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Show Lace & Chiffon Opera Cloaks. " No garment demands more careful r(S H i iil consideration among all tho requiro- ft jf incnts of a modish woman's wardrobe K than tho opera cloak, and yet none ml , ' H offers an equal opportunity for Lndl- m i M idual taste and a corresponding per- B; . H conal triumph. Ono which was worn at ft' H the last royal drawing-room consisted Btt ) ftl of . horizontal Insertions of whito valen- (15 I ll clenncs laco and ecru batiste embrold- ! I ' H ered by hand, with minute clusters of ' liiH tinted roses appllqueS on guipure of a ) 1 Ij warm cream tluL Palo blue chiffon was ' H artiotlcaily inserted so as to separate i 1 H each row of dcntollos. The pellcrlno was .'l li' H finished off at tho bottom, as were the ( H petals which form the two fronts, with 1 H a full ruchlng of a light blue chiffon. I . H Tho lining was as artistic and as strlk- , I J Ing as the exterior of the garment. f J White ohlffon had been gathered and y j il- JH caught around the shoulders and waist r 'It iiiH scains into a luxurious fulness that 1 r- f (' B gave a certain distinct air of richness v 1 ' I lllll to tho Interior. This lining added much . . . , i . iiiH to the effect of tho cloak when thrown ' ft ' ' iiiH over the arm or tho side of tho box at , ; ft I j the opera. This striking oloak was cut ! . f I 1 so us just lo touch a trill o below the ' t 'Si , J waist line behind and sloped grueefully 1 ; m M , j to a point at the taioea.- f |