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Show ' SOMETHING NEW IN MODES FROM PARIS il S. J 1 Monkeying With Monkey Fur. I s m"' mi' has iliuijirht of raonkf L'Ftef r 35 ;1 h;,rpv ,is,"u'" for frinc1, p tod ni"nk'-.. I'm h-ri.i r- .,n n. h, usrl on . 1 1 sorl - l material 1 ' i-shnwn i-shnwn .1- i hlthh suiial'lf carnl'iirf for frnik- ,-n. I ,-uits l zib hnr- ,r;i JmT Iprll.i. l"ur (i- l.i in. . in. tuftr i;i i-l it it us' ,1 as t hi- border of h r j 1 f 1 on nrcanrlie frocks it seems BOmewhal IRCCl 100 Mz',lTro for American taste. In t Pari5, however ;i larce number oi ! thcP rufflerj orcandie towns ser-n ri fff; th r.uf ir.Hik were inminerj -with th black monk' f,ir. falling in Ion ; frlnp'-s at tin- .dKe.-, of th ruffle jjj Whll- monkey mr is equally popular tod is used in black or dark colored jowtis and mantles usually. I31ack, 5 win" color ani African brown veher I mantle- t- noticed trimmed wlti I'dl border- o; white imuikey fur In mosl lastaners fur edes and bordera are in trtkinj: ontrant to the material on which the are used. A town of black A I mousseline le soie, for example, was WM trimni' with borders of white Moi.cn Kite fur Kin spite of the fact that fringe can no lonrT l" i oasidered at all novel, It I Is still st en her. ;,nl t Ik re one one of m the Freneh i es i n' such sown I bad th'' inn-,- fallniL- Irmn the shou!- " dtr, belted in at ilv waist and formlOC l a tunii In nth, r i ie- narrow ribbon Hhas b''n substituted for the fringe. Scalloped edg are used on nitiien Blind Pls' Whtr, an I seem to be gaining ' l In f p. Mir Soni"' oi ih. in are hound w ith la contrasting color and nth i ,-. ar. lin ! lllhed with a neer work edL-- Seal-loped Seal-loped I . 1 1 1 1 n! 1,1 i : . ., i.--. u - .mi ., - trlmciin?. hems pl.o .-d on the skirt in ftbree lows .iiallv di.-tant Ironi .-aeh otht r 1 Ostrich and Metal Trimmings. iHn consuleriuu I h- t rimniinga which fare now beins shown in the nev.- Parij ' fmrirl.'lo it i-- imp,,--ihl' to overlook os trlch. A.-tom.-hirii: neations In which1 black ostrich l i ins Ho only sarniture are .in, .,) I ; aruiu II. a v ii n I curled os' rich is used for three flounces on a brocaded trauze eveninq Erown and nai row. r in, In ot tht 01 I trieh ate carried over the shoulders . outlin e. I,, ,, , ,, ' ,,f i),,. , both back and fuuit Another model la Bllv, r bro. ..del ;;v n ,,f African thrown, shows 'he ostrich plumage ttard for ., striking dc oration al th--Ihip.-. Tn round bunch. .- ot the plum W H ar. pl.n .-d ju-t below the v. ilsl lin '; AlthouKh the ppularit of Spanish I lac is . .- rywhrre evident the metal Hlacrs have not lost favor. A very love-! f J)' afternoon sown bs R. dfern is ol 1 I maue liberty satin with silver lace. I H has a draped skirt with a silver lac' Ptnel at one -ide T ie Uidlee is em A broldcred in -ilk in a design which har I BOUizes wiih that ,, the lace and ia I ftmely simple, having a round neck I and pr o- i.-ali no , . v , . r "Pain Hrule ' i oa.cn, n favorite e.dor ;Ofthe s.a-on. i- -how n in . cow n or I Norm sat n v. hit h ha M 'I"' skin ami , urpln - v. aist w ith I loop sleeve? All the tlounces and the I lUrplice ar, , t, narrow hands ofiif.w blue t.iiteia ".'tii pointed edgi AIomI;, aiteiiioon co'.vn in pale pia-. .artifici..i -ami has a full underaklr'i Tot while tulle Scant double flounces Of tho eras satin lorni the Upper pari I tf the skirt, and the bodice, whit r r. I aernble- ;, wae-i.oat, is irimmcd with tiny sih.-i hnfon- 1 hito and hi i, k satin are combined In some handsome costumes. One u, t, garment has a blac k satm pel'i oat the overdress of white satin being cut awa in front to show the black under I skirt. A white taffeta and lace gar- I ment has an apron ot cream lace embroidered em-broidered with gold, hip draperies of the white taffeta and a corsage of lace. |