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Show Writer Turns Spotlight on Film Foibles By KHEIUUf GRAHAM (Copyright, 1MT, for The Telegram) HOLLYWOOD. Oct. J -A columnist's colum-nist's candid camera: 1 Robert Montgomery's dimples when be smiles cute . . . Gary Cooper's handshake as bard as the average producer's soul . . . John Boles' unfailing courtesy to wife, children and columnists . . . The gentleness of W. C. Fields . . . Mariana Dietrich's Intelligence on every subject except heraalf . . . Claudette Colbert's inaiatanre that aha knowa what Is beat for her in her film work -and the best of It is ahe dors Dirk Powell's hand- holding with Joan Blondall in public pub-lic -but this doesn't mean they hold hands in private . . . Bimone Simon Si-mon a giggle, very shrill- her pout, rather Irritating. Charles) Bayer's lark at hair . Katharine Hepewrn'a mee-eaillM mee-eaillM figure and maacullno esathaa .... Kay Frmnrta' difficulty dif-ficulty with tha lettee r." . . . Overgo Raft's "heavy" flirting UeUea with tha working glrla at Paramount . . . The popularity af Carol Lombard with her man-ftourtet man-ftourtet end halralreaaar their rea- aoa, "Mho aaya what aha think a matter whera ahe la or with whom." William Powell's solicitous attention atten-tion to all women, making each one feel he is secretly In love with her . . The complexion of Virginia Bruce gold, milk and roses. When are they going to transfer It to technicolor? . . . Bette Davis' husky shoulders she used to be a life guard . . . Shirley Temple's complete e If -possession . , , Paul Muni's continuous grumble grum-ble about film work, which ha prof eases to despise . . , Basil Kath bone's good nature whea wtfa Quids Insists on spending all hia pennies In lavish and boring pertee Tough-guy Humphrey Bogart's paaaon for png-pong. , . . Oeerge R rent's silence when you Introduce) the topic ef the fair sex. |