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Show the psalms of David. The Welsh. I Scotch and Irian peoples especially I loved it and In each or these nations j It was closely associated with their j national life. Tho music for Sunday evening has bf-en chosen with a view to bringing out the melody of the old sacred anti-phoual anti-phoual measures to which the psalms of David wero sung, as well as the choral and martial strains or the Leu and Kelt of more recent time. Mrs. Wade will render the following rumbers: Prelude. "Audante," (Grelg), Miss Biddle. Harp solo (a) "Largo." (Handel), (b) "Marche Tromphalc," (Godairyd), (c) "Sacred Melodies," (Mason), Mtb. Frances H- Wade. Vocal solo, "Resignation," (Koraa), Miss Mitchell. Offertory. "Rccordate," (GottscnalK) Miss Biddle. Harp solos (a) "Chiml Frena." (Donizetti), (Do-nizetti), (b) "Slumber- Song." (lias-sclmann), (lias-sclmann), (c) "Welsh Melodies." (Wilson), (d) "Ourl Moverture," (Has-selmann), (Has-selmann), Miss Frances II. Wade. HARP WILL BE HEARD AT PRESBYTERIAN CHURCH In the old days of the bards or tho British Isles the harp was held In so great reverence that it was an unwritten unwrit-ten law of the land that no slave sdiould ever be permitted to touch one. The tfarp was the freeman s Instrument, Instru-ment, It was the law of ancient Wales that no harp could be taken irom its owner for debt. The harp wag the one piece of property which was thus exempt. In order that another opportunity may be given to the music lovers ot Ogden to hear .the. best harp music rendered in a skillful manner, arrangements ar-rangements have been made with Mrs. Frances-H. Wade to give a number -ot selections of the best harp music Sunday evening at the First Presbyterian Presby-terian church. The selections to be given are from the best composers for the harp and. cover a range ot harp music which will reveal fully the wonderful melody of that ancient and classic Instrument. The harp was lor ages the leading Instrument ror the ronderlng of sacred music and It was a leading factor in the Hebrew Temple Tem-ple music and In the rendition oi |
