Show a riu SCOTCH PATH CAnucn sTnuaotBS OF MME NELLIt MELUA bloc Mole nice rl1 aIn a-In I oiehta al bheqaeatiy Tral I IIThn Sehlonccol tta Sextsftneqohel hone fl olT Mi MittiA Mr S ArmlrtiiK wlfetf M Captain Kranrl d1i Arrnlronr of England ban wiin within the lut pin I yesre tie biigtoet w illitlnctlon In Purl P41 J llrurrelt lAindon Milan and theihlef 1 American cltle ibhorheoflbcobtlole I Kent and WAI born In Aurtralla At n very early age the began Ihe ably of the pianoforte with her mother who tots an amateur of nliltll toiler sloe continued her ala illit under pniferrlonal leachert taking a rourre on the organ nnd ulrn In barman bar-man and roinixirltlon Ihut teciirlnR Ihe Rnmndivork of n thorough niurlc education which murl have proved of Inerllmable alue after the began her cared rises tlnger vhcirnlxnii iwelve year ol I It was ill ovtre < l thai nature had endowed her with a Voice of Utah oil beauty and aflernavlng taken a few vocal letton In AiiftrallA the ac relict Hu advice of friend nnd went lo Iarl where rfce placed heirelf under un-der Ihe tuition of the f amour Mmn Marcherl NotwIllirUmlliiK the objection objec-tion Interpnied by her father Mr Mitchell who wn one of the cnmmli ilmrri of the Melbourne eipnultlon a lyric career Incanie Inevitable 111 UKin the completion of her tludlei with Mme Marcbetl the made her debut on Del IS IM7 under hoe nnme of Melbn n > IMlA In Itlgolrtlo nl II I ho Thinlre de la I Monnalc llrum > eln Hn Immediate nndI hrllllunt wa s her purrean that Ihe Inlcndiint who hud arranged for utln Rle b ° rforinnncc only engaged her for n term nnd toloe upieurol lIa ikme Molelta Ophrlle and lurln HUMH > iuonll > Hlr AuKuntui harrIs eiiKunrd bit for On rnt Harden and In thou neo nan of IIM ihe made her dehul In linK lAnd In Iucln with a saccios well rimembered by all operagiilnK In donerii Then followed another long I enRMKiment In llrumelii lifter vlilch I rhv returned lo Turin and huvlnu tudled under tho coiiiMii > cr tho part of hoe heroine In Ambroia Tliomnir Hamlet Ham-let die mild her appearance at the broil Glare In hoe characlir of Ophe hit which noon uccenfully repeated eight lInes and inthuilaitkiill priilud by the Trench crllliH Mine llilbu next nludlrd In the role of Jul Idle with the mltimco of Oounod nnd npieared In that charncler In I Iindiin In June Wi with Jean de llenike In lli favorite part of ItoniMi In thn winter of that > rar xho wan the fiunrlle prlma donnn of tho Irand Opcrn nt Iarln where oho WHIR the role of Marguirlte Jullelle Ophelle IiUcIa stool IHJn The lateit umuinp lion of Mme Mellxi busy been l tho part of Uimtrnlda In homIng 1homii opera of that name it > a In Wngnrr1 UihenKrln nnd the title role In Illaliie componed by M llemberg exlornpsty for h < r to whom by the way and In dealt de liedike the work In I dedicated ded-icated Mention nliouM nlmi t hoe I made of Mme MI ILa > beautiful Interpret tldii of the tort of Mlchatla In Corn Cor-n Mme Mtlbaa plunnmenal I sueS ceil at the Metropolitan Ojiern llouw New Voik snob In llmtim nnd Chlongo ilurlnK Stoic bet two ncnixiim Is I too well known lo require more thud a word of mention Her triumph on the concert Mane tme fully i luolo1 hoots t III Ihe i > boor I Her olre la I of n remarkably pure lieaullful and ym athetlc cunt lly with a very eitenilte range Ilia lone being cr > ntalllno In II clearnn It Is I iwrfictly een throughout tho rcRlntcr and her vocalization In I the pumt Italian style In I nlmoit unrivaled In fluency and may n My ald l 10 IM faulllem |