Salt Lake Herald-Republican | 1918-02-24 | Page 16 | Famous Japanese Comes to Liberty

FAMOUS JAPANESE GOMES 10 TO LIBERTY The Liberty Libert theatre In presenting to today today to- to cia day one day only essue h Hayakawa ayakawa awa awaIn In The Call all of the l Hast East presents this notable Japanese actor in one of his masterpieces Things that are difficult to tn create are equally difficult to destroy It took mole generations to build the Pyramids Pyramids Pyra Pyra- years to con construct St. St Peters Poter's I Cathe Cathedral ml In Rome and ears years to lo bring I before the American public such a wonderful Japanese artist as Hayakawa a wn About a dozen years ago ao two almonde almond- almond e eyed ed children both players In one of the biggest theatres in Japan roun found themselves mutually attracted to each fach other but art after r tho the wa way vas of the most childish friendships it was wart soon forgotten In other and fwd newer interests inter inter- ests The Tho bo boy w was Wa 8 Hayakawa wn nephew of the manager of the theatre and who had quite an nn Important part partIn partIn partin In the company compan of Madame the famous Camous afar The little girl Irl was Tsuru Oak Oakl I. I who merely furnished atmosphere and stayed about because her parents were stage people Years Tears In far away 8 AmerIca America Amer Amer- ica lea at nt the tho huge University of ot Chicago Chicago Chi Chi- cago AgO two clever Japanese people shared the same books and were often otten seen about the campus studying or playing tennis to together ether Hayakawa was one of or them Later he became tin actor in iii moving mo pictures and migrated to Hollywood Hol Hol- lywood Cal where he lie was soon Joined b. b by his time old-time friend and playmate Oakl Oak From that lint time lime on with fast tast development Hayakawa wn through his clover clever acting has haR enI cn- cn en- en endeared I J r de himself to the American public and Hayakawa now has one I of the greatest followings on oin the movIn movIng moving movI n I ing In Picture screen of or any actor atol in his j profession proCession