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Show r- - III XT'"1 M.W'yrwy-- V m mm.' vyry awv'a foetnj - 'sAv ' J a t- Corner , - i 'r7V Sx -- . 41 t JaN - w. -- -- sX o fc I) i I f . fz J t shxi h M V I . '' ' i 1 r i 1 $ ' -- A l! , v The gathering of 170 tempera. watercolor and dry brush woiks, including Wyeth's nost famous paintings, went oi exhibition Friday, and the museum was ready for Large i row ds which lined the side-- lines w a lk Its .Ob a & i. x. firt comprehensive Lent 38 Works Wyeth, ha wife Betsy, and sons Jamie and Nicholas, w ho have lent 38 woiks, saw the exhibition at a Friday preview for museum members. The museum scheduled the exhibition as one of seven niaior showings for its centennial year, but a spokesman This one will lie the said, best attended Wyeths phenomenal larity deserved a popu- and Most Famous Museum Director Perry T RathOone te-Wyeth the most famous living American painter and surely the most loved it would be as easy to state as well that Christinas World is the most familiar painting by an Anieman ait 1st alive today Chnstinas Uoild, the pn ture of Cliri-tin- a Wyeths undaunted Olson. (tippled neighbor in Cushing, looking over a field toward her distant home, w ill be part of the exhibition, a roan by the New Yotk Museum of Modern Art which has owned it since 1949. Christina Olson died several years ago, and her home and belongings have been sold The exhibition also includes other noted woiks by the Wind from p.. inter including The the Sea, Her Room, Chambered and Patiiot a Nautilus, plus his latest My Young painting, Ft wild tem-pei- , Beverly Mastriras oil Birthplace is influenced by nostalgia and recall ::"' xV x'i JUNIOR GALLERY. . . Olympus Ogden, Provo Hills, Foothill Village, Downtown, l ' 'A 31.44. M.4.t44safx AiAAckfaAi ws the New England showing of the work of Wyeth whose life and work ate divided between Cushing, Maine, and Chadds, Ford, Pa VfA ill?, frV J' t i 4? weeks, and Wyeth. fjf V Asociated Press trucks, vans, private carriers have been bringing to the Boston Museum of Fire Arts the major works of artist Andrew The Salt Lake Tribune will $2 for each original poem, not exceedirg 20 in length, published here. Contributions should be mailed to Poetry, The Salt Lake Tribune, P.O. Box 867, Salt Lake City. Poems cannot be returned pay mm For cars Evelyn Peterson 2749 Harttord St Salt Lake City .x I t i v I ' A Of course Nobody noticed the horse 'VW, 'Xj4 A" -- t l ,,5 K w rt - " If ' vr; ' T" iJ B U vt 3 4 LADY GOD1YA RODE WHITE HORSE ft iT - A By A x E3 Boston Museum Exliibits 170 Paintings by Wyeth I , x The Salt Lake Tribune, Sunday, July 19, 1970 3Iot Loved' Painter Called '1 in preference to visual delineation. It can be seen at Historil Society. Ou the Art Scene Painter Must Interpret His Subject By George Dibble Landscape painters today deal with an audience of increasing sophistication. It is a n audience without or cares to presume. The Romanticists were inspired like the poet, Shelley, to lift their thoughts far beyond man's corroding influence: J. M. VV. Turner proved that nature must be loved with a passion greater than the average painter dares 1 love snow and all the forms of the radiant frest. I love waves and doubt, surfeited with a candid sort of re alism that winds and storms. Everything almost, which is Natures and may be untainted by mans misery may bring with it a of reminder dis- ecological aster. Art Mr. Dibble The sophisticated tastes of modem man incline more to deep personal involvements which delve beyond the exotic face of nature. The charge to the landscape painter is the to SAY same for any artist SOMETHING to get effec- has wth,in decpast ades been employed in a propaganda role in which the troubles of mankind both conscious and subconscious have at times taken precedence over purely pleasurable enjoyment. - nobu Hasegawa also are being shown. Phillips Gallery is open Tuesday through Saturday from noon to 5 p.m. and is closed Sunday and