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Show ing herself conspicuous and she aspired to dramatic roles. Joan is just a kid and she had to be dignified. She loves to dance and she had to sit still when the orchestra played the newest jazz number, all because she Is no longer Lucille Le Sueur of the Winter Garden, but Joan Craw.ford, one of the screen's leading women. Joan Crawford Is Self-made Star Being a leading woman on the screen is not merely wearing beautiful beauti-ful clothes and acting in front of a grinding camera. A box of responsibilities respon-sibilities is tied to the chariot wheels of fame and glory. Joan Crawford, starring in "Untamed," her first all-talking all-talking picture, which will come to the Cameo Theatre, Sunday and Monday Mon-day as an example. Once she was Lucille LeSueur, a dancer in the Winter Garden in New York. Harry Rapf discovered her and she was signed to a long term contract con-tract with Metto-GoldwyiuMayer. Her name was changed to Joan Crawford and she became one of the most popular stars on the screen. All of which sounds like one of Ihose nice, commonplace Cinderella .tarns. Joan loved to dance. She could dance, too. So Joan, the Miss Nobody, Joan, the "new contract player," went out and knocked off all the dancing cups in town. When Joan stepped on the floor during a 'Charleston or Black Bottom contest, the others groaned and saw the cup become a faraway goal. Then Joan became a leading woman. Her name appeared in electric lights before the theatres. When she appeared ap-peared in a cafe, everyone said, "There's Joan Crawford." She still loved to dance, but she couldn't any rnore for she was being criticized mak- |
