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Show yrmwrvwmmwm,wn ""Hi aisf,rerqpigr Henderson triumphs again at Symphony Hall Pael Wrfael By Tribune Staff Writer Robert Henderson has been the man of the hour at Symphony Hall lately. A little more than two weeks ago, the Utah Symphony young assistant conductor who Joined the orchestra last summer, made an impressive debut on the subscription series, conducting works by Ramiro Cortee, Chopin and Brahms Friday Mr. Henderson again was on the podium, this time guiding the orchestra through the complexities of 30th century music in the second of two concert sponsored annually by the University of Utah and dubbed the Contemporary Music Festival. As was the case with the concerts two weeks ago, Mr. Henderson had been called upon to replace a conductor who had cancelled. James DePrelst, who had been scheduled to conduct Friday, Informed the orchestra about 10 days ago that he bad suffered a sprained shoulder and would be unable to perform. Certflrmed Imprewleas Friday's concert confirmed Impressions of the conductor created weeks before His technique is direct, unaffected, precise. He holds the orchestra firmly in control. Solid attacks and excellent ensemble unity result He apparently is well prepared, even on relatively short notice The orchestra obviously has developed a real affection for him and apparently considers him a competent leader. In short, the most basic questions about Mr, Henderson have been answered He has earned his stripes. Now Utah Symphony audiences can settle down to discovering deeper truths about the artist's musical personality What are his tendencies as an interpreter, his biases, his special insights? Jazi at Care Friday's program was an interesting juxtaposition of ideas and styles. Jazz is at the core of Bernstein's "Prelude, Fugue and Riffs," and Henderson and company brought elements of swing, burlesque and ragtime to their interpretation. 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The trip was to have been made by 2W perwwm, the Paris Opera Ballet's first to America since 1M8. 10, 19R0 Iage 9 marshmallows muffins noodles oatmeal olives cannelloni cheesecake chocolate cupcakes danish doughnuts dumplings eclairs egg rolls fettucine fondue french fries gravy honey ice las RELEASE tecarfTke IftMrtt Sbrsttif etibunr apple pie baked beans bologna bread candy THE ELECTRIC HORSEMAN EXPERIENCE akf were.' ROBERT REDFORD JANE FONDA THE ORDINARY! Salt solos performance of the popular Suite from Prokofiev's ballet, Romeo and Juliet," was colorful without being exaggerated, straightforward without being prosaic "Romeo at Juliets Before Parting" had about it a Wagneresque majesty, "The Death of Juliet" a tragic inevitability. Kudos are due the winds and French horns for some fine solos Rochberg's "Transcendental Variations" seems the perfect answer to the common plaint. "Why can't contemporary composers write something beautiful" It is externally simple, immediately gratifying, and is neither denv stive nor shallow The only performance flaw of consequence was some rhythmic and tonal disarray among the first violins in high, unison passages The concert closed with a pointed, pristine reading erf Stravinsky's "Symphony in Three Movements " Mr Henderson's handling of the shifting meters and tempos was very assured Richard Gram?, Cosmopolitan t Pari Opera cancels spring visit to U.S. - York.ParisWashington Opera Ballet'S and visit She The FABULOUS! 12:45 Open better expose the clarinet iHnn ,,, n Iwr BOM Sp.m. parfait pizza potat pretz ravio. salam, sauce! scrap spaghe sundaei. tamale aOW. thru FBI. "HERO AT "TARKA THE LARGE" OTTER" 4 30 100, ais.aoo.a4B THE PRIZE! 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