Show ir - AO" °"P"rle-A""""r'llr""r- 10-- I E8 FILM Sunday April The Salt Lake Tribune Outstanding Worthy effort V IE oc o r - City of Joy r- -- - I g 'aft z 413 mt C I Q3 S' dr - 4 I I V Ferngully (G) Newsies (PG) El achievement V) C (PG-1- V!' vcroovocrv VVOVEI et 3) V V (G) Rock-A-Dood- le OV VVO V 0 0 00 0 0 0 0000V 0 0 OV OVDEIV The Power of One 0 (R) V V VEIVO0 ocrv 0 o ages admitted parental guidance suggested All PG-1- Parents Restricted 3 strongly cautioned some material may be inappropriate for children under 17 under 17 requires accompanying parent or guardian NC-1- 7 No one under 17 R ootioos ooj - a heartbreaking account of impoverished Brahmans to "The Home and the World" (1984) a spectrally moving story of a cloistered maharani who leaves the 17th century and enters the 20th when her westernized husband encourages her to be more modern Ray's films dramatically exemplify the contradictions and agonies of a contradictory agonized nation In his movies the scars of the caste system and the struggles between Hindu and Muslim were made palpable particularly to Western audiences 0 Cr Cr V "Pather Panchali" (1955) 0 7 0 o 0 White Men Can't Jump (R) ages admitted PG 0 Ce VerVV V V Straight Talk (PG) Thunderheart (R) a - 0- lifetime-achieveme- lifetime-- a) VCIVVircrv V 0 V CrOClV V 0 (PG-1- Deep Cover (R) G All - V (R) Sleepwalkers A) 6- - a) z Cryf The Babe (PG) Basic Instinct 01110) 0 — 4' 2 -- Zt Indeed Ray's films proved more popular in the West — where "Pather Panchali" took the Golden Palm at Cannes in 1956 and where he was awarded the Oscar — than in his native land After getting a degree in economics in 1940 Ray spent the next three years studying painting illustrating children's books avidly attending Hollywood films and writing movieland figures such as Billy Wilder begging them for employment In 1943 Ray became a layout artist in the Calcutta office of a British advertising agency Six years later he was promoted to art director and in 1950 was sent to the home office in London Most of his six months in London were spent inside cinemas and meeting with the emerging generation of British filmmakers It was during this period that Ray saw de Sica's classic "The Bicycle Thief" (1949) a deceptively simple story that reveals itself as an Odyssey of the underclass This experience Ray said "bowled me over and changed my ideas on everything" Though Ray had previously aspired to direct elaborate American entertainments he realized NEWS SERVICE While only a clutch of cineastes were intimate with Satyajit Ray's realist evocations of life in India's Bengal region last month more than a billion TV viewers watched the ailing director receive a Oscar on his hospital deathbed Ray died of heart failure in Calcutta Thursday nine days before what would have been his 71st birthday Satyajit Ray dedicated himself to creating emotionally involving dramas in an India where audiences prefer escapist fare His films ranged from his debut tb 32m Z' E ' 11?1:11 U -- k C cb Carrie Rickey By KNIGHT-RIDDE- CD ( g 0 0 -- p fiamnamillat c0) 0 o o So-s- CrA bomb --- u A M'1111 11 0 Filmmaker Satyajit Ray introduced India to the world reviews from around the nation Movie 26 1992 nt neo-Reali- st Durbin and Ginger