenty Twen-ty hijys r.f tnr choir will win? a pickaninny picka-ninny nnniher. ce lmvs be'ni; Jack Paly. Kiubar an 1 Gerald O'Connor. Cp.-ll fteilley, Klep her Pvneli, l.ouit AIHhoii. .lame? ; Grout. John and Char'cs Wolf. Ployd Me- ! Ginii. imejit and John OT.my, Paul j Kh tin. Gror:;e Aures, Tlayinoiid Stephens, j Kdward Mhv. Kdwwrd rianaeHii. John i j A'hin--. Aniiionv Gil'bons. h'rederiek and j Jof.ej n l av and Pram is McAllister. ; j Oollv ciiristensr-i. in the ihanlom I dance," arid l-'lorepee Sprln'ei. wh't will l.fapee' t'oe Irh-h JU'. will assist In tiie ! prr.etamn-e. The eiHidrep w Hi rtPo be j assisted bv t he vomi!.' f:ii 1h of t he St. i"eeliia churns, wiio will Ping two pretty iiuinL-hcia, The Htalla will be oc-upled by the P.t. V.fv. Pdsiiop ffiaM, bv the cleiK.v of (lie alhedr.il. b-. I he rv Rev. Father Pripier mid 'he -)rrpv of AH llallnwfl rnl-1. rnl-1. L-e bv Senator and M rf- ThntnaS K"arn- hi' and Mrs. J. Ft. MelCnanv. Mr. and Mrs. Iviwurd McGnrrln. Mrs. W illiam O'paieii and fandlv, Grand Knight hotf-ein hotf-ein and officers of the Kni;hl-- of O-linnbn--. v Ml" all the knichfw will attend in a iimlv and will be sealed in the pair-net. Mlf-M Norn Glraaon. orsnnifft of the ra -Un-diMl, hfs the traininK of Ihr. chll-'I chll-'I pti. Birthday of Sousa Fittingly Celebrated Seldom hu po expressive n t.rilinte been .ail an A m'-rican inusician us that, paid in John IMiilip Sousa on No-emlier No-emlier (i, when theatn- orchcslras in nil .a its of t lie count ry siinn lt.:ineon.l y u laved ''The New 'nrk 1 ( i Ppodrnnm Mandi," in cpcliia1,ioii of the Hixty-hi:.t, Hixty-hi:.t, birthday of thn faninns bjindnuis-tr-i -coinjio-ii'i . The teHtimonial whs ar raniied hv ' hai lo J h I linylui in, manji;er of I he 1 1 1 pprodromc, where Mr. Sousa is dailv heard, and the importance of fiie bandmaster as a nut ion a I figure tui I. ri.iiuht hotiP- to everybody. A committer com-mitter whn-li included Waller Hum roidi Tbidlcv I-'ir-l.) Miilonc, Williani ( imrllch n't' Ihc Pfimbs' clnh ftnd Ii. II. p.iniple waitrd pjion Mr. Sousa nt jtlp' l.iu' Sivth a-cnuc otahlishnmnt mid tin- 1 1 i .pudroinc audicpce, reintnreer by Hie aiiny r.f iJnycrM. nhowr-d iti ai I .rnv:i I in fl ca I en i a mila umc whrn 'Mr. i onrtlcinh nic-eiitrd Mr. Sousa. with a -old and niH'T eiL'ar humidor, Ihn rifl of the if V 1 iricml.r-rs r.f tlm 1 1 i p -fr I r. m n o oi u; ni.al inn. When th" cond m't or 'n lal e-t inarch was plavd here it w:ift cdior-d ',,, sa n Pi an Cisco, St. liOiiiF, P.nf I'alo, ! Pit 1 'dill r ' liicao. KlUIIH Git v, Go I' : ;(I,, Haiti. norc. linslmi, Hetn.it. Wa di ' j,,. ,!,', I'hilioleipliia. S'.'iaeiiHc, Unclics-! Unclics-! ami in till (if the Well ein-nil t)ie :i,ei' of the soulli and thn Wei circuit theater of T'"a k. .-.i;-; 1 v oiic warn ic-ted hiIll ly upon Hie I unions lender HH he hIiooU hlllldfl with I'nctpfi at thn I, an ihs' In I earlier ) pi,. da. Thru In- lunelu'd with P rrpn-ental i ' C of M mhicmI Artienni. Tl,,. Mm. h f'lUk' MiO'lc:tly demurred vvh-n he v a . a-ded if Inn pr'-'rinu. nl II ifipoihoic" I or a irnloi.ucd stn j ( ,,,, nt v a Her ;i t w el e veil r inlei n,pHinn itnidil not incan nuolhcr era of nupuh.r UUMch.M life those pf Hp. entlii;'u;i.dn- apprccal ion of "Tlic S!;,,; a id Slfipe 'o,cMT." f "The ( a.Ii.t.s" "biherlv Bell," " Huii'ls AitronK I hi' Sea" nnrl others wan still I'resh in tlif ri'portor'H m i nd. Mr. Sousa J ULilm i I ti-i tlie pobsiliility of a rnmnved (lopnlant