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Show potcsHlHusk musicians 1 ton 15 r.ipl.Hv drawlnir S e time is f:..i --it"-" 1 far con.--M t 1 1 1 nr ShwI""" I" J Hontli? N"1 h, " id abou. m'. S Et'Uir lisu.-il I"""1 ' "" q e jXar.i a f1" i",k enT wh- rr Hi- lj Krds rliirn I t ,hr yi- soul S aSOll WAS Lactic- "H" L Lak- i - ' ' 1 ' ' 1 ' ' t. Rubi ;-'M" ' A Sons Ml'l " " Kth bu ' it spp 1 1 -1 1 - ' ' Int of Hi" vi.-in.iM Hi-tBl Hi-tBl mtiii' -it lr' "l "'" rived an "I""1 J-"'"""-'. "Me Irctnr. r-Wrc r-Wrc lmvf i" n "' porimi m-i- -I' . - Ken ' h- .-r-l h- r- - irk's fri"' r vu" , Khc audl'-nrf " n-l- Uflclan- an.i br-v.t - i r Gol'lmark ami hav-j I Bplen-1M r-Mi-lltl Et the last In -Jo riven, 'Tlu- Natl--n. -I Th,. j.lc.i'iir.- ) 111-ireatlv 111-ireatlv - nlianroi'. I Mi-Kna Mi-Kna wl" lore of ill1 s " nd some of them an- said ful. for Music Critics. M n. rr, BBsT eii-"-1- BEn tin N'" l'nKlnni ftluslc If Hone shall from Kg writ-' sub-jEerty sub-jEerty f.-uinljitli'ii Mi--'.'. I-Jnt I-Jnt in Mr I-'.Im 'ii' - -I- ;- ' 1 -Bfo tak- HJxpla'ininu' tl ' BKe an irork tin- m i'li' in.ili- 1 Bth tin i IMarlonv m.i-l- al 1 1 - -1 1 u-t u-t ol '-ii ml . in- Imllnn jnotatl-'ii. B emb'-iiixhrn- His a-- i-Kliatli-n I - niH-mark. BIB,' 'I In r Ki)ch I hi- Ri his iiotl--- I "it w I -BJ; unil- r -forthci rm-r- . h is 1-- ' Bong forms a-Tjnlrlnt; a --Bt BPetli"'. '-n null Bfced to 'in in (ami Wuriiit mi i 'ill IP Bona I m ..rm-- I - fcn and ,.i I . r --mi--- r -Kris i ' gXhr v. HTlar' I iri'l ni'T-- hlcrn-m. hlcrn-m. t - i. I- M'ki-'l-up IB6nym; - . . . 1 1 1 . i . .m.i UVand finally thai ll...r Bftc ' BHtv-h tlnii miKh IB In 'th'.- w 1 1 iBfM-''1 muslr critic has IHfe manv mom I hnlra.1 Bi read whlch 'Mr Eleon Hu Journalism, ciltlolsm Kw literature Hal Bttl'lii a cri .il -n il IMf-drfJ' writlnp is il"ii'-BSl&lli"ii'ls il"ii'-BSl&lli"ii'ls ''I- li II- rr Burled at II. "li account iBwecla 1 1- in i Bw pei ' ' r- Hbilc Hjfcr. El-i El-i Had t" K act u ; - ' i . -1 1 1 i"i pa 1 1 r - a 1. I in nn iBB) win.- . IBwrvi' IBf Of 8-' 1 1 1 l.' 1 I n Bating ll.' n rj 1 1 i r -m nts 1 t. StUU ' "f ' n:i I 'T' -I' it I lather largi order, but Mas will 8- i S u ' I B I glv-n t" nin-i- - i- for II. la- '' li" gi I tmlriinu . i Icult I-- in hlms. It n though he know s n-r- EI be said, .ii. 'I mi. S Blumlnal Inu' ' I 1 1 ! i fin in iveraatin! ill Vbt Applause. lengthy aril. I. . i In- main ma-in Truth i-iiiif- ..-it 1 1 i fj Beak, ahsoliilrh ii- , . -- I I in . ; i ler things hr- k,i -. lie mi' . line in tin "in i i in. m irtistlc. 'Mu.Mi tin r. im.i 5T Bmuilr 11 Int.-lllK'ni I ter, for Inslnii. .-. w n h Wn th- rchu, oi rich , iy by an hji Imr-1 .-f i Br COnmianu ' In ...n,t Is th.- in. 'i.l m,, ,,f fl Me is n-MthltiK nun H. - buslcal .. i fi if Mi i in . hurches ami . -ti,. .i,:ii lhlch such il. m nisi i i : fcre Dmhlhltcd I I (that niusirul i value whic h referred to leed, but suk-mode suk-mode of au-Ule. au-Ule. f cacophonous it be thought Be, more sen-1 sen-1 than otln-i s. Qaeri ii 13 r -I the euund of ler It wa i mptlblllty to ;h n. rvoua or-P, or-P, acmn, wiiu ieceary tun-1 tun-1 the Sliah of rt of the per-ccn per-ccn to Coven t ago a wcll-ttaCtb wcll-ttaCtb of eom-Kuslus eom-Kuslus II.ii : la which he -uf-ary exercleea he complaint, liked ti, h unl, Blnci it ame klml of Bamo kind of IkIu be found ir spirit to the performance . HCet ted it dans for in-HO in-HO usually an-Sot an-Sot shall Rnj iccount Mple to Insist tratlopn ,,( de-c de-c in general vIouk abuse of letk-e. :,,j iul. indulgent with 'm perhaps 1) back an artist Sen to i-e t desire of Hi,, hi sort of bad excuse, and It seed." Necessary. Importance of ork of a mu-Jbllcan mu-Jbllcan avs-to avs-to play a part musician ,n Sorous muscle 1 back are aS-n aS-n it must not 's In lt: i-eri should l4c off-mi off-mi air aa poa-91 poa-91 gen, E -ofeselonal ls'n reser I health nnd vitality needed An jirtlst ..inn -a .iff.. id t" break an encaRc-mcnt encaRc-mcnt often; unless h- Is absolutely sick ho must carry out his contract, whether h is at "top notch" or "under the weather," ana the audience must not b allowed tO SlMpSCt In llic latter "use that he is not finite well and happy The amateur ama-teur niav play or -ins when he phases; the professional must appear at the stated stat-ed time, whether he feels like