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Show vk. m fftz: s By GEORGE JEAN NATHAN. THE o-L-a::(.d (J(U-i: y'.y. r iu :v.i m e okci- .i r k, r. tr.oo;,s cjt-ront'y cjt-ront'y arouTiJ iiir-( i..o:roo;::.in nifa'ms tho ;t:r lor Vr.c s'.ispicioua Sir.iKc, ii.iri'owint; l!u om1 a! win V'C ciiMT-ly ciiMT-ly Pfi'vorn lMll!,r. v. il : p. c l: lif.ii f-.'j-..cijs.) ' t, .ly s loi,:i,l i;i 7,r ii'!:,ity of ih-1 cv;'.-.'. ;t c omi v, r ni ii'-'-f no- .i!iy af:or ;u':otcJ lo;-- 'J t 1 ir?: o i . ! I - ri"!; Ti o'f - mm- (rn '.i ,is :iMii It i-s tl'.i i.inx. "( :' y ; ! m r..n. w rn v 'H f L.t l-'r.,'illiurr; nn,1 , .1 - 1".'- t'olin jir.i t r ,' i s t '.0 n:' ir "1 ii'1 ( T: vi -i,i A ! n i , l'r. t.".r, tin work of K;';;h P.ir a n. J ! W ll'.ii'. M .: v.i lt ii ln nri. j n;,'( ill t hi- 1 ':i rk." 1 i:y rn.vio t v t r .t ' 1 N crl'T fi-: li-w n. t -l."" (M'iMis 't;i rff,-,? i.ir'.i-dru i.ir'.i-dru i;ii' ! ' ton in :im t :.. 'I In- . : ,i 1 t ir,vn a n r ni:M i ot; 11. ?; : r.i t i,",ir,.i,! .; in in oir.:i ;.m i;; in I'm j tr lii-tn . w (Tn:ir ' r. f.-rrunit pi m-! t : : 1 1 in ::;7'. mi f "lh r ci'i.ir is f " '- " ' I 1 I ! : o ; , rnnitv chuiiitM-r rn: h ff - ll'.ii in"i ., . uom'n, Our of thrr 111- 1 M.'Ui",il;: of a fii'iif:'1! :iii . 1 .'v-Mm r li'M The M'n rf tin. ib'MiM' i.-v.wn 1 ti !, Ihrt only rivwpint o! Il,r i.in. Km h,-roOii) h,-roOii) 1 c In 1 v oni plj' W 1,1 1 1 1. n h ' p ; r , " A t'i; P'nl S'-at'i'li 1 " r.il;. 1 m u am 01 ; '10 rii(;-ln,i; linn. T'n-n nfin'i'iio piiMs ivni ll.c mi T of .1 S'.i lll t'lolln"! r'. ! lo.!- of tnrt ftn. iikll.l. Iiii;. out Ki -Vv- .t vi ll pii'i 1 !u ( I f. Still Attains Ohji-tt. Here, of oomvo. p. Iho old r-tofi of tl,r. 0 1 finno tiove':.. yr-t -I It. a . t in'or.. : r i : ; lod. iv In ellrr'o up the r. i o ' ovn f,,. lilrlial eniolloo:- nn II wa.s liio iv mil '1 he p lol ;hol. Iho woo ri o I o, , 1 1 ,. Willi t'i" ilciu- h.l over 0110 oe an. I I lo-Miri'rl' lo-Miri'rl' mc dl'-rnerv of I 'i. liO-.liu. 0. ,!-. uudi'i- iho l-ahy mal'd piano will n.o-main n.o-main Fupi-ra't In I lie po;mi.i- thrali-' Iho iwiaiic .-.kill of ah Aiihur I oovi-h . iho oramftdo oh ;l oi. pli ' of : .hhri i.iis worlli;.' a"d the 1 111,1 n ma : i -n of a llo-nninti llo-nninti l'oilir V'.'hut lo, iri.i ii'h-i- lyo. l.r -i:,,! i.ooon.l Ion nnmilev I;.. h"i- r 1 r-r. Iho , ., ,1 true h M-ny pooo of i-oo m a l.i.i.. end I'ii'Iomt I'm' it. I', too '.md ,.;' vvn.lht "ho. Ill the oonlr'Oll.oi of ,, liln imilerpiei .-!.. noiolv Ih-.-r.-,- ;i0 .,o, inn. of pi.1'- ol ir n ; ro , .1 on i (...i,,.... ,,. doo-i ;,; ho- aw li'Oilili p.... : . . I I o . 1, ' i of ; ii, h . mhooil .Ii,. ...... j. :o . s in 1 1 h mil i .'-oia.o VI , i nli m '1': e i i nil l" I no ho. ho l,.-i ,-,t mi ., i v .Iviv w h. i-.-l.i .' u m. l oi lo '., '.,.,.,,, lirapod up. n oi. i v , h.iinoli-i- hm , i, a lo.ihv kind " of Iho , i , ,, p id tin .h'lou-rlump1iiR P.Ook p. i - It ,iii , i:n:eup;ed w::h streak? cf vaudev-h'e liun-a r from an actreie uri.ssed up to loch i ioT.,.;!::;-- h'se a-.i ir:sh jervant j:::-h lo '.:-e co:op.-.o,'- preseu:':-;; tl.e profej-I'vrs profej-I'vrs vh.cf d ooj.'re are .loan Oronivve', vv a v p'.sv s the cetective v -.th all t'-.o ruh-: ruh-: .. r-.an.p sir.; uooch.a -tee. and M-.ss 'ar:o Cjoff. w co plavs tl.e role of toe Loon c f.m.v.omo e .?uect .with ell the .'edu'o.ir. .n :uo-s nud pa'.p:ta'.:ons of i i: .:ii:;..v dnp.ee. Sol ves It.