v for marehes, in tho luilural 1'Oiirxf nt evrnls, tint of liis own in-flui'i"'! in-flui'i"'! wonlil mtv little. "Mimic (.'oes in c.vi'Ips," lie sniit. "The public lii'i'onieH interehted in n certain ntvln cf roni)iosition and it will run hIoiii; for a time. It seems its though the kind nature tliut inspires I tlie i riter prepares the world to roeoivc . it. An long as men mnreh or keep t tep, jnst so lontj will nuirelies he the I iiliisie of the world, and when they lire nut nt. the he.inht, nl popular favor j danee musie. will he. ' ' Strube's Tragic Opera Strongly American To the small output of frnnd operns in Knejish composed by Aniericnns another an-other work is soon to he added. The .ullipe rr is (Justnv Striilie. who holds the chair of harmony and composition ' at the I'eabodv ( oiisr- atorv of Music, HIli the title of his opera, which is now .in proce-m of completion, is " Knmonii,' ' jsavs the current issue of "Musical . nierica,-" under Ii Haltinloro dale. Tho lihretto haH lieen re.-ast from the drama of Frederic Arnold Klllnmei, which was played under I lie title, "Tho '.linlcd Woman." Throniih the advice of Mr. rMnile. the lihretiist, who ia n Halt iinore phivwrii;ht of note, was induced in-duced to make ehiinj-OH Tthich would ', ui.'ihe possible a more prnphic operatic I treiilnient. Through these nlleraliims li nioie lousn drHiualic. silnation nil.) a Ihrillini.' clinuiN are reiiched iind the I I'oinposer feels that the essential elements ele-ments of the Htnry are preserved In n vivid lil.'hl. .Induing I i- I the libretto and the HCOIC, which Hie writer has b civen an oiipoi I mill v to exaliiine, Mr. SI rube and Mr. Kiinii ' have produced a dis Itin.'livii pb f operatic ciupoiil lou. I which in ils I'lippini' slory and ila inn-j inn-j siral Ii pi. tures should make a In piing over the orchestral Fcore. while Mr. struhe played hits of it here and there upon the piano, the inipres sion obtained was that the opera was destined to pain favor, for one thing, on account of its colorful orchesi ral ion. The harmonic adjustments are startling at. tilnes, hut are iniuln to conform with tho action. The vocal treatment throic'h-nut throic'h-nut is based upon truly singable phrases and the scheme is fairly simple despite Ihc involved tonal background. The scoring is liuht. Ihe brasses being used with utmost i-kill and discretion. The written panes appear to hold a wealth of expression. The idiom is cha r. act eristic er-istic nl' Mr. Strube's best effivls and each punctuation, of cnlorinr;. ihythmic treatment and tonal desmn. shows clearness clear-ness of purpose in accord wilh the dramatic dra-matic scheme. The declamatory phrases are ae cntii pu n id bv a coiuiueiitar in the orchestral hnckeroiiinl so that each in cidellt is poienantly presented. Straui'e combinations of sounds ale made lo por-t por-t ra i' einolional tumult in --t 21 rl ' i nc roalitv. In brief. Ihe opera is an inipiessr. c delineation of the fate of three conflict ine, charncters, Kniuoun. a captive Spanish Span-ish maiden ( -opi .inol : Onnislnu. a hue cancer of the ( nribbean ( baritone i Kartoil, a voune Iraieler froiii New lap; land itcnorl. ninl the siilainl inat e lie,-nres, lie,-nres, Ann. I'dlro. I.ncia and rortucucse .loe. The scenes are laid in the hoc-caner's hoc-caner's house ainl its garden in a harbor har-bor I own of Ihe West Indies in tlie coin ni.ation period of nrth nierica . and the stave set I ing offers pictures. pie op-pnrtun op-pnrtun it ies. Strings Plentiful in the Philharmonic Ttl.