it or not. As Dr Johnson said, he who lives to please, must please t" live and there cornea the strain PaderowsU'a breakdown break-down quite temporary, it may be hoped Is a case In point. Th young musician musl be as careful to store up health s to master hla art Those, who Indulge In dissipation In their student elat are squandering a vital force which they, of all persons, eatt least afford to waste. The composer can 1 i-'.iL'' In his golden moments; mo-ments; the performe r must be prepared to pay with Ills person at any time and the difference is great Heard With His Eyes. "The late Theodore Thomas had R wonderfully won-derfully keen ear. s.a nn Bastcrn ex- 1 -1 1 c ' , i.n . .1 'nslnn, v. ion one of hla violoncello players had had the position Of his sound-post changed, Thomas detei -ted the elifference In tone quality at once anel asked 'Is that a new Instrument you have, Mr I nger?" Hut he did not Claim nmre than was duo him. During tin- musli festival given by him in ISSi at the Seventh regiment armory, he had an orchestra of nearly 3nr. An Incident which occurred during this festival Is thus related by Thomas In his autobiography autobio-graphy just published bv A. C McCUirg ttt r,,.. in Chicago 'In ''Wotaifs (Tare Well" from "Pie Walkurc." a passage for the violoncellos occurs which begins In the bass clef and continues with the tenor clef 'Cellists, unless verj familiar with the music, are apt to make- a mistake-, and read this passage in the bass elef all the way through. On this occasion there were thirty-six 'cello players, and the last stand was about eighty feet away from me. 'When we came to this place, i heard the mlstakei In tho passage, anel remembering remem-bering how it wne written, suspected the cause at once. I knew the mistake was made ,-it the last stand of the 'cellos, and glani lug at the players I saw that one of the-m had his hand on his Instrument in tho position where It would be If he had played in the bass clef. I stepped eiuick-ly eiuick-ly to the slanel and pointed out to the man his mleslnke, and returning to my place, continued With the rehearsal. This took less time than If I had made the 1 "rr, ctlon from the conductor's desk at that distance, but the eirchcstra. was aghast that I had be.e-n able to single out the man who had made- the mistake from among so many players. The incident onlj illustrates that the conductor sometimes some-times heara with his eyes as well as his ears.' " Music at N. E A. An unusually line programme has been arranged for the department of music of the National KIucatlon association, of which William A. Wetzell is president It will be noti-el that among the soloists during dur-ing tin convention will be Anthony E Carlson a I'l ih man who has been stuely-iMg stuely-iMg in Boston for twelve yean past, and who sang his way Into the hearts of I'tah pi opto during a brief visit here In the Winter The full programme for the iii'im department of the N. E. A. con-vention con-vention follows: Wednesday morning, Julv 5 President's address. William A Wetzell. supervisor Of music, public schools Salt Lake City, I'tah; music (organ solo). Mrs. Bruce S. k'eator, Asliiiry Park N J ; The Mis. BlOfl of Public School Music. E. A. Wln-Bhlp, Wln-Bhlp, editor the Journal of Education, Boston. Mass ; music (vocal solo). Miss Laura Minturn, supervisor of mush as bury Park. X J.. "Dangerous nnd Harmful Harm-ful Practices In School Music," Hollls E. Dann. director of music. Cornell university, univer-sity, Ithaca, J. V . discussion e-d bv 1 Charles 1. Rice, supervisor of music, Wor-ccster, Wor-ccster, Mass.: music (organ solo), Mrs. Brine S Keator: "The Correlation of Music with other Branches of the School Curriculum," Mrs. Elizabeth Casterton, supervisor of music. West Bav City, Mich.; discussion led bv w A. Putt, superintendent su-perintendent of music, Cleveland, O.Tmu-sic O.Tmu-sic (vocal si.loi Miss I aura Minturn, Anbury An-bury I'ark. X J. Thursday morning, Julv r,. Music (instrumental) (in-strumental) -Music as an Element In Culture'' Charles E. Locke, D. D.. Brooklyn. N Y . music (vocal solo) Anthony An-thony E Carlson. Boston. Mass.; "Reda-llon "Reda-llon of the (Jrade Teach-r to Music Instruction In-struction In the Public Schools." C A Fulmer. superintendent of city schools, Beatrice. N'elj ; discussion led bv Miss Julia E. Crane, director. Normal School of Music. Potsdam N Y. ; music (ChdrUB); "Some K.