L 0 ML J I 1 IG I 1 FULL garments now being featured by paris houses distinctly thing apart from the general collection and alway for evening one of 0 the most disputed points point s in paris at the present time notes noted a fashion writer Is the relative value of the long full skirt and the possibility of its being definitely accepted three important houses have featured this his skirt but it Is distinctly a thing apart from the general collection and always tor for evening jeanne lanvin confines her wide skirted models entirely to designs for young girls she anguei argues that th the elfull full kirt has a distinctly quaint and youthful fu look and Is on an appropriate dress tor for the young girl who tor for some years has had nothing distinctly her awn own but lias has had to borrow from the styles of older women shows allows tentatively only a few models in wide skirts r one called tante tanta aline has attracted a great deal of attention it Is developed develop edin in a brown taffeta with embroidery in metal threads and a bertha and skirt panel of a very heavy embroidery in varl tones this model however has neither beauty nor to recommend it it Is simply something paul has shown the long and wide skirt for some time nis HIS models of this ch character arneter are how verde of designs which he has t made tor for the stage and area are not to be seriously considered from i a standpoint of personal fashions these are ah the e really long skirts there ore are of course the skirts giving an I 1 impression in pre silon of length while being actually short madeleine et madeleine have hare been remarkably successful with their long skirted evening dresses giving a effect I 1 it