| Show Renaissance n e. e Robes Colors Mark Styles PARIS Iff Italian P Italian renaissance robes and colors gave evidence nce of ot their influences over 1936 1036 winter fashions today as ns a result of Premier Premier Premier Pre Pre- mier Benito Mussolini's exhibition of Italian art in Paris v Evening gowns of red a and d changeable taffeta appeared fashioned fashioned fashioned fash fash- with tight bodices floor- floor length pleated skirts and puffed putted renaissance sleeves of changeable velvet Other evening evening frocks were were of new taffeta and velvet in the tone of Fra Angelico blue or changeable silks sUits embroidered with lame figures figure to sugg suggest st old Italians brocades Many were designed however in slender modern silhouette with low decoil Wool day frocks appeared in tones of burnt sienna and Veronese green designed in fitted silhouette with flared fronts recalling the doublets of pageboys The renaissance vogue for tor embroideries em em- also wits was revived by th the use of both black and colored cm- cm Black wool and velvet suits Bulu which were much shown were embroidered embroidered ered with bl black ck velvet and were and were accompanied ac ac- ac- ac companied by sleeved long-sleeved georgette georgette georg georg- ette blouses of biege and and Madonna Madonna Madonna Ma Ma- donna blue 1 Black day frocks tracks of quilted crepe and wool reflected the renaissance flare lare for jeweled ornaments by having haying having hav hay ing belt buckles and throat ornaments ornaments orna orna- ments of big dazzling rhinestone flowers and bars Other black frocks Crocks showed a surprising surprising surprising sur sur- amount of white trimming in jabots or two big flowers under the chin Others were trimmed with of black velvet cord |