-; Purpose. "lie Cr.s'wn A'.;'.;." the et.vr.d of the e'etc ".. . e op.-r.i. n eius to i)v e terv ed Its d:voimd pnrpore m inipressmc profound-i profound-i 1 r. o.-l of l m r,, -wcrs lor the a. ' I''" -'.'ol ihe other sus.ro: :s pa ; U' ' ' r e.-ntsniteri:. In fi e drama::.-., i n oi t o oovel oi the if.io e name Mr. rr.v.th-.t-: ; us taken c.'f h.s oh,:pie and 0 ' " ' . ;oh v:lh ihe s.UKh. .dca of s""...'o: i-A audience :o:iC from scene to loo ;:,un.. of tnP jic.on thus ph'io5 a s;;-''u o'. n lO'idmrv p-.a: rcsuds almost I " ' ;'n'-., ni.,- hern a : v.-t. so :ar a 1 i'!'o h, , n ,i ,i jn iv,k, oi.;. th-.s :-::a:i -ion, p. hrv. mloialcd n.i nt; the suc- C! Ol, o p;, ,-e pot p, ;).0 M , 1 '" ui'o.e i-. :'-o i:sual oo.e of t'-.e rich s '.'... :-'o' : ta'.h -,i :,. iP--ih .., i!;J ;,;.r..v, ,:'" '' ''' '"-'''' 'N P'.'-'fol o' foe o.i:-l'"''''' o.i:-l'"''''' c t ivounl atoi one m's.hrr otcd .sm'V'.mi- 'I ' ' :o fi.'ni'i. i ll o',:o k ;' of lot. i :: -t:, .. i -, lea-'.,.,! ."';'',' I" ,; '- -:''" !r- Iho p,;.c- o 'o..''. O' Harrison ll-mler. Vhe sop. pori oi: 0"i';uri. In Iho main, is kOi5, '"!. : 'U'd ai l k. oi lo ,..1C , o I, -tion. " X ' ' t-. I'll'... " i':ro.' the oow fa-" fa-" " ' I'l-'. Of 1 Ml "1 '" '' ' 'If : "' us il-.'s .,t,er p. ';' ','1- ' "'"o o'd dll CO, o'l In,, : mm J ''' '"'' ' oo . : .-v. In Hi. rc-' rc-' '"''; I noinonri'.-; a-e Moo Olive 'v'd-n i w -oo n nolo no a t Ion of 1.1,1. ''"'I"' " ' o" c r sme Im. io-a mr i. lo.: h. r p0r ,., r .r,-pvft. "" '' i- :.-.. M..--1 a--n '''! -''hi lU' im l.ovd A: .it'iirs in Now YtrK. 1 " '''' loin 1 ii,.u,.r id Im. ' r'-r 1 -i e , "." a ,',o,,-,h ,,f r.,- i,-;i,. , ,., '''' I v I '' , .... - Ih '.poi ami 54,,. 1 ''" -'.'.i'l' is I ,r...', an .0 . .1: , ovp:,.- ' '"',' "f P.''' . rue f"e s 1 ... t . w oii 1. .. i ,,cw'' ' I : 1, i; I,, .,,; o 00. 1 , ,' ... '"' " '' of an on or.-,- ,..,, ,..,.,,-, '"'' ' ''I' 1" l.'u-M ( o- Ihe m, ,!,-. n ,,.,1., loo '. '.a iho ,. : ,0, 1. , - v. , . . ii nil tunc, I i ll rollovvin,; J',-, i;e ) ; AMUSEMENTS i j (Continued frcm Preceding Pase.) I ga:i a lid W hha r.i f-,chan. the la : tor an ; a: m comi-juf1 if provided with the I -'chi k:nd c f role, and The M:s.es Sue 1 Mar::i':-.i:". who plas the hc-"Otnp w:th a 1 1 . ' T r. e s to u n b e n d : r 5 t r. a t it tvesests an urjco'v.forii'.'rle corset; Helen barr.Ci ard Beatrice Nocs. T'own the block, in t'e Sel"-n theater, is Lgonj Wa::e-s antt-EoIshevist propa-c-inca p'ay. "T.-.e Chaheng'." Like a'.! Broad u'a -m?.de propysranda plays, the work for a.: i's arrarent sincerity leaver tiic !o?e pass'oi":ate bero;dc-r cold. Argiiir.en t and n:eicdrama con found each other. a::d 1 r r 1 1 1 out the smoke of the turbulent etace traffic what emanates ;s le;5 ant i-Bo'-duvitL leg:. than pro-mclo- ' dramatic lcc;,c. Skill Is Missing. Tn th.e hand'ipg o.' meloccantatic e"1!- 1 "0.2 ar.J a:a:u:-.i Mr. V alter :s a skhlful 1 I fei!ow. but in the lackeying of dialectic i i av.d argument he ie scarce'iy at home. In h:s ery effort to be fa:r"to Loth sides: i he is weakest. Fm.ee. driven to an aigu- j , ment for the one eide or the other, k;s i refuse is e.