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Show ! EXTEND SMUG OF CLARA K. mi st m . i Not In the history of motion picture making has any producing concern I gone to the lengths that the Garon 'studios went in the matter of sets for j Clara Kimball Young's latest picture, j "The Forbidden Woman," which Is to I be shown last times today and to-: to-: morrow at the Utah theater. Of the largo number of sets created within the four walls of the studio, two stand out as absolute masterpieces master-pieces of technical work and detail. Number one, the library of a rich French nobleman, required the services serv-ices of the entire studio staff for many days, and depicts a combination j library and reception . room and was built of stucco, stone brick and wal- Considerable marble is shown as having been used while a real field stone fireplace and onyx marble mantel man-tel were built. In another library set. that of a rich American, the entire four walls were trimmed of real weighty timbers, with masonry and cobblestones carrying carry-ing out the general effect. The field stones were carted many miles from the Sierra Madre mountains moun-tains to Edcndalc, while the marble was socurcd from a contracting firm I at Los Angeles. The Circassian wal-Inut wal-Inut was part of the first shipment of I that wood received" from Russia since ' the war began and the stucco and I other mixtures from a contractor at 1 Seattle. j All in all, "The Forbidden Woman" sets arc unique in that they are prac-i tical and picturesquo in that they are j different from anything that has gone i before. I nn |