Monday. Mark Knudsen is showing still-lif- e studies in uil, and Sandra Callister three in the same medium. Francis is exhibiting eight pen and ink wash and watercolor pieces. Zelda Bills is displaying two seriographs, a silk screen process. Vienna Viewed Leandro Della Piana is showing two woodcarvings. Don Olsen is represented by a collage. Bonnie Phillips is displaying a watercolor. Larry and Sharlene Christensen are exhibiting 10 A number of wood engraving prints by contemporary Japanese artist S- In Photographs One of the color photo- Vienna: The City of Music gives a clue to the changes that took place in Europe during the first half of graphs in this century. The photo shows a colorful park in Vienna and the caption reads merely: Roose-veltpla- tz Alto, Calif. ($1.95.) Murray Shawcaaa, 5461 S Slats. Cara Munscn. Irndscapas Sylvaalark ttallary, 120 E. 3rd South, PrK libarty MONDAY floral painting by Doris Hamilton. "Pramlaad Vallay," Temola Vlaw Hours: Monday through Saturday, JO m 5 to 30 m. a dosed Sunday. ttirouut) p Outdoor Ttiaatra, pm. 1660 Spring Layne Shidie Oallary, turday "menace III," Utah Shakaspaartan Spring Ln., portrait by Elyna BradHours landscapes. Monday Fastlval. Ctdar City, 130 pm also shaw, through Saturday, noon to 6 pm., ThTN?y6paap Wha Flaw," Salt Laka closed Sunday. M'dlewn Art Oallery, 217 S State. "a, City public LltvaiY Chlldran't Ts Avt-nShowing by foreign, Utah end CaliforLaird Park, lth East, Prlncaton 1 nia ertists. Hours- - Monday through FriLSOA day, 10 a m. to S 30 p m. Saturday, 10 u m to 4 p m , closed Sunday. "Caclwa Ploatar," Tlwatra 131 130 Ind Matt Medstn Studio and Uttla OalEast, I X p m , fhrouch Saturday. lary, 3237 S. State, oils by Mr. Madsen "Pantcaati and Pattifoaaari," 0 Hours Monday through Saturday, Thaetra, Provo Canvon. am It I urn. dosed Sundays. Also Utrouoh Saturday. Utah showing at 28S3 Highland Dr. "Marry Wlvaa tl Wlndaar." Tlw Gallery, BJ23 S. State. Paintings F.tlval, Cadar Cy, Shakaapaaraan Hours- - Tuesday by Gerald McNael. 30 p.m alio Friday WEDNESDAY through Saturday, II im. M I pm, 20th East closed Sunday end Monday. "tha Ooaaa Wha Flaw." Tivoli Gallery, 34 W Broadway. and Sunnytida Avatwa (040 South), 10 Utah and Americana works. Early Sunshlnn," Lagoon Mary "Uttla Tuesday through Saturday, 10 a.m. to 4 p m , through summer. Ooara Housa, I 30 P m throoih SaturSalt Lakh Art Canter, 54 Finch Ln , dy THURSDAY of Permanent Collection shewing Jordan Hours Tuesday through Frldey, ln "Tha Ouaan Wha Flaw, to 5 pm, weekends, noon to S am. P"wfaMi at'Iha Taraadan," Utah Statp p m , dosed Monday through summer. Utah Statg Institute at Fine Arts,, UNvanity Old Lyrlo Raoartory 3 Comca--s- y. Utah Capital Rotunda, pm, state exhibit, Lyric Theatre, Logan. I through summer. Friday. Utah Statg Unbronlty M(D Library Gal"Ona Mad Nltht." Sllvar Wheal- lery, second annual Watercolor Wert, 3b SaturAud through City, Park Thaatro, Opm, Gallery 36t 261 S. Main. Joan AnRick att Laka City Municipal land. Llbar- - drews, oils ond watercolors! and Jim Tsvlor, watercolors. m. Klneteder 4 p ty Park Bandstand, T30 Utah Museum el Natural Theatre History, "The Cttoet Sonata, d East, University o' Utah, "Standing Up Underground, Theatrey 130, 1 Country," photography exhibit of Utah P m aso Sa'u-daSATURDAY Wednesday through AuCenyoniands, "In. Star," Utah State University gust Movie, joth South end Wasatch Dr, Old Lyric Repertory Company. L,": on paper by John Wood, acrylics Thaatra. LOOan eT shows through July. Sell Lake City Public Library Mel Pioneer Crelt Heuae, Td Cowan Breech, 20 E. 5h South, paintings end painting, metal pcjlcture end pottery f e m 3 graphics by Kenneth naui, through Mondey-'aturdeHour: avanmes, end July Thursday pm., Monday LaVenns Vincent last Fine Aria sta1A1A AM ple end Gallery, )M$ Emigration CanE eth South, lalde Bills. yon Pe'nting shown by Oils, throuot, July. South, berth, Bcdag Community Art Con tor,. Phllhac atlery, total Ogdetfc wetercolors by Milford Zomee. evhltMl ar,.ts; by summer Hou-L Hows K Tuesday Monday through Saturday, tnratoh Saa. am to 5 P m ; Sunoey I to S p m. through Saturday, noon to S a m City MDh.