Show J tk L I 1 Iz 1 I I I 4r 7s Ji j MILLINERY COMBS A DISTINCTIVE FEATURE OF THE XEV SPItING BONNET Imported Summer Hats Arc Large but the Small Dress Bonnet Sits Hack on the Head and is a Confection Con-fection of Spangled Gauze and Roses New spring millinery is not of a nature na-ture to soften the irate heart of the male theatregoer t The body of the latest bonnet which like that of the winter covers only the back portion of the head is as flat and close fitting as ever but its width Is i something to make the playloving 4 i bachelor weep Wings of jet or lace or ribbon mixed with huge pompons of closely massed roses project far beyond the ears Under these jabot ends of lace that almost touch the shoulders and at the back of the bonnet as if tucked I q I I I I I I I I I ff A FETCHING BONNET I rakishly in the hair there will be sometimes high Spanish comb effects cn gauze and spangles Lace and Illusion Combs These millinery combs are a distinct feature of imported bonnets and they are especially becoming to dark melancholy mel-ancholy types They are made of thin lace as well as gauze though when of lace they are only finely wired when of gauze along with the spangles span-gles there will be an outlining in fine jet or gilt in shape they imitate exactly ex-actly the rounded or square topped Spanish combs but a later and charming charm-ing design in these novel trimmings i1 a tall halffurled fan than is set dashingly to one side For a Snanifch Tvpe of Beauty An imported bonnet in black lace and red roses that has a true Castilian air and an almost fearful coquetry Is backed by one of these fans The lace is as fine as a spiders web patterned ineanin lv enough with flies an exquisitely pointed border forming the tops of the fan which is shaped with a hair wire and so adjused that it looks as if placed Etdewise in the coiffure A scarf of the lace arranged in two loose pompons and ends widen the sides and back of these ends which are short and bunchy nestles two knots of black red roses as if also in the hair Altogether it was a very fetching bit of headgearand abominably abomi-nably wicked Petunia and Green Straw iI i I In the same shop that aeld it was I I a bonnet that a man might behold in I f I peace and whose entire crown was a huge loose leaved petunia From I under this petunia which was In cold shaded pinks came a ruffled borJer In I green straw braid that bulged out ate at-e sides in two ears thatlvere tied I with knots of black ribbon velvet I j There were also narrow strings of velvet vel-vet at the back and at the rim of the I petunia crown two tiny Mercury wings I of white lace stiffened with rvire t This bonnet was not in the least sug gstive of romance from stem to I stern it breathed that properly ordi AL Ylliihl A peasant women Many Indeed with their vast width 4nd flatness have the look of caps For Theatre Vear Bonnets for strictly theatre wear are more minute affairs and are prominently promin-ently flowered A bunch of bewildering bewilder-ing millinery that might be worn by either maid or young matron to the play begins with a wreath of tiny pink crush roses that are drawn together to-gether until they form one unbroken line that lies flat over the head from eartip to eartip Next in evidence comes a narrow white lace barbe of misty fineness I This is stretched plainly in front of the roses and is bunched delicately at the sides at one of which rears a black feathery aigrette giving tone to the whole Back of the whole affair to be seen from the front two great rhinestone balls with hairpin ends fasten the side wings to the hair This dainty little conceit was decidedly de-cidedly Dutch Theatre bonnets for oldish women show fewer flowers and more jet Trimmings are flattened and put on with a sedate air Braided Strarra In the matter of her street bonnets the oldish woman can choose from many curious shapes never seen before and many of them demonstrated in a fine straw braid that is as delightful in tone as texture Mild browns and tender moss greens are most pleasing to this braid but a particularly captivating capti-vating bonnet has a triangle in ivory white with trimmings of black lace black velvet and white satin rosettes Other braid millinery is in the shape of turbans whose two inch brims are dented in places or often tied together over the top with ribbons or velvets after the manner of soft baskets for sailors and gypsy country hats Flowers Flow-ers are invariably the chief trimming of these last and never were bighat flowers more charming than now The Vogue of Field Flowers II Orchids and other weird hothouse blooms have given way to all the sweet things of the old fashioned posy garden to musk roses and spice pinks daffodils nasturtiums rose leaves and sweet mignonette even the dear old blue larkspur we have known in our school days and fashioned into wreaths and crosses is seen Ribbon Novelties > With great masses of these large I hats for country and sea shore wear are made further big and beautiful by vast knots of ribbon that has a taffeta nnisn ana often a flowering border or I corded edge in a different tone The crowns of these hats are not high though smallish and brims are waved slightly to a perceptible cock ac the left side Trimmings are put on to have an extreme width effect A monster chapeau of black Tuscan with a vast front bow cff dusky net was widened at the side with clumps of black feathers sewed on the brim and highest high-est at the left New Black Hats Another of black wired tule had great windmill arms starred with jet compassing entirely both front and sides The first was picturesque and becoming the last distinctly ugly A hugh Maud Muller outoftown affair was particularly ravishing The crown of this hat which Together To-gether with a flower boa and a il wer parasol that matched it had bee l designed de-signed for a well known New York beauty was of black straw The brim or rough green straw showing an under un-der glint of flame lifted slightly at the left two great flyaway bows of moss green taffeta ribbon widened it and she remainder of the trimming was an extensive ex-tensive wreath of moss rcse buds inflame In-flame satin nestling in abundant foliage foli-age The throat length boa of the rosebuds rose-buds and foliage had ends of the taffeta taf-feta ribbon whioh also tied the handle and tops of the parasol that was made i of black gauze scatered heavily with the flowers II These floral neck fixings and para J t 1j cQ Id J 3 I J 4i SPmNG MILLINERY t i F nary air that our mothers have taught us is to the masculine mill necessary for bonnets and human happiness P Yet it was pretty in a way and rave of millinery ideas for using up fragments linery I Profusion ol Straw Lace In both black and white plays II an important role in spring millinery i Often entire bonnets will be made oft j black enchantrees described the < t as was scribed and besides the Spanish I elfects there are Russian effects Bre Dutch effects effects and ttrnne All of these bonnets fit snugly and I h come well down to the ears and are j worn far back on the head after the i a bionOf the headdresses of European 1f 9 fIe > < e L v q < I sols may rightly come under the head of millinery and from the indications given they bid fair to figure largely I In summer wardrobes They are inexpensive inex-pensive of course but adorably lovely and the girl who can afford them is bound to be beautiful I beautifulNINA FITCIh |