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Show Well, How Do You Like -" This Modern American Art? , ! J - - - . , , c , ; - - jYft:':lt3 u i - v - , lY;XYYi - - ' 'f Y I ? - V ' ,; : ' ! i : : ; : -vYj44 -Mr; n - -y; ! ,"l 1 - ,Y x - iX-if I 3"' " Y -f rv - - .rY' V f- Jy Y Artists Paint for 'Common Man' Just what does the average aver-age American, with no pretense pre-tense to a technical knowledge knowl-edge of art, think of contemporary con-temporary American painting? paint-ing? That is, does he like' the pictures that are being made, or doesn't he? Are artists interpreting life about them in a truthful and pleasing manner? To try to get the answers to these questions, a group of 116 pictures, selected as being representative of the best in native art, is being exhibited at the Art Institute Insti-tute of Chicago. Many thousands of people peo-ple will gaze on these canvases can-vases in the next few weeks. Few of them will be art experts. ex-perts. They "know what they like," and that's about as far as they can go. This exhibit is assembled on the theory, however, that pictures pic-tures should satisfy the "common man," not a few specialists. Through polls and questionnaires the sponsors hope to find out what paintings the public likes best and why. 1. "Waiting for the 3:30" Aaron Borodi 2. "Barbershop" Louis Bouche 3. "Bravadoes" Frank Kaczmarck 4. "Arbor Day" Doris Lee 5. "Portrait of Nan" Grant Wood 6. "John Brown" John S. Curry I k t i . m 1 . v I r I I !4 J v-t ... ' "S i 1 I, f , . Y 5j y; y f N - 1 y 1 y A - j , '"k5N ''Tie " " At 1 WVV' I $l - Y : r-Y v : . i.Y.-.. i , s iff r w , I - - ' -Y ; 4 t x' --"' , , t ; ! ' " i I . " i 1 x x Yx s x nv -l:Y:CV -, 4 I N 1 I- I XS s J 11 i Y5 I y it yV x I- -y y--- Y'Yr s if i - Y Y t N Y Yrt wVs v " Y ---nr -m g, |