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Show Mae West Film Coming It's a gay farewell to the "Naughty "Naugh-ty Nineties" and an' even more happy hap-py welcome to the "Hectic 1930's' in Paramount's "Goin' to Town," at the Cameo Theatre Sunday and Monday, June 30 and July 1. Back on the screen in a modern drama, with ultramodern ul-tramodern gowns and up-to-date settings, Mae West is "doing 'em wrong" in a bigger, better and funnier fun-nier fashion. Seven "tall, dark and handsomes" succumb to the blonde star's charms in this film, but Paul Cavanagh who heads the supporting cast is the only one whose affection she reciprocates. Acting the role of a cattle baron's widow, Mae West follows her man all over the American continents through Buenos Aires, to the strongholds strong-holds of society at Southampton, where he surrenders to her. ' Ivan Lebedeff, Tito Coral, Monroe Owsley, Gilbert Emery and Grant Withers furnish plenty of competition, competi-tion, but Cavanagh wins Miss West after she has been renovated into a lady. There are some grand and exciting racing sequences in the Buenos Aires scenes; there is intrigue, and plotting, plot-ting, and murder but Mae West comes out supreme above it all. Two songs by Sam Fain and Irving Irv-ing Kahal, "Love Is Love" and "He's a Bad Man" will linger in your ears for a long time. But the vocalizing you will enjoy most is Mae West's rendition of the aria, "My Heart at Thy Sweet Voice," from the opera "Samson and Delilah." o |