Rogers watching De Sica's unvarnished realism that he didn't need to go to Hollywood to make movies On the ship that brought him home to Calcutta Ray wrote the first draft of what was to become "Pather Panchali" the first installment of his Apu Trilogy and began shooting the movie on weekends with nonprofessionals Ray spent his entire salary auctioned all of his possessions and pawned his wife's bijoux to keep the project going Yet after three years of Sunday filmmaking the $3000 work was still in progress In 1955 Hollywood came to the rescue in the person of John Huston — then touring Calcutta — who saw a rough cut and arranged for the to be screened at New York's Museum of Modern Art The museum's enthusiasm in turn encouraged the West Bengal government to give Ray $35000 in completion funds In February when it was announced that he would be awarded an honorary Oscar Ray told York Times - et- WASATCH 272-- FRIED GREEN TOMATOES (P6-11230 300 530 8 00 ' CUTTING IIIIIIIN T1 Berl one tive HOOK 5 (PG) 1NEMAS 4 4111 1:05 FERN GULLY THE LAST 6:00 6130 an a in h 6:00 MYER Of AN INVISIBLE MAN 130 330 530 730 930 MEMOIRS HOOK mig RAIN FOREST (G) 12:30 215 400 5:45 7:30 9:15 920 BEFORE to d narr ers of n 65 BEAUTY AND THE BEAST (GI 8100 ion OF THE BRIM (PG) 3:10 5:15 7:20 9:25 " 20 long FATHER 4:40 7:10 9:40 120 3:20 peo susr grot eve' P4EMOIRS Of AN INVISIBLE MAN ) 1:30 3:30 5:30 7:30 9:30 PRINCE OF TIDES (9) bog( EDGE (PG) 420 7:00 9:30 1:40 Si ) the mili durl (PG) 1:40 4:20 7:00 9:30 FATHER OF 12 55 300 THE BRIDE 5 05 740 ! tor 1 130 3:30 530 230 930 BMA ANDY At 800 E 9400 ward Gargan "I started out as a film fan writing letters to Deanna 1111M1 slortalritattm'fin 3900 Ed- reporter look Astaire quite often Astaire is incredible There's no one like Fred Astaire even the early comics like Buster Keaton and Chaplin and all the rest I've been watching them again and they haven't faded you see" Neither have the films of Satyajit Ray who introduced his home to the world work-in-progre- New I at Ginger Rogers and Fred IPG) alto MEM S 0 ': '? rSlit detowc ' ti AKEtC41111Y I MO FAST ALL SHOWS STARTING BEFORE 5:45 S3 rj) : rs' Pit PASSES OR DISCOUNTS NO N DAY ADVAPIff SALE TICKFTS AVAILADI ' i a 1Xk3 1 12' 0 :1 SLLEAUCIRS - '' YEAR OF THE COMET (P013) I 204304:30-7:3- 0 4:30 ' - 0 — 1 k 4 IIIINIEHEi i :1 (PO) FERN GULLY (0) i In Dolby Stems MEN CANT JUMP (A) 7iirmi i 20 RED GREEN TOMATOES 10 - Dolby Stereo i (P013) ONLY! iMEIVFOR TODAY al R tr) f - I nir SAT ( xi - -- - '§tsv 8:00 SHOW DUSK MAN rN- - wi4i‘ ' F's''4:61-- '444 "'4- - ' PSig4!!0447:7' ' :'1o:: - ' :::'::'"::'::::: '''''' - ::::: - " ) :14 c4t::Z1Z4i:: - 17 f ::zki: ::: i ' '''' ' 4 ' ': ' IL Jet ?ofm i lie- ' ' ' i ' de s—3 1:4:i i 4Iisy: :': '"'' If: ': A v '''' '' :: is:::: 1n:: t I vis t0( ':: 4 l'''':' ''''A- '':1''''T:: '4 '' :: '::! 