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Show The art scene The Sait Lake Tribune, Sunday, September 19, 1978 ,15 3 Fall show allows faculty to demonstrate what they teach w aWv? : x -- S' li . V V 'V.C''-A r--t W faculty exhibit currently on display at Fine Arts Museum. Richard Johnsons metal sculpture is part of university iNO musicians, though The Sousas keep inarching "Winter is lean, anemic in both color and formal concern Frugality is not necessarily unpleasant if one statement builds from its predecessor with relative strength and However, each point may be made w ith the poignancy of a rapier stroke when economical modes are pursued Toothy , Robust August" by contrast is toothy, robust and bold with fulsome pigment in earthy, if not too economical patterns Mixing pigment directly on the canvas adds strength that relates well to the theme. Garden" in an impress mistic manner is fresh, radiant Color passages are coherent, moving in a serpentine fashion from warm to predominately cool tones In other flower studies there are stimulating sequences of warm and cool nuance that please "Field has an abundance of radiant energy deals with a representational subject "Valley There is little in the drawing or color to support the notion of mountainous strength or mass. With few clues to underlying structure the viewer must rely on meager suggestions to provoke the theme Recessed areas in Long Winter" are most rewarding Misty effects of blowing snow offer seasonal mood, but tend to neglect important details of tree anatomy the point where the trunk emerges from the root structure that generally lend strength and virility Considering the informing function of drawing for contemplative statement, nuance, sublety and concern for the implied, but unstated, the floral themes come off best wet-on-w- r Is Washington Post Writer The John Philip Sousas kpep marching on. Jonn Philip Sousa, composer and Marine Band leader! Da Dum, da da dum.dada dum! John Philip Sousa Jr ' John Philip Sousa III1 John Philip .. Sousa IV! Da da DUM, da daDUM, da da DUM dum! And here comes John Philip Sousa I again' (True, he died in 1932, but hes back in a neiy Sousa boom ) The March King is the composer of El Capitan, a comic operetta presented recently at the Kennedy Center. Musical Talent Lots of live Sousas were there, too. And not one of them, said John Philip Sousa III, has ever shown one shred of musical talent. People keep trying to hand us batons, he said I used to take them, but now Ive learned to sense them coming, and I head for the mens room. My son loves pubhc appearances hell take them and go right ahead and direct a band. Neither one of us knows an upbeat from a downbeat. The musicians just go on playing Sousa III is a writer who is ndw thinking of writmg a nice account of of his 30 years m administration Time-LifSousa Jr., his father, was a manufacturer of automobile parts and a sportsman Sousa IV, Ills son, is in politics in California He once ran for Congress m Orange County, Calif , arriving there only two weeks before the election and wowing people with his patriotic name, but he lost. Sousa III is also the head of the family business, which is frightfully interested in the new copyright laws. Under the e. The bold manner of "Concert is forceful, but not There is little beyond the strong impressive directional force of black on white to develop the theme The calligraphic statement suggests perhaps a thrust of the conductors baton Its commandmg diagonal thrust places the canvas m almost two equal divisions What then? A proposition to be explored music could be old ones, Sousa copyrighted only for two terms of 28 By Judith Martin WASHINGTON KleinM-hmid- f sprigranhs hy Margaret P Davis and graphic designs by Raymond Morales are contiguously located. Drawings, wood, stone and metal sculpture represent new creations by Angelo Caravaglia. Pottery by Dorothy Rearnen and paintings by Anton Rasmussen are m the same gallery. F. Anthony Smith uses wood, wire and plastic media in creations that pique a precipitous rage of sensations from the palpable to the illusory. Alvin Gittins Piano Bar is convincmg The study m contrast to a commissioned work which normally includes fairly punctilious concerns is Iidsome in a thoroughly rewarding study manner and spirit An impressive trio of canvases by Roger Des Rosier, Beatrice Weinsteins combination of paint and applique on dimensional canvases, paintings by Paul H. Davis and graphic design bv Calvin Sumsion are included Photos, Paintings Wrilham R and Gailor Schmidt are showing photographs and paintings at the Ogden Eccles Art Center through Sept 29. Oil and acrylics make up the canvases that range from impressionist to abstract themes Camera studies are well composed, and explore familiar subject matter. Landscape and fi.Tdi themes are invested with poetic mood A study of Tiburon treats water and sky with a continuous tone that reserves special emphasis for the unusual detailed etching of waterfront buildings. Pastel tones m a study of the same name have a definite seasonal impact cool, fragile, with linear impress In "Fort Point focal mterest is entertained within massive architectural forms. Canyon is most representative in style of the paintings. The illusion of formal shapes arrives through a technique that, used with subdued palette, is effective. Directional strokes promote the illusion of depth Soft tones induced from carrying one hue into another a.e pleasant. September is the month when art students turn the tables on their critical mentors at faculty exhibitions throughout academia. The significance of teaching by example was extolled by 17ih cemury biographer Philippo Baldinucci who wrote among other things the first universal history of the figurative arts in Europe, as well a. the first dictionary of artistic terms and a biography of Giovanni Lorenzo Bernini t 4 r X commissioned by Queen 4 i Christina of Sweden. The his-torian emphasized the sigmti- Mr. Dibble cance of Berninis exporure to the artistic works of his predecessors in Rome, that permitted him, "to develop in accordance to his talent, inspirations comparable to the lofty ones of those sublime spirits Though students today may have little desire to imitate their mentors they may, if they choose, compare preceptual aims with practice. Metal Sculpture Richard Johnstons metal sculpture in the University of Utah faculty show in the Museum of Fine Arts, emerges from the hushed shadowed recesses of a single gallery Oxidized metal planes glowing from somnolent negative voids afford essentially the same premising flow of ideas that move the artist Palpable forms emerge, inducing the notion of concrete and illusory shapes. A small gold ring in a jewelry display seems almost directed toward the ucrocosmic by contrast. Edward Marions water-colo- r performance moves freely between positive hue ranges and passages that coalesce in sure hue transitions. Doug Snow shows a model of his successful Snowbird mural and a crayon portrait by Robert years each, m the United States, and the family only retams rights for about 80 late pieces, none of them the biggies. Marching Hits Sousa I did well financially on his music, which included not only the marching lots, such as The Stars and and Stripes Forever Semper Fideiis, the Marine Band theme, but opera, ballet, ballads and waltzes. Dont worry about those pitiful figures like $35 for you hear of his getting The Washington Post March commissioned by the newspaper. That was just for the sheet music. Sousa I, who was founder of the American Society of Composers, Authors and Publishers, retained the performance rights, which is where the money is. Family Business The family business also protects the image, which is to say it plans to sue a Cuban travel writer in California who uses "John Philip Sousa as a pseudonymn, and it got an injunction against a Connecticut opera company preventing it from doing El Capitan with only a seven-piec- e orchestra. There is no negative feeling about Sousa to fight. He always remained popular, said Sousa III, but in the last decade or so, hes become a legend. It has something to do with nostalgia He represenets those great old days which may not have been that great, but with all this music pounding at you, you think they were. Its a pretty true picture of him. He was very patriotic, very upbeat. He was a very Victorian man, morally. Were always trying to get the goods on him, but weve never succeeded. He led a pure life. (Copyright) iSlllbl s f A S m I'wnii mmmm-- . - t - . October e-- 4 $ ?41 ''? 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