| Show De I Arts galit Ztibunt 104cot1t Sunday Morning—October 14 1990 Section E Page 1 Entertainment & was Trevor out e s traditional I ::i55‘5::55:555:445:55:::::5::1::5: :!5?::: N&k::Ck5'55: ' was Hollywood and really bothersome So I decided to take a gamble and do the figures nude assuming that the dynamic of the painting and the history of the nude in art would This story was supposed to be 'about how Trevor Southey has a' "show opening in Salt Lake City this :week Business concerns overrode artistic ones however and "Works On Paper" Gallery terpretations of a contract clause led to what Southey called an untenable situation ' Work by the former Phillips artist can still be seen at Park City's Old Town aallery Southey's friends Debbie and Dale Inkley will now handle his business interests in Salt Lake City Southey also has pieces in galleries across the country a show of his work closed Saturday in Los Angeles 4 Though he moved to San Francisco 'about five years ago Southey is well remembered by Utahns for the 1981 controversy over his nude mural once installed at the Salt Lake Inter- national Airport The oil on panel '"Flight Aspiration" commissioned by the airport authority depicted a nude man and woman in flight It drew numerous complaints from de-cency groups and one from a woman who said it could incite a viewer to "'kill and rape" Southey in Salt Lake City to at- tend a seminar recalled that he was one of many artists given the oppor- tunity to present an idea for the ter-Ming installation "In fairness I have to say that in my idea the fig- tires were draped But when it Came - ' - - el e yetite:' if Nt: — a nude man reachures in mid-ai- r ing out to a child offering strength ' and help Southey emphasized that the vocabulary he uses "from the human figure to some abstracted splash of paint or a line" are all crucial to his work all deliberately chosen "I have some very strong feelings about my work relative to the art world The fact that it is so traditionally rooted and based — in many viewer's eyes I've ignored the 20th century I don't believe I have But my language is very definitely drawn from the Renaissance and I make no apologies for it It's just where my nature has taken me" Trevor Southey's personal roots are in Zimbabwe Africa (formerly Rhodesia) where he was born in 1940 His interest in art started when he was a child and became sick with rheumatic fever "As a result I was sort of locked out of society as a whole" His parents encouraged him in art and his future was pretty well solidified by the time he was in his early teens "not necessarily to be an ' When someone asks Southey about his work he generally pulls something out to show them "because it's so hard to explain I do centered work that is human-figur-e rooted in the Renaissance very involved with human interactions and personal evolution of self and th4 human experience I'm very much aware of and sensitive to modern movements and use vocabulary from across the entire spectrum though I tend to focus in the traditional ' It - mode" In fact traditional drawing is at the heart of all Southey's work whether it's etching painting or sculpture He said he doesn't have a primary medium "If there were a primary medium I would tend to say drawing and painting but I do all of them with about equal enthusiasm and I would say skill Some people argue about that though" Sculpture is the medium that Southey said excites him "To be able to work in the round like that and to be able to draw a whole variety of ingredients into it — I have a real hunger to do that I tend artist but perhaps advertising graphic design or teaching three-dimension- See - ' - -- 4' e " e--et' '' : - iI e ' 1 I Iti ''' ' ' - " :' ' io : ' -- 1 '''''4' ' ''' ' '' 1 ' Y ' ' ' w ' 4 4?1 ' ' t" ' Ai f ' ' N 414 4''''- ' I 1'''4i: A k ' ' " - t4 '' ' ' ' I : :N k r V4gitoc: ' ' ' —1t 1 l'' '' v 4 :':': 1 : ' 1 ' 44' ‘ :Aic: :' "1 ''':" 'it: r1 ft :00 r1 e ii f A: : ::!: o -- : r:1 :' ' ' i ' I ': d4 ''' 1: i: '"-- i I Ili 1 i 1 - i o — ':Ii 1 :: 'I :' 1:1e-- $ I 1 i:' i - - ' ' - f 0 o:o o 0 4' 0 o:o 4 1 F04 ' "4": i i:ir-::- 2' 1 IH'c'z:: A1101:!'Z Li i!!i-11- 1 A -- f!i ''1 “: ' r 1 in : 1 I s 1 ' iM A101100 —Tribune Start Photo by Lynn it Johnson 41 54 V je r e Staff Photo by Lynn Johnson R i:::::: ::::::i:-:i- 011711 IkkgAt ' Choreography by Wiliam F Christensen 4 4 il 60-ye- self-effaci- i ' 0 4 ' ly pleased" with the work in the exhibit "My response when I went down to hang the show was that these are George's own personal quiet visions" Phillips said this show does represent a progress report of sorts an extension of all the work shown in Dibble's retrospective exhibition at the Utah Museum of Fine Arts last year That honor didn't slow Dibble down a bit "He's continually active as an art- ist" Phillips observed Dibble 86 has always led a kinetic life He taught his last class at the University of Utah in 1989 after nearly 50 years in the art department there For more than 35 years until his current hiatus Dibble has met a weekly See E-- 3 Column 1 dffM110FP go: -' ' - of George Dibble By Ann Poore Tribune Staff Writer When Tribune art critic George Dibble took a leave of absence this spring to get some painting done no one realized he meant to create enough works to fill a gallery About 40 of his recent watercolors will hang in Pierpont Gallery 159 Pierpont Ave through Nov 14 artist isn't pleased with Typically the his one-ma- n show which he termed "a progress report" "I'd like to paint it over again before it goes up" he said last week Gallery owner Bonnie Phillips who has represented George Dibble for some 25 years said she is "extreme- - 1:S:'':: '' "0414 o:o :sN -: ! 1 !i fi !i ' ' '' ' s A 40'' I ic It ' ''''' 4 iir!''':'il:!'!'n!2:'T!:M:n!:!"!:!'n!Ti:'!'"'!:!'!iT!!!:!:M!:'!:!:!1!!ITI:'Z:rnt:Mn!Mii':1377:777: ''''- -- '''''-''‘''''"- - t::N-7!- I !i 4 (11: fi I E 0 - 4 ' k ' "" tee e i k N ' i ot ' :''' Former Utah artist Trevor Southey's "Flight Aspiration" raised a few eyebrows when it hung airport terminal Controversial mural is now privately owned by Salt Lake City architect p i a 4 w ' e ' ''''' A: 1 :il ! ) li I ?il :ir i'ti I ' :' :7: 1' I ' -4 1 HA:' A! 11 i i i A4: i 11 ' ' li ' - one-ma- In Coo t f-o c visions Quiet ": ' V A r r 1 114 i ' ' : :r11 0 ::'1 :i1: r :o:' :::::p:-' ': I g l 'I:01 Hn : i''ftz (74 N 'fit 1 : : ' c I I titk il t:i l Iiii' 1 i 1 ' t 'n1 i ':':':91:41ifi :::'i'll:1i i 0 - Or 4J iT:: ' ' :!h:!: ‘1'::"''''':i!ilOP! 4N s ' "' ‘ss ' 4 N ' - :7 1 ' g17-- " it !: :: "fq'1'r ' ' "' ' ' '' ir''i 'A t 4 '' cr ' ' : i l ' '' e 4 4L N r1tv- 0 ' '1 A -- Al Tribune art critic George Dibble delights in painting beneath a willow tree in his back yard n show at the Pierpont Gallery lie spent summer creating watercolors for current "t : 2 i lc '' f k 1 ' te I '''l fo : 1':'' ) A ik 1 ' bt —Inbune " N: ‘ 4 ie4' li ' '''t ki I ' ) 4 feos ' ' '''''14”0-- - - ' ' I 0 t s - - ' - - ' " ' !:' ' N — te '-- k i ea ''k 4' ‘ V io '' i '' i ts ' 0 ''r?t:'' ' ":i: ' ' ' ' t l or :' : 'r '41k ti' ttrA fr ' 4 ik :! t' '71'k ' - V v ' ik 11 ' y- :- ' - g1 0 1 ' ' lk As - :41 a v - ' ' r:'040Zzowynti CAT '(I p ' '1 1 k4 k 'i Ie' e'' eo Y iir Sark- ek t '' ' :i 1: ) 0 '6' 4J '4 V''' - f ' N ' eee ' - 1 --- 1 ' r' 114' 'N lk t t ' IF olirtl 4 4 z ' '''11 - 1 14 - :‘ I ' 4 ' te 4''' -- t 4 1 4 tot t -' oev " i:) 12°- 0 1 tz L- - ro 105 tt' f 4001fre ' ic ' 1 e 1 '"e" 1e' - ' '' It s$ ' — : i ' 0 1 '1e-Itt'"-t- t‘e ‘ '' ' I0 4 t i 4" ' e e 01115)t''' tee ' i IR '')kett 0 4 ' - ' f e ei40- e '' ' ' ' ne y e-- 0- ' ' 7 4' ' '' e ' e ' il: : r- f ok e i t ) !A-'- 4 141 e ii A e i'4)4'' ?" p e'''t11't 4 1 eto ' 4:'''P' k 1 4 e 4 e $ ! 