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Michael Jackson, ANSWERS: PSP SCORING: 18 points — congratulations, doctor; 15 to 17 points — honorsgraduate; 10to 14 points— you're plenty smart TBS but no grind; 4 to 9 points — you really should hit the books harder; 1 By Bobby Wolff We listento those whom we know same opinion as our of it; but we avoid suchas differ day's South believed he had a n ally whenhepleadedhis case ore the club guru, Hewas in for a \gainst any lead but a heart, South would have had an easy time. He 1 afford to knock out the trump ce early and claim therest in top tricks \gainst the actual leadof the heart achelo ta ||" ut Step St Predators & Prey allan Sportsaaning Adven: & Racing Unsolved Mysteries = Inside the PGA Tour Singled Out Beavis and Buti-head Alternative Nation Dick van Dyke Bob Newhar! ye Dateg Club Dance if {| News 1996 Western’ Ed lic Paint Your Wagon’ (1969. 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Or shouldhe hop upwith theaceand try three rounds of diamonds, hoping to shed his heart queensafely? The chances for a diamond break are only 36 percent,” argued South. “Playing West for the heart king was a 50-50 shot. Naturally, I went with the odds and I went set Despite Lackluster Iago, Met’s ‘Otello’ Is a Stunner and the slam went one down. Didn't I makethe percentageplay? Your mathematical computations were right on.” answered the guru More important,” he continued who was the player on opening ead? The guru’s explanation? Against a novice West, the better choice is to go for the 3-3 diamond break. Novices find it difficu:t to lead from a king against a small slam. “gainst an ex pert West, the better chore is to let the heart ride, Experts ere much more likely to make an attac'ting lead against a slamplayedin asu t NORTH aJj98 vVA874 #AKQIB mA WEST EAST ae v¥J962 #973 aA3 vk 0s 5 #9643 sQs 1082 SOUTH &KQ10765 ¥Q3 #102 AK75S Vulnerable: Both Dealer: South The bidding South West North East 64 Allpass 2a" Pass “Weak two-bid Openinglead: Heart deuce BID WITH THE ACES South holds: aa3 WK105 e654 &QI1082 North la South 2 2¢ ? ANSWER: sapeds om) 0} aouasajaud asye) 3Y) Bursooyo ueyy aayjon.jsu0d B10;y “duins}-0u OAL FOR WEDNESDAY This Morning: (2) 7am — Top 10 The truth is that instead of ‘Otello’ be- ing anItalian opera written in thestyle of Shakespeare.” wrote musiccritic George Bernard Shaw, ‘Othello’ is a play written tv shows For the weekof January 22-28 by Shakespeare in thestyleofItalian opera And truth of the sage Shaw’s observation 1 SUPER BOWL XXX (S) is underscored by the current production ofthis late work by Verdi, set for broadcast a Good Moning America: (4) 7. am 6 Seinfeld 2 SUPER BOWL XXX 7 Caroline in the City 3 nnn 8 Friends (R) them — liecloseto the surfacein “Otello motivesare obvious, andthereislittle need 4 Friends (S) 9 Mad About You (R.S) the dramaeitherin themselves orin their 5 ER on public television tonight at 7 (KUED Channel 7 locally). For passions — andthere are many of for psychological debate onthe figures of onal | TALK SHOWS. By Wes Blomster KNIGHT-RIDDER NEWS SERVICE East took his heart king andhis trump Breaktast Time: (FX) 8 am — Regis & Kathie Lee: 9 am — 10 PrimeTime Live illiams: 4) 10‘am | relationship to eachother. Shakkespeare and Verdi have donethe Overall rating analysis for us and present it onstage with readily accessible “college-outline” plicity and straightforwardness. Yet there's nothing simplistic about Otello,” completed in 1887 when Verdi was 73 and thought he had put composition behind him forever. Indeed, it’s one of his most sophisticated Placido Domingo sings one ofhis signature roles, the title role in Verdi's masterpiece “Otello,” in tonight's Metropolitan Opera broadcast. ily make a compelling Iago, and those who scores. Big musical “numbers” are still there. but they are woveninto the dramatic tapes try with almost invisible threads, Verdi never allows the dramatic tension of the story to break — oreven slacken nerian Gwyneth Jones was equally miscast as his spouse As the composer tells the story (using only a fourth of Shakespeare's text) enced too muchof what Hannah Arendt — Otello” is a two-man, one-woman show thereare no subplots andonly such second maybe everyonehas that a malevolent god created him in his ownimage uction illustrates —can palid lago would reduce the Met productionto disas. ter. were it not for the overwhelming achievements of Placido Domingo in the title role and of Renée Fleming as his de voted Desdemona. It’s sad and strange that Morris and the Met should have chosen this ope to cele this otherwise great singer's silver with the company, for from remains a formidable art ist still at the peak of his powers derful Wotan doesn't necessar : Adolf Eichmann — called the banality of evil”; Consequently the demands made upon nse, and one weak link ruin the show And. indeed, James Morris’ Perhaps the modern world has experi been fed too much apple pie and mother hood to find credible a man fully convinced appear — as the Met pr saw Morris as Macbeth a year ago in San Francisco know howfar Verdi is from his Fach. (In that production, his fellow Wag: talking about ary characters as are absolutely essential the three are im M 18.2 sim- § Morris borrow and bend a line from the film “Cabaret”) is about as evil as an after-dinner mint But in happy contrast — what a con: summate artist the 55-year-old Domingo is! True, the opening “Esultate!” is anemic. it from the tormented Moo r on he is everything that this could possible be Yes, he’s jealous — but even in his most jolent moments the intensely innocent love that he somewhere still feels for Des demona shines through in Dom s por tra This isn t simply a furious husband $ a man whose en! re world has collapsed upon him Gabrielle: (43) 4 GordonElliott Mai ratings¢ P) F A singer friend introduced me to the concept of “muscle memory” in discussing this performance. The role | that a singer has learned young stays with himbest in later years and brings forth his est W ork There could hardly be a etter Otello than Domingo; Domingo couldhardly give eater performance than he does here Otello And Fleming There's no need to go on and on about this great American sing r. He Willow aria andfollowing prayer he Virg singing doesn't get more sensitive than this It takes a tremendous amount of will to ignore Morris, but try it; it’s worth the effort to experience the work of Domingo andFleming in this performance The opera, directed by Elizah Mo shinksy. was taped live at the Met last Octo. ber: Brian Large is director of the televised production. (The Met's radio broadcast of this 5 action, with Aprile M Des demona, is set for Feb. 10 James Levine conducts the always mag nificent Met orchestra, and TV ain owes thanks to Texaco for the funding broadcast of this Laure Hutton: (4! U Later (5) 4:36 Sally gize Tempestt Mike & Maty: Richard Bey: ( 2pm |
