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Show Seminar Series Announced For Film Fest The United States Film and Video Festival is pleased to announce a seminar series to be presented in conjunction with the week long festival to be held January 17-22, 1983 in Park City, Utah. The seminar series will address many different topics of interest to film and video-makers. video-makers. As part of the seminar series, the Sundance Institute Insti-tute is sponsoring a three-day three-day seminar based on a film series entitled The American New Wave: 1958-1967. The purpose of the series and the seminar is to re-examine a crucial period of independent film activity whose aesthetics, aesthe-tics, style and social commit ment need to be reasserted at a time of renewed interest in feature films made outside the Hollywood industry. The films to be shown in the series include: The Savage Eye, Pull My Daisy, The Queen of Sheba Meets the Atom Man, Nothing But a Man, The Cool World, Hallelujah the Hills, Hold me while I'm Naked, Babo 73, Come Back, Africa, The Brig, David Holzman's Diary, and Portrait of Jason. Three afternoon seminars will be conducted in conjunction con-junction with the film series with panels composed of filmmakers and other creative crea-tive artists associated with these films and this period of filmmaking. The panelists include prominent names, such as Shirley Clarke, Adolfas Mekas and Taylor Mead. On Wednesday, January 19th, a panel entitled en-titled "Reality and Fiction" will focus on a discussion of aesthetic, economic and ethical ethi-cal issues involved when working in a film form that combines documentary and fictional elements. The second panel on Thursday, January 20th, is on "Visual Style" with specific reference refer-ence to camera and editing techniques and strategies as manifested in the innovative films of this period. The final panel, "Acting," on Friday, January 21st, will be a discussion of film acting styles and techniques from both the director's and the actor's point of view. The American New Wave: 1958 - 1967 film series has been organized and coordinated coor-dinated by Media StudyBuffalo Stu-dyBuffalo and Walker Art Center. This project is supported in part by grants from the National Endowment Endow-ment for the Arts, a federal agency, the New York State Council on the Arts and the Sundance Institute. On Thursday, January 20th, a seminar entitled "The Future of Electronic Video" will be presented with a panel discussion on the Please turn to page 4B are again together over the skies of America. And, you guessed it, Peter Graves, still a pedarast, is flying the rocket with Lloyd Bridges again being called in when things go awry. Since sight gags and glib cliches seemed to work in Airplane, the writers evidently evi-dently thought if some is good, well... A Sequel carries these mediums about as far as I can imagine them going. But, somehow, in the main, they work. Some of them also didn't. When advised she could only take on one piece of luggage, one woman checks her baby. A boy is also advised he can't take his dog on board, so the dog is shot. .;, You should feel right at home since the moon landing station is Alpha Beta, manned man-ned by your favorite space friend, William Shatner. Sequel is ; filled with faces you'll recognize from the tube. And, playing roughly roles they have created for ihe tube. One of the funniest things in the movie is when the computer ignites a tape Graves is watching to the music of Mission Impossible. More Video Continued from Page 3B aesthetic and economic realities real-ities of video and a look at the tremendous potential for enlarged opportunities that video presents for both video and filmmakers. The' panel, moderated by Ian Calderon of the Media Arts GroupO'Neill Theater Center, Cen-ter, will include, among others, Joe Tucker, Associate Associ-ate Producer, ABC Network and Barnet Kellman, Di-rector Di-rector at the NBC -Network, v |