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HEARD 15 a ) MAN 430 745 950 THE PLAYER (R) STRAIGHT ' 1:55 4:10 7:20 "A masterpiece! One of the smartest funniest most penetrating movies about moviemaking ever made that's going to a great big funny film irrATOCIE I t socarrs ore throw people for loops and in general SILI create the commotion of the year" lit of ring bells —Stephen Schiff van FAIR TALK (PG) 1:50 750 950 ROCK A DOODLE IGI 7:30 145 3:45 a WHITE SANDS 4 50 745 9 20 CROSSWO Of eAstatirfi 10 WIN I "WONDERFULLY SUBVERSIVEI" I ' —David Ansen NEWSWEDI Funny!" —Pace d PLAYBOY MAGALNE T 11he Pl8gOl I 11111' -- X0 South Stem Street 59 MANN 11 205 445 6 e 7 15 9 45 (DOLBY) NO PASSES) cr --- Travers KUNO t1 11011111101Mittellta Smite - : (NO PASS(S) PoColl 1 567 OM IPINt 12902 30 3 U° 3° il) 00 : diko 61 I 1 1:10 9 1 12 00 235 5 05 7 35 1005 When you finish reading your newspaper recycle IC - MEDICINE PUT MAN SY$104 205 w2 THE BABE (PG) 7:15 9:40 off Oki s :is ''Itl Ta 1 SANDISIOVIS1V- - MY COUSIN TINNY FAS NOW 'ail IROUEYNOHTItb atoo tfinotitimiewew THE BABE (PG) 700 9:15 t IRO (DOLBY) i ONEPt Of FATHER (DOLBY) SUOST THE SPIDE (PG) 2:45 4:45 7:i5 925 (R) 1:45 4:15 7:30 950 PRINCE OF TIDES 7:20 9:45 2:00 (R) lgoEss' IAA 42643- WPM 5th South - - 9S7(34u0 In - 1:15 4:00 7:00 (R) (DOLBY) I (R) Of TINS 1:45 4 20 her Th ove isr bui I 7th - 115 4:25 (RI CiNEPLEX East ' Nts fkkm14 ' :' iv 4117 P I g d:k ' Ian Cri ha! 200 440 710 925 str 1: - 2:15 7° I 0 1 r' i - - ' HIT i ff 4 t 9 Soul'h DISCOUNTS 1 4Tr I I or4 EBERT : GULLY THE LAST 272 i RAINFOREST gill vi:A! 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OF THE IIRIDE (PG) 410 715 9:20 1130111YI ) 2:00 4:30 7:00 9: 30 twe 61441ANN 45 2:25 (DOLBY) FERN GULLY (GI 3:55 5:25 7:30 ite roman mew tot rr77Tr tirmemo 16 31 "83 ACCEPTED 069PAANN WHITE MEN CANT JUMP (R) (DOLBY) 2:00 4:30 7:00 9:30 C ''— t CaOLLY11003 tIOUTH TOWNEC114 E1 I la Danlatan CINFPLEN ODEON ' Or 1 N Ma w JOHN GOODMAN M EN ve JUMP t::i CAN'T I1 10 Will I Boa Vaa : FATHER MAN (R) 9:40 BEAUTY It THE BEAST !G) II)OtRY) 4 '30 370 5 10 710 sms E wrun 111at '41 sobs LAWNMOWER -- S1SKEL of sau 100 300 5:00 700 9:00 és ILUNENIlqA 210 440 720 920 1 $714401 506916e180 611 350 5:50 BO 9:50 ODEON E F (00111V) (RI 210 430 700 910 41V'i fell ?Oa NAM !MMUS 500 700 9:15 3:DO atm Tat ATMS "TWO ENTHUSIASTIC THUMB' S UP'" t Siel coRKERsa iitacort 516 South Ith filOLLLIMERSsi VALIDA11011 91 ISANDY-IVIOVIE- ir'll' NO PASSES OR DISCOUNT COUPONS STRAIGHT TALK (PG) 2:30 4:45 7:20 935 'TIMES PUILISHID API 7 - 262 West 10600 6 STONE toslaset s mANN UM —Peter '" NEW WOMAN "LaUghing Constantly!" --- ---0 ---r7 Verans011 2:10 SLEEPWALKERS IR) IDOLIW) 140 3 35 530 7 25 925 NPNS1ES (PG(1001111 200 4:35 7 10 945 FRIED GREEN TOMATOES (PG-19 35 IDO(STI 150 vii SOONiJ (DOLBY) THUNDERNEART ISWboNknum oAS 350 (DOLBY) (RI (DOLBY) - WHITE MEN CAN'T JUMP (R) (DOLBY) 215 4:50 750 1000 NE BABE (PG) (DOLBY) 200 440 7:10 925 YEAR OF THE COMET (PG13) (DOLBY) 1:40 3:20 5:30 730 930 CITY Of JOY (DOLBY) 1:30 410 700 940 THUNDERHEAT IM (DOLBY) 230 5:00 7:40 BEETHOVEN (PG) (DOLBY) 150 4 :00 7 :20 940 140 420 710 (DOLBY) 1:00 NAmied 0 nOVAUEY' 1:30 IR) (DOLBY) 230 400 500 700 745 930 1000 CITY OF JOY (PG13) (DOLBY) 145 410 710 945 MY COUSIN VINNY (DOLBY) int( hea list par 969 MANN MEE WHITE SANDS IR) (DOLBY) 2:30 4:50 1000 TAUNDERHEART (R) (DOLBY) 2:20 4:40 720 9:50 BEETHOVEN (PG) (DOLBY) 240 500 7:30 920 BASIC INSTINCT (1)) (DOLBY) 2:00 4:20 7:10 9:40 SLEEPWALKERS (RI (DOLBY) 8:00 9:45 THE BABE (PG) (DOLBY) 2:10 430 7:00 9 30 330 530 730 930 Ai m NA NOW ' ODEON THEATRES! 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