Show J For the INDUSTRIOUS NEEDLEWOMAN E 1 By ADELAIDE DELAIDE BYRD f A f y CEJ d df r I ERE is an opportunity for tor some somo 1 HERE color effects on tan or gray gIU linen I wish that you could see seethe seethe e the lovely tIo flowers ers In yellows shading shading- from pale canary canan to d deep tp p 7 orange with here and there them a a. red dark dark p V Vone one for tor contrast The palo pale green leaves lea aro are Intertwined with clover effect ef ef- effect and for tor once the leaves leave'S havo have been planned to form lorm the lesser part of the rho C. C d l that the design de- de design e No one can say sign eign is tho the loser An Art white all effect makes tho the design stir for the dining table at all times Indeed I find that white cottons give a R. good brood result because they do not change color and can be placed with an any other dollies doilies on a table tabre with attractive decorative decorative decorative deco deco- results I am showing showing- three three-ei three hilts of or the th design If It you trace It on linen by amot any am A of ot the thc methods suggested you rou will ill find little difficulty if It the same center canter r bo be kept and md if you vou swing the design around matching the scallops perfectly end continuing con tinning the t floral f design Tl Pad the p petals ant nu work In Fatia f iI i r iL r t 14 1 4 i f r- r I jit e l I rf a f vv J J 1 h t I r I r 1 J r J. J n j f f 1 a- a ti I I 7 II y tVr J 1 4 j t I tr 1 i A 7 I A 1 I A fr 1 r f Iw ri yr y r I r 7 t 1 Q q r I f I r t A I Ir y J t j i r f J L I t 11 I It N i S I j 01 l r r s c J j 7 J l' l t t. t 11 t j J II t 1 j j f If r J f j- j The t D Dl i i f I r l f. f 1 7 f 1 r JirI f f ele 1 P l s t 5 r t I ar Po Pon F n t 3 J D J y i f F- F f iL 2 It ItI I Ij V I f f 1 if t f f 0 fL r q t t t 12 r i S. S J t j Ii t iIi i 1 I t f 1 r. r I a 1 f if l' l fh i N 1 t 1 t s 1 v r 1 ti 4 r r r 11 t free T Three 44 I. I r p I tIt 1 or II to LIy t jI I I 1 i 1 1 i lP oy L. L 1 2 r n nJ tt J 1 01 t r is 1 J t o 0 s 0 Je Seed D 1 V if on l I f rv I c T T I i 1 4 1 t J M t 1 X f f it I ft 0 0 This j This gives es n soils 1 effect and a fords for opportunity fords s' s opportunity or r shading J if it you OU Thc general rule for shading Is 13 to tomake make the colors more intense at the c center of or the flower flowery The streaked appearance ap ap- of or n nasturtium petals can be c casU easily reproduced in embroidery er If It you ore arc not desirous o of worl working the tIle design In solid effect use uso very vory heavy y thread or 01 silk and outline the tho flowers bowers Seed stitches or small backstitches back backstitches stitches tiro tire very cry effective Affective when use use- used lo to fill fin in petals They are applied in tn parallel rows Darning stitches HUtches also aIMO are arc good food filling stitches s. s These are aro made in rows running with the threads 8 of 01 the tho goods tO 8 a L very cry small mall r part art being taper taken up on the needle between two stitches Work Tork the stems Items In stem stitch Th This Th leaves can be outlined and f 4 veins done in the same stitch Gr Green n of a n bluish or silvery cast should sl be bo used Solid work Is la good if it you Oll have havo time Ume work to let the satin salin stitches toward rowan t tho e center Q pf of each ench leaf the suggested acting as Rs guides for tOT the slant lant of the stitches HUtches Pad the sc scallops with darning cotton and arid work In buttonhole stitches HUtches If It you ar ere aro using using the yellows for a colored effect buttonhole in brown thread The white or green grcen of or course i should i be finished in White An edge of ot cluny deny or eral torchon lace ce adds greatly greaty y tb tho the general gen gen- beauty t Each motif can be used as a 3 decoration on panels panda searls runners runner's curtains curtaIn for bookcases etc In this way a L whole I r can be ornamented with the tho nasturtium nasturtium nas- nas design that Is always beautiful and and- IL ac adds ds individuality to tho the homo home Treatment of or draperies t J l V I. I 4 f V j I I r v r I Y f Pretty e Petticoats e coa coaH AYE you noticed d the tho lOT lovely lorely 17 H HAVE coats coals made 0 o white crops crop chine obine The They make maka f than t- t han handwork work tar tor leisure moment ts P crepe cropo do de chine of a a quality and cut It over a ft p have found to be bo satisfactory Fit nt smoothly over the hips and stitch 11 tho seams by hand making a o seam scam The full tun Huffy fluffy flounce Is ie a a. thins thing the past so do the flounce fashioned f fo the tho crepe da de e chine chino petticoat Is la almo flat tint Just enough fullness la is wed olio tomake to make It lie lle straight l Uee Use wide lace with a a. scalloped edg for tor the flounce and stitch It to the pet coat Gather wide Inch-wide white satin r bon through trough the tha center makings making a quill Ing and with this finish the tho top o of t flounce With a a. cluster of small pl pt pin satin MUn rosea roses or a 0 single rose made satin catch up the floun flounce at the tho l I side d Detachable flounces bounces n eB may be bo made t f the same sane petticoat These are arc attach to strips ps of ot crepe de chine on buttonholes are worked at Interval a The corresponding buttons buttone are sewn the petticoat and the flounce is ohaD change chang e eto to suit the owners owner's fancy Crepe de do chi clings to the figure therefore eve in lag ing gowns fit perfectly when worn cv OY oila c a petticoat of this material t r rI I I. r How ow to o Transfer Transfer rans er I ERE are arc su suggestions for tor tr HERE ferring the pattern before beLore y i ito to any material before Perhaps the easiest t way Is the te wi pane dow method This Is success when the material Is 13 thin like Uke Un lin batiste etc Pin the sheet of pap papan an and the material together ether and ho hothem hothem hothem them up against the glass of a wl wI dow doffs With lith a a. sharp pencil draw on t material tho the sign design which can be easil easU seen through h th the goods If one half the design only be bo given unpin paper and 2nd turn the other side to t fabric The strong light behind wi make it plain r rIf I It If you have hae carbon carboa paper you aho aheu place the sheet between your fabric a athe athe athe the newspaper This latter 1 Is on to With a a. sharp pencil go o over the of ot the design The Impression will left In fine lines Unes and will wUl last lut u un worked This method la Is successful heavy material The last way Is la also easy euy On w paper or ordinary tissue paper tr the pattern before you When the tha t sign Is completed turn over over the theand pa and outline the pattern with a hea cad pencil Then place tb thee tb f down on the fabric and redraw the tho tholine o 0 line hue pressing hard with the pencil T pattern will be transferred without o f |