-ntur.s of ftluetc Instruction in the Schools of New Ye.rk City." Frank R. Rix. director of music, public sohools, New ork City; class exercises tei Illustrate Illus-trate the foregoing paper; music (chorus). Friday morning. July 7 -Music. "Some Type. Studies that Have Been Found Helpful In the Teaching of Mn-lc in the Schools. ' Walter II Aiken, supervisor of music, public schools, Cincinnati, O. ; dls-iiisslr.n. dls-iiisslr.n. report of the .omnilttee on the proper literary anel musical training of the musli supervisor, his examination and Certification, by the chairman. Thomas Tappe r editor of Musician. Boston. Ma sh . discussion led by Hamlin E Cogswell, director. Conservatory of Music. Mans-Held Mans-Held Pa., mush ; report of ceimmitice on what results should bo obtained In the various grades of the public schools), by the chairman, P c Hayden, edjtor School Music, Monthly, Keokuk. Ia.; dlSCUSSion led bv Francis F Howard. BUperVlSOr music, Bridgeport, Conn. Music Notes. One of the enjoyable informal musical events of tho week was that of Friday evening, when Mr and Mrs Qraham F Putnam entertained a number of musl-' musl-' I his jit their home In honor of Rubin fJoldmark. A very phasing programme was given, several prominent local musi- i lans taking pari, and Mr. Cioldmark hlm-self hlm-self faoring the guests with some piano numbers. t J. J. McClellRn was in Minneapolis last week, where he gave four recitals In the l ew Auditorium. With Mrs MeClellan. he will return to Salt Lake early this u . ck Quite a gathering of friends greatly enjoyed en-joyed the musical- given bv the advanced pupils of Hugh Dougall at the Clayton store last Wednesday evening. WlUard Welhe, the well-known violinist, violin-ist, has been receiving the congratulations 'if his friends over tho fact that Ysaye found that the I'tah violinist was making such tine Instruments that he- procured one from Mr W'eihe to add to his alreadv valuable collection in addition to being a violinist, Mr Welhe is also a maker of violins, and the Instrument which caught llic fancy of Ysayc Is but one of a number num-ber that Mr Aeihe has made during the past few years One by one, the leading critics of Germany Ger-many tako up arms against Cosima Wagner's Wag-ner's "Parsifal ' modopolj at Bayreuth. The latest Is Ludwlg Harimann of Lues. den who declares, that though Bayreuth might suffer, "Parsifal" should be given to tho world: "It belongs to the nation, not to a family." ho says and 'to prolong pro-long its reserved right of performance would be a misfortune for German art " Daughter What shall I sing for you, papa? Father Any thing you please my dear Since I paid to have your voice cultivated all your songs sound alike to me. Judge. P ClerlCUS has written a pamphlet en-tltleel en-tltleel "Wlo erhalten wlr unsern Klndern die BChone Sllmmc "' In which he laments the ruin of so many child voices by the Injudicious vocal exercises in schools, it Is put i. -le d in Berlin by Hans Pullmann. and gives much useful advices regarding exercises, change of voice, hours of instruction, in-struction, etc. The present division of singings Into two classes such as lyric arid dramatic seqiranos, or lyric and heroic tenors Is altogether too simple for the Bavarian Mttmar Rutz. Hi- has attempted most elaborately and ol-si-urely t" prove thai there aro sixteen temperaments, and as many kinds of singers corresponding to tln-m A singer, for Instance, who has a "phlegmatic tone will ilnd it useless to attempt Ve-rdl because that composer's mush- was written entirely for singers of the "sanguine" temperament. What a lot of nonsense these' singing teachers do write! New York Post. At a concert In Wurzburg, which took place upon the I2th a Richard Wagner composition was performed, an adagio for string quartette and clarinet, which was hitherto unknown and unpublished The werk was written for the clarinetist Christian Hummel, who was conductor at Wiesbaden from 1M5 to 1M1 t Although unable- to arrange terms with the municipality of ienna for the sale of the house In which Schubert first saw the light, the owner has announced his Inten-tlem Inten-tlem of preserving the dwelling Intai t |