- rrlie ir- il "f Sail I. ,1... t'liil. liario..iilc lici-M .1 T'lcs.inv mi.i nlnr. ic-lealeil ic-lealeil lh" 1 1 1 . t Hint n lino ulrlnc. ImnIiii. in. -lip- loiiii'.l oi'l tliaii in iiiiv finiiicr ic-heals.ll ic-heals.ll ever liel.l hv lli.H ei HI;. 1 Inn. T I . I M Is ill. Imp. 'I Iain lacli.c in Ihc pil lli- c.iiilnc . on. ! 1 . 1 1- I inner 1 ". lor w IMi 11,, , a. 1. Ill Ion ' in.."' i li.lliui I he M... mvip- pli..n pr Im.-s I.. I I ii 1 any olhcr ever i I.. . H l .l... Music at the First M. E. Church Today For l he Inorlilnc and e-eniiu .'r i.-r? nt the First M.Uio.lisi Fpiseopal 'elnirel'i today, tlie follownm nmslc will ,0 -iven Moi-ntiis .service: Oisan prelude-- lal Au.lante Uelmioso . i (M l'rebi.le ,1.1 Felu-.e... Sa 1 :'- ",., Anthem, "sine Fnio i;," s,hn,.',-ler Mrs. rlinrles Pally. .M,-s. Waller 1-Uiss a ii. I choir. neeiieii-e. " Hereensr" ... i-,.!, , Soprano nolo. "Far From M v ' , . cnly Home" NehJIinuer ' Mrs I'harlcs fiailv Fosllu.ie. ".Marche Trluin piia n 1' '. Va II , , , 1 1 l-. euhnc scr lec: ur-an prcln.le- .y'usiii from sonaia Mcn.tcl.ssol-ii " I ,s i 1 1 1 1 ' ' I'lieliil.',. Anthem. "Mv S I iol Ii ' Maunti y M M.v'M!,r-S'Kvirvn:,;;,!';,,T;;,;s,;,'in Itardl tin,! ,-lmir rurz Sopiano solo. "The Annels- A i, , ! ,,. ', Jl',.;; Mae iv'xcW 'S' Violin solo. "Ah- on i; Slrlm;" ,, .. M-ss Kouianla llv.l,. ' "' h I'oallu.le. "lirau.l 'I'lip in ph;l 1 .M:Me'l' I n -aiiisl. Mis .1. u Sliobaucr Quintette Entertains Pleasant Grove FoAm Special to The Tribune IM.KVSANT hlli.VK, Nov. is -More I hail .,u,l people ,;..,t he, e.l i , . !h""u.;'li' here Wednesday ,,.,,, , idle. lrs. bnlh ln,;inan .,eus , V1"'1 I'WM'l-. Fred 1. liraham, II,,,.,,.,, l-disinn and Miss Stella li ,cv i'h . '" Hi" first number of Ihe l.vccuni course olVe, ed bv it , Icni'lli-s of the l'leasa,,, ,irve I i, ' Mini Manila schools. The in '.,,, ! lliellldcd " 1,'inolelto" .tun 1-1 ,. 1 ,. ' V "Mv liresius," Tosti: fiiaiiniusi M'"' from the lireflv," and "An In11 l.nlhibv." tMeott." F.verv number was spicn.li.liv jivi-n and "ell reoeixcd hv tne audience. The other numbers of the i.v.T'jm course are: Thomas Frooks Vletober. leciircr; Maud Mav Habcoek, reaii?: musical entertainers. Music Today at First Congregationa. For the scni.-e.. teiav at t':e First v'.-r; ciej:ail,.:iai clniieh Hie f.swiuc ' be Civ en Vk.iii prci-.i.ics: - 'Thanks He ,.. , led ' Vhoiu.s tr,. n, t!:o ei.uoiio. "i:in.l't' fci.n MOB!';;;; "A. P m -e . Mm'lv('l Ant'eeiil.s- Jubil'ite . Ailbur Feet "1 r.uioot Alvv.ivs Tr.i.e Mv Win'' . levml'Si i inciter. : , Id,,, solo. "I ..memo" rvor.H. I'l.tnde sweeten. . I'o-bide, iband I'liootlr L,;'V'',f,n I.' n. 1 1 let tc ,-ho,i. Mis Fill', 1,1"V'" i,.iievv. sopi.-uio: Mnv l-'vanse. Tll.-m.ih. coin, alio: t.'red F. (trahsm. I.l or: l-'red F Sinilh. 1 ass.-. i 'l-.-p- dti f.'l.-i . I 'red K Smith. tircinb-t. Morns si ei-liens.-tl. rrovianiiR to Suik Lohensnn-' The ,1,-hi, I' I land ,---ra eh.-rus " '"' cre.isiPt I,, us let.-iesi In ., .!nrii- 111" aeiiMtv ,. ll-e , ofiltm sense,,, the sn.se,. l-i I lor M-vl'M l-nl- 1 eilo, ,, -an. os. vs s --ii as P'c s-':',v" ,;, rive, win, b aic ,-M.,',-i,-,l d.illv. im" ".' I'cc.ni 1',., i-iepai.iiioi, ot Ihe t'lmi'r -' ' in -I .1.1 el W ntnri't tivcal "1 ..-hens, ,,,." 1 hp. eh. -run nnnit--r v -l-e son-: will, miMM. act -I a-''1""' in k lo h,. icioncini'ins oi I'C s'-'"' Hand t horns Ts rv.nsed. .loin, T I I ,,'d tool. In .