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Show It II I II'- - Sail Luke Tribune. Sunday . June 2!t. 1'tMt Jorge Bolet: Simply brilliant performance. Most of the time the force of his artistry commands rapt attention. Thats the way I felt, anyway, all through Schumanns Camaval, Op. 9, from the forceful opening chords to the enthralling conclusion. Often the music was light, frolicsome stuff, deceptively simple on its surface. The pianists awesome in the soft technical capabilities, particularly playing, were totally subservient to musical design. at all One wasnt really conscious of technique The shimmering quality of Liszts "La Ricordan-za- " was the pervasive element in Mr. Bolets interpretation of that piece. It was made possible by the pianists finger speed and agility, the technical elements which created lines so smooth they seemed set down by the continuous long stroke of a paint brush By Paul Wetzel Tribune Staff Writer Nieolas Sloninisky, the puckish IUOVO lexicographer whose wry commentary enlivens the sixth and latest edition of Baker's Biographical d Dictionary of Musicians. often deals in evaluations of performers. Horowitz is not simply Horowitz, Vladimir, Russian pianist but Horowitz, Vladimir, fabulous Russian pianist." Similarly. Rubinstein is celebrated, Berman is remarkable, Serkin and rrau both are "eminent. Jorge Bolet. who was Friday night's featured recitalist in the Summer Piano Festival at Brigham Young University here, is dubbed "brilliant" by Mr. Sloninisky. and that also seems an appropriate adjective to apply to his BYU performance. Mr. Bolet has devoted his career to the romantic repertoire, and he did not venture outside it Friday night. His program included works of Mendelssohn, Schumann, a Uodowsky transcription of Weber, and, of course. Liszt, the composer with whom the pianist is most closely identified There were interpretive characteristics common to the performance of each piece. For me the most memorable of these was the pianists sense of the pace, the concept of form musical momentum or design. Mr. Bolet's phrasings and the line he created were so persuasive that they seemed to preclude the possibility of other views of the music. Of course, there are other views equally appropriate, jierhaps as winning, but this pianists playing doesnt invite mental comparisons, at least during the one-wor- Sunday is the laat chance to see Hansen Star show Clios end today Planetariums and examines the future of the universe and mans role in it Asimov science liction star pnigram, The Last Question and the 1980 International Commercial Film Festi- g commercials from around the world. The Last Question" w ill be presented at 2 and "The Last is based on a story by Issac Qu-sti- on tarter be- '.ww' ,tr, i The star program during the month of July will which Ik.' "Footsteps," with The CLios showing at 3pm. tween star programs. Admission to The Last Question" is $2 for adults, $1 50 for students and senior citizens, and $1 for children under 12 Admission to The Clios is free with a purchase of a star show ticket. The International Film Festival is a collection of award-winnintelevision val (The Clios). pm. I uui'M'ii'ygiimiMii1 examines the Earth and Moon and why they developed differently . X h e a n s e n 11 planetarium is located at 1.5 S State. in' ft J ' The second Liszt selection, II Pensaroso," was a vision of moody blackness, described by the pianist through the careful control of bass sonorities. The same composers Apres une lecture de Dante (Fantasia Quasi Sonata) seems to me an overblown work, but in Mr. Bolet's hands its great music. Perhaps thats the wonder of this pianists special talent. ?! 42S'iil To open the recital, Mr. Bolet played the Mendelssohn Songs Without Words, Op. 19, Nos. 3, 1 and 5, and the same composers Prelude and Fugue in E minor, Op. 35. The latter two songs seemed to capture the essence of "songness, for want of a better description. Only the Song No. 3 seemed a bit bumpy. The imitative counterpoint of the Fugue was notable for its clarity. sl ROBHKT RHDIOKI) "BIU BAK1.R 0 II I Ml KVIOM'KIM MS T WVKON 1) M DwiDkiim TIM McINTIRI: jslluo Vf4tiipl.iv h R What's slower than a speeding bullet, and able to hit tall buildings at a single bcundl Mf I) HR Mil III 1 STRICT (D Morv K b KM Vi 111 I l K IU PHOIH KM 1 Kami 1 ION A M K1 I KOSl MU Hi, III M Ml RR.V HAMILION YAPHLT KOTTO JAM! Al.KXANDl.R set uiiu Produur K1 111 K KOs Music In h ailahli hi laM 36.4-018- C ri'jik Iron. H.llanllli 1) M VNN PrtMliiuti I IUM till RON l s I KM N lirnlt U lu sll KI MOM Mil Kti KIN lkaik 3 . A , , a 7iSfast. , ' '? 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