Show 7 V f M f J W f ti I f J V ff rr 5 t ti I i i n. n B Bt t 1 T. T F. F 7 i X MI t 4 f t. t 1 r r J MA st 4 GfA tl f j j 1 t i J r. r 0 I Th Rom Romance nce and an Tradition o of Early Days Greatly t L I Enhance the Charm f Y t I r 1 v r I i 1 f t. t vR 6 r W S 3 t se fK t M tr b j e The vogue for foriS for for- iS fur is s no more charmingly charmingly e x x- x pressed than in this thijs I II lovely uS' uS you youthful frock of fan fancy y velvet I I f of These Garments Garments c i i L Wh Which IC h W. W Were ere Once I j A 2 f J v r the Caste Badge of o of it 11 the Noble and Are 5 5 S I N Now ow the Pinnacle c. c 1 r 1 0 Luxury f L f 2 n ty I P fy f i B By y Edith M. M Burtis r a S J j I 1 I i H t t i S k z a aS ak If j l. l it E i a a. a S' S B S oi fC s i it t- t r t r J will unquestionably bring forcibly to our attention the vogue of trimmed fur fur trimmed dresses suits coats wraps and hats for already the predominance predominance finance of this feature is decidedly In f evidence And what could be lovelier for miladys milady's wardrobe since nothing else unless uness it be lace so enhances a 55 womans woman's beauty or smartness There is an intangible charm about f fur an indescribable something aside from its beauty and richness th that t appeals appeals appeals ap ap- peals to all mankind Is it not possible that this appeal is the result of the 1 romance that is intermingled with its commercial history that history that fur reflects the they y daring and the courage of tho those e who in inS inthe S tho the days of primitive man sought furs for body protection of themselves and t their families I think too that remembrance that furs were once exclusively the tho apparel i of royal rulers that for a long long longtime longtime longtime time tho wearing of fur was an evidence of caste casto sto distinction has an effect upon our our present-day present appreciation of fur But thero there is this to be said in this r respect The Tho manner of wearing fine clothes the deportment i if we wo may call it thi i of the wearer of of rich apparel is r something that speaks louder than words to those who look with understanding on ri society at nt large larg N Not t every everyone one wear wear- g the time one-time insigne of gentle genUe birth JUT ur Js I to tk the tho manner born no nor DOl do doher o he her I j I b i 7 4 Y r y Lj j 4 sM i Here we have a striking use of fur as cuffs on the georgette georgette geor geor- of gette sleeves of a frock satin worn with a headdress headdress head head- dress of matching thatching silk airs niu and graces conceal this fact for lor the woman of natural refinement has no airs of rather lather than and is full graciousness graces she graces she wears her clothes with no consciousness of their richness or or beauty a u as a u matter of ol course ourse v p. p rr JA o X r f T tY Y I as r S. S ho be And there is still another thing to said eaid about the wearing of furs unless furs dress is in keeping every o other detail of any desire or intention to impress favorably favorably favor- favor socially is destroyed abl ably or overwhelm for it is because of the nicety of her entire outfit and not in the elaborateness elaborate elaborate- ness nes of any anyone one article of attire that the really leally smart woman is recognized T THE HE present vogue of fur is no more charmingly expressed than in the lovely youthful frock of fancy of-fancy fancy velvet t 1 f 4 1 Lj L- L P Y j t ti a lr Y Yn n fur Another decidedly youth youth- rid fill and altogether graceful fur trimmed was of orange dress recently seen bodice was of the tho thelong thelong The Tho chiffon velvet with the the short long waistline variety the sleeves cut in one with it in in kimono instep style the attached skirt was I length and nd decidedly r narrow but across the tho tho the front and extending well over hips was a quite quito generously full gathered apron section almost as as long as the skirt ar and edged with a band of gray fox fur The he fur was also Iso employed to finish the short sleeves but the shallow round neck was finished only with a fine cording cording cord cord- ing of tho the velvet t. t Velvet ribbon matching matching match match- i ing g the fabric dr dress s f fabric ri was string 1 t lO I S x 1 sir r J i r 5 J 1 t t fi 4 11 ff ai I r tj l. l 1 ill It I J t Jf f r o 1 t i e r. r s. s L.- L. i i c k IY c L d r 7 i 1 I t l 5 r r I I 9 v. v V A r u i ril A c 1 4 c i K ermine generously used on a voluminous coat of black gives opportunity for a very striking eff effect o v J y 4 Photos by br Fashion Cam Camera r 1 Two furs taupe cara cara- 4 cul cuI and matching fox t convincingly portray 5 not only this happy relationship re relationship re re- b but u t t the h e jj a p present present- vogue vogue- of fur gene generally ally ends tied on n the left side to add the final touch to the apron effect T Noticeable also at a showing sho of exclusive ex- ex elusive midwinter fashions was a simply draped dress of gray silk crepe trimmed with of chinchilla a wide band extending about the feet until the draping draping draping drap- drap ing abruptly raised it f to the waistline at the side back forming a sort of bustle effect and bands of narrow width for the sleeves of georgette which were long and tight and for the scarf ends that formed the tho neck finish CARMINE as a trimming for gowns or E ERMINE frocks of black satin or velvet elvet makes white black white and effect for a very smart black that is much favored at the moment by women of exclusive fashion and wraps axe are developed eloped in these When a black and white combination by this means is worn by a woman with dark dark colored colored hair the contrast is frequently frequently fre fre- fre que still further carried out by a or-of or or white ostrich One thing is certain certain- the certain the truly sm smart f M wo woman an does not permit so so much as as a hint of color to mar this this' combination of of black and white unless perhaps you can include the crimson of her lips as part of her costume for even her cheeks will wUl be as white as ermine Rouge seems seems to have lost prestige i If one is to t t observation I As has been the vogue In other se sea se 4 sons evening wraps of rich nth brocade ln In variably are completed with huge collars collar of f fur r sleeves too are thus finished and in very expensive models fur is often used at the skirt edge as well A A smart wrap of circular shaping Just Jull seen Been was contrasted of alte alternate ate sections sec sea I of metal brocade and beaver h gradually widening from the collar to the I lower edge the whole completed by a f high double collar of the fur r Persian lamb both In gray anI and la in labrown brown is a favored trimming for semi semi- v j tailored suits and skunk unk and squirrel are likewise thus employed but fox in taupe gray brown and black Is most moat in evidence dress trimming as a ress or gown And bear this In mind Fasho dictates that it is not nearly so much the amount of fur that is used as s show J h how w it is placed and whether or not or not a ait it suits the fabric employed Personally I believe that the color character and quantity of fur fur- used as as trimming should in all these details harmonize with the coloring and physical makeup of the wearer wearer too too mu much h or too 1 little fur the wrong kind and the wrong color will all affect the result desired 1 r r which i in this case as in all nil details of dress should always be appropriateness good taste go good d style t and fashionable in inn the order here iv Do v |