-peel - '"" I'i-tv vie s ,,. ,,.. - ,. l er..l-.v "' "; when lh,-, ,11 e-liic ,'ioi:ia""'C ihe ,, , ,!. I nsl vva'-l ' I-eli.-fll ol I he iicu , c ... ..s.l. - "Id- - music (Continued from Preceding Page.) audience of intelligence and appreciation. The honors of the evening were divided between the chorus and Miss Anderson's rendition of the famous aria from "Itisro-letto." "Itisro-letto." "Caro Nome." The chorus work was excellent and was enthusiastically encored. en-cored. Music for Services at First Presbyterian For the mornincr and evening services at the First Presbyterian church today the following music will be given; MORNING. Orpan prelude. "Cradle Sons;" K reiser .Anthem. " Praise the Lord. O My Houl" Dudley Buck Response chant, "The Lord Is My Shepherd." Offertory. "The "Door of Hope' Ball Solo, Mrs. AtkiiifeOii. EVENING, 1 Prelude ". Alfred Dolmetsch Anthem, "Gently, Lord, O Gently Lead Us" Novin ! Response chant. "The Lord Js My I shepherd." Offertory, "Gondelied Merkel Farewell Programme for Harrison Hedger Mundny night, November 22, In Emigration Emi-gration ward hall, corner of Tenth East and seventh (South Mrects, a farewell reception re-ception will be tendered KUer Harrison Hod per prior to his departure for the ' CHlil'ornlii mission. The programme, which will begin at x:13 o'clock, follows: Soprano .nolo Miss Small Rnsmusaeii (,Miss Laura RaHrnusscn, accompanist. accom-panist. 1 Violin solo.. Mrs. Eva Crawford-Richards Contralto eolu. .Miss Evangeline Thomas Itp'-itathin 1 un Carlos Wood Vocal and instrumental selections Male quartette Soprano solo Miss Edna Evans Violin solo Miss Romania Hyde (MIsk Golfla Hyde, accompanist. Remarks Bishop John Vetterli and missionary. Will Present Music of Elizabethan Age The Cavalier Opera company, which is the first event of the Halt Lake lyceum course, will be presented at Barratt hall on Tluinkspivlnc day, under the management manage-ment of Kro.d C. Cralui m. The mutual improvement aysuda tinns and the teach-ovs teach-ovs of the cllv Hchools are affiliating with Manager Graham in brinchiR these attractions at-tractions Imre and have already disposed of nimiv tickets. This compn ny will reproduce in song, re;i dings, characters and costumes the music and manners of the age of Queen L'lizfl lth. r period of history that m w the dawn of the Renaissance. the ain- I 1 covery of America and tli- epic of tiie i past, glowing with romance and adven- I ture. j Advanced Students in Excellent Programme j 1 Advanced members of the class of John T. Hand, tenor, gave a twenty-mi mite 1 programme in the Le Grand ward Friday nijjht at Jt o'clock. Mr. Hand was the official accompanist and coach. Those appearing ap-pearing on the programme were Miss Edna Anderson, Miss Liliu Davis. Miss Mollie Llndell and Messrs. Carl Samuel -son and Dr. Holdaway. The numbers included in-cluded some of the greatest arias written for grand opera, both in the dramatic and coloratura world. The programme was as follows: ! "Ernani, Flv With Me" from "Ernani" Verdi I Liliu Davis. "La Donna e Mobile"' from "Rigoletto" j Verdi j Carl Samuelson. "Mv Heart, at Thy Sweet Voice." from Samson and Delilah" Baint-Saens Mollie Lindell. "Piff Paff, Poff," from "Huguenots"... Meyerbeer Dr. Holdaway. "raro Nome," from "Rigoletto rdi Edna Andeison. i Quart'-ie from "Rlgoletto" A erdi I Ld:ia Anderson. Mollie Lindell. Carl Sam- uelson. Dr. Holdaway. |