4 n t 1 ' ''' - - f - l'4711 : ' t ev '4 f ' i('' — ' elre i' '1 ' s - t '7 ' or '14 - -- " '' - - eo ' : 1 i I Column E-- 5 '' :: ' - 4' t ''' ' 1 ) ' ' b - ' i mentary flutter" It became a nation" al news story — ” 1 to feel that my sculptures though they're sometimes rather brooding are some of my more potent work" While "Flight Aspiration" was raising a few eyebrows at the airport Southey's sculpture "Healing' was Installed at the University of Utah to doing the painting and doing the drapery it was offensive to me it Poore Tribune Staff Writer By Ann 4 5'45TTM7rf:rrrtr!rr" :::55:k555555:5kW44:W55kWN'''S4Z ::k5!5:5 ::ik5 :55445555 4 i HALLowEEN SOCKSr------- ir 0 0 EXPIRES i - f fo : t 11 '' ro 1 kaai aLOOR d: : ' PROW RMROLOORMIRDLE by November 10 and receive a second Nutcracker ticket free Priority Sealing: Subscribers assigned immediately (Single Nutcracker orders assigned after November 10) Save up to 23 on regular ticket prices Mini-Packag- e Full Subscriber Benefits Package Includes: Giselle - 1t4") SEATS 1 r-1-- A 438440 ( " matommu 0E r FLOOR r Nov 9 & 10 14-1- 7 Nutcracker Dec Lord Byron (World Romeo & Juliet Feb 15 & 16 20-2- 3 April 5 & 6 10-1- 3 Premiere) Prices Mini-Packa- Section Grand Tier or : Box Orchestra 0 :6 Level I t - 7-- (2 Tickets) (Includes Nutcracker) & Weekend Saturday Matinee Nutcracker Single Prices Marg Evening Sold Sold Sold Sold Sold S100 $104 S80 8'23 S20 S100 $104 S80 Evening I i :J) New Direct In-Di- Box Office al Service: 524-833- 3 r 1 MAIL ORDER FORM Single Matinee rgef available through November 10 Nutcracker orders assigned after November Str Laval Tee '1:teltgis 581-99- Mezzanine Front $23 S18 Main Floor Front SSO S84 S65 523 S2t Mezzanine Middle S70 S74 $55 523 $18 Main floor Middle S58 $62 850 S19 $17 Mezzanine Rear $SS $62 835 515 S13 Main Floor Rear $40 $44 835 514 $12 $30 $34 S20 Balcony Cali for Children's Prices' Name (pea e NutEncket Sit) Enclosed prmU 1SA AddrPs Statt PhoDt !)a1irn Zip Eveninc ard is nn chsege check payable in MI ling SI to Ballet West Wm ocket TO1AL 8 my account Master Card Exp Arnertcan Express Pak Signature Clip and Mail to Ballet West Box Office 50 West 200 South Salt Lake City Utah 84101 59 Tail MPack Please City Prrr 10 lliand 0 Salt Lake's Best Selection of Quality Socks & Hosiery For The Entire Family I Main : 4:o - Second Level Wed 40 00-- t BALCONY Main Roar OFF! 103090 too aaan EXPIRES AT Located on the South Side of Foothill Village 610Fil 25 STOC F1 et towit 111tANINE Red Knit Slippers "e--'el'- 4: 7 - Sox e ri e Ao'" RI E 1k ''''' I - : JETS OhCHESF -- ' IT STAGE r "- I Purchase the 1111 JOHN HART ARTISTIC DIRECTOR "de 0 "-- e SOX Mini-Packag- First- - Time Offer Enjoy the Nutcracker as part of the regular Ballet West Season! t IIIII BalletWest f fr F 11 '4414"4'0'''' (No performance December 25) ORDER NOW- - seating will be assigned after Nov 10 ' f 103090 ? 47e'' Weekdays and Saturdays at 7 pm Matinees December 15 21 22 26 28 29 at 2 pm Matinee December 24 at noon 4) 1 '90-'9- 1 9 I t I SAVE 171 : Nutcracker Performances December 13-2- i qtr 1:1 - t :1 1 Bats Pumpkins Spiders & Spooks! z 0 b 1 ::::i Iii: i : Fun Colorful Socks Covered With Witches 1I ti 111"' t Box Office 524-833- 3 L --1 - 4eMPYMia101mobbISPIMM001M 471e411101114 4 et |
