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Show 1-1 -I I 1 I 1 I 1 1 III I I III 1 I 1 I I 1 1 1 -1-M 'I I 1 11 I I ! 1-H-M I i I I 1 I' ! 1 l'I 'I'l I 1 II I-l 11111 i'M-H-H-H l"l I M-l Touch of Fur Effective on Print i: By CHERIE NICHOLAS - ' t , I I I I . I I I . I t I I I I 1 I I I I I I t lt, TIM ll.,l, I I I t I I 1 I I I I, I, I, ,1 I. l,,l U , i l i i l l , l l l , , , , , ' The fur-trimmed Idea is gaining. That a touch of fur is wondrously effective ef-fective on gay sheer print is one of the proud discoveries made in the realm of fashion during the winter months and which because of its exceeding ex-ceeding great charm holds promise of a widespread vogue for the future. lie the dine or dance gown of sheer print or of heavier crepe it Is almost certain to be styled with a matching jacket and in almost every instance the sleeves of the complementary jacket whether long or short or in bolero fashion are quite certain to bo bordered with fur. Frequently the hemline of the jacket is also fur outlined. out-lined. Chiffon in a woodland pattern don? in vivid colors on a black baskgroun' is the chosen medium for the charm lng frock iu the Illustration. Wide fu borders the sleeves of its accompany lug bolero. This winsome gown c::: be transformed into an evening fornn; simply by removing its short Jackei which is the way of most of the newe ensembles, the demand for a matchin: jacket having Increased to such an ex tent that practically every frock ha its accompanying Jacket An exception to the gown with s jacket is the short-sleeved dres.-This dres.-This type also subscribes to the fm trim idea in tii.it the sleeves, which ii some instances are not much mm-than mm-than caps f.ud from then on vary ! eloow length, are also bordered wit' fur. l-'or the evening mode the new print., are very gorgeous and for the most part patterned in large florals. This is In direct contrast to daytime prints which are conservative both as to their colorings which run largely to grays, beige and browns together with biark and white. Navy ns a background an especially with white promi:-es to lr in the lead. Plaids, stripes and checks are tl . smart new note In prints both r:;i-.'e and of firm weave. Sometimes tr j ' vlMwM I I Vfil ft i Hi i I laid is indicated merely by thin hair-I hair-I . i;es, then again the plaided design ! .. worked in definite vivid colors and ., third class Is charmingly Interpreted i .a "invisible" broken effects. These plaid cbiiTuns and crepes are welcomed wel-comed with enthusiasm as tliey offer something so entirely different from what we have been having In prints. (, 1931. Western Newspaper Union.) |