-.- . IIV Bandstand, J O 0pm, .!, tlo S llpsi Tar, Pi MEM dry shimmering desert are poignantly involved in a dialogue between the artist and his s t i m u lating environment. There are no overtnes of senor impending timentality sociel chaos. Only pure sensuous delight. Prints Available (18j inches) are available at the Denver office on written request. Except for the logos, the cover format of the directory issued throughout the Intermountain Region entertains the character of a fine arts magazine. 27 Members of the Associated Artists are presenting their summer show in the Utah State1 Historical Society Gallery. Oil and watercolor paintings are in the mafn directed toward the representational aspects of nature. Ed F. Neslen nvelghs social commentary in a statement based on Grant Wood's "American Gothic. Utah (formerly Hitler-platz- .) The picture appears in the newest book of the Ibis Beautiful World series published by Kodansha International of Tokyo and Palo SUNDAY Ideas concerning a precipitous cliff wall; a far reaching valley floor; a cool lake or a Color reproductions OF EVENTS LaM striking example of sophisticated landscape art is seen in the painting by V. Douglas Snow, reproduced as a cover design for Mountain Bells new telephone directory. The richly intoned essentials of a mountain theme provoke sensations of recall, discovery and premonition. by CALENDAR Salt of Mountain Theme Phillips Gallery, 444 E. 2nd is showing collected works by local artists. The exhibit, which will continue through Sept. 15, is also intended to expose local artists to summer tourist traffic. Zim-bea- point A Phillips Gallery Displays Local Artists Offerings five the mere reporting. Man is currently being flogged for real and incipient dangers to his beloved nature to the point where even the most innocuously contrived landscape could turn him off. South, beyond tively Beverly Mastrims oil "Birthplace is influenced by nostalgia and recall in preference to visual delineation and the interplay between fantasy and reality augurs for a good painting. Engaging Study Lura Redds Old Buggy is an engaging study, combin-- i ing direct use of color and good draftsmanship. A bold mountain form in Oliver Parsons Bellview employs an of effective arrangement There is sumbacklighting. mery elegance in the foliage treatment in Euray Andersons Logan Temple and a similar effect varies the seasonal reference in Paul Kuhnis Glory oi Autumn. A knowirg reference to the flight pattern of birds lends a rhythmic quality to Robert V. Builoughs Evening Flight. just ana McDonald's zinc Birrells Canyon Cut; May Warmocks Scape; the warm underside of the wave in Grayce Cutlers Tides In and "tear tones in Jay F. Henefers Get ready, get set, get going. You can't begin too early to start gathering and these great young ideas to put real zing into your in a brisk Bright Red & Black fa! wardrobe. Here's one of the newest plaid coordinated with solid Red and crisp White accent pieces. Also in a BrownGcld plaid with Gold coordinating tops. Fashioned of fine bonded acrylic, loaded with lots of bright unusual touches. Sizes 5--1 3. 19 ) nn Old add Merest to her Farm crisp style. Bold passages in Verla depth Sea junior back-to-seho- ol The soft atmospheric character of a cloud imparted to nearby forms distinguishes Florence E. Wares Sudden Boxlike shapes in Shower. De Vj if ii l O sleeveless tunic, $22.00. White turtleneck of virgin wool knit, $1 2.00. Plaid pants, $10.00. Center: Button-frotunic, $1 9.00. Blouse of Fortrel polyester & rayon with black edged ruffles, $1 2.00. P'oid pant skirt, $12.00. sweater of 100 acrylic, $ 14.00. Right: European influenced mini-ri- b Button-froplaid skirt, $15.00. left: a 100 nt in Woodland Valley are directed toward the pursuit of the natural scene. Zip-fro- nt i J I "n. rffM, tap.'"'? 4. S ' p; f S f I |