-r more or les in terms of I emotional blood and thunder. So crafty ! ;a melcarama-ist should stick to his last. j I Hoiorook Bhnn has the role of the ami- ' ! Bolshevst lea jer ;-u'.i offers one of bis 1 j stcre.'ty?-: j penormar. ces. Alan Dinehart, I as the in.s.ed idealist, is all that Biinti ! i no:. His performance is simple. ' 1 strrightforward. w;:l;out actor-posture. 1 sircore. The women in the company are pretty poor. TP CM TERrllS?, who Is directing Corinne i A Griffith, found that he needed a man of cxtreme'y ut-ly featjres fop a close- I up. Ke couldn't fi-rd any man homelv enough, ttirough the various agencies, so wen: on a sthh-hunt on the Eowerv. He found h;s ran. J-Ie took him to the Vita- ! ?raph studio in Brooklyn "and made the ! picture. And then Terris-s took his name 1 tor future reference. It wad Algernon Doll: pDDIE LYONS ard L:e Moran recent -y encountered an old negro on the road near L'nivcrsa! Cuy who was usins hickory-at tok diplomacy ' to make a lr.ule arouse himsvif from a sitting posture. "What do you call your mule'."' asked : Ku-J-e Lyor.s. "Doos you mean what's his name, or ie-t what does Ah call him?'' asked th.e old man, between whacks. 4 Vaudeville Gossip I At tec a cross-the-Orpheum circuit romance, ro-mance, which started when Walter Leimert of Oakland witnessed th.e act of Lucille Cavamaugh at the Orpheum theater the-ater there, the couple were married on August 16 in St. Patrick s cathedral, .New onc. I-ehowmg her Oakland appearance. Mr. Leimert continued his courtship of the pretty tlanch.g tavorite rlong her travel route an.d finail; , it 's said, in Ch.i-cago. Ch.i-cago. won her consent to marriage. It is i unc3rtood that site will raturri to the j stage the beginning of the new year. "The Overseas Revue," one of the most pretentious acts ever seen in vaudeville, j has iust been engaged for a tour of the Orpheum circuit. A cast of twentv competent com-petent pc-op'o i- headed bv Elizabeth Ence and V.hll Morrlssey. both of whom are cned far and v;de tor their enter- I taimnent service ov-yseas. The "re'.ue" is an exact reproduction of what the life j "ever there" was m its merry moments. Maurice and Florence alton, trie in- ternational'v known society dancing team, have dhrsolved partnership, and i Miss A'alton has announced her return to , vaudeville in a new- te -psichorean offer- 1 inc. aided by a janz band, special settings set-tings and costumes. t Vedd:ng bch? are ringing merrilv and j rten on the Ornheum cmcuit. Recently 1 riiss Mmy Donahue, who piavs one of ! the prim-na! roles in "Not et. ITarie." I v-as married in Chicago to Charles Ol-cott. Ol-cott. the vaudeville pianist, who will bo remembered by Orphoumite? for his C"mc Ope-a Ten Minutes." a"d last week fss M:'? Mopsette of th Orpheum ac! entitled "Color Ge:m" renounced her state of smclencss to marry It. John A. Carter of C "at t::p.. og. Tern. Faul H--r.ry Westpliah recsrrhred ns a remarkable rioubie of Pre si cent Wilson, w-ho t"ured th.e Oi rheum circuit last season sea-son in "All for I'eumora oy." is to be starred in a new no ey vaudeville act s ho;-; ly . The play' et, which is now 1 n rohoaral. is called "A Feace Confcrenoo." I10"'.? a satire on The iate peace oini'.-r-ence in Franc, and s t.n'd 10 hae several sev-eral startling stage effects. |