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Show Thursday, October Speech Therapist Says Continued from Page 22. move on to a new word." E.T. only has 14 lines in the entire film, according to Welsh, but each line was very important because each had to reflect what the alien had learned in his short time on earth. "Each line had to reflect meaning, the significance and the message of what he had learned." When she taped E.T.'s voice, the special effects technicians synchronized the alien's mouth movements to coincide with her voice. Now that she's dubbing in foreign languages, she has to sync with the film. "It's a real challenge," she said. "We've finished the French and Spanish versions. Now I'm doing German, and Italian will be next." Child actors from those countries are hired to dub the lines of the children in the film, she said. "They have a tutor from Berlitz (a language school) there with me all the time," said Welsh. "Our ears are not attuned to the nuances of other languages. When - Page Discovery a xFluke' XET have asked Welsh not to make any appearances because they do not want the voice of E.T. to become too ragged or overexposed. "The voice has a quality of magic," explains Welsh, which the studio doesn't want to spoil. Wiil there be a "E.T. -Part Two"? Welsh says. "There's a very good chance. It's a topic of great discussion right now." The producers and director have to The opening foggy sequence was shot near Crescent City. The "typical California suburb" used for most of the movie was a Los Angeles suburb. The panoramic scene of L.A. at the end of the movie actually was a painting by a scenic artist. make a decision soon "be- cause the children in the movie are at a rapid growing age." The "voice of E.T." also shared the following tidbits about the movie for trivia buffs: Whose voice for E.T.'s initial the beginning of when he first sees A sea otter. Where was filmed? was used scream at there another Was ver- sion of the ending of "E.T."? the movie Yes. Director Spielberg Elliott? changed the original ending after a preview screening in Houston and Seattle. the movie Pat Welsh attributes smoking to deep voice. I speak French, I sound like an American trying to speak French." Although she said "I haven't made a fortune," she revealed she's being paid a lot more for her foreign language dubbing than she was lor her work on the original film. "If I were going to be I THE HERALD, Provo, Utah, 21 ,1982 in any movie, I'm glad it was this one. It's been terribly important to me," she said. Occasionally parents call her and ask her to phone their children to wish them a happy voice. those Welsh birthday in her E.T. To hear the reaction of children is wonderful, said. Welsh has seen the film twice, "I was amazed at the number of children who went back and back to see it. It seems to appeal to so many even to my peer ages group who haven't been to the movies in 20 years." Welsh, San third-generati- Franciscan who majored in public speaking at University of California at Berkeley, almost was discouraged from pursuing this career because she has a congenitally small nasal bridge. As a partial explanation to how she acquired her distinctively low voice, Welsh said, "Unfortunately, I picked up the habit of smoking." Her "voice" also was altered electronically for "E.T." to sound "like it's coming out of a tunnel." Universal th this Halloween (JEST 1 1W W. with Danskin leotards and tights Columnist Foresees Newsmen Revamping journalists American SALT LAKE CITY must bring historical perspective and an intellectual dimension to their coverage of American politics if they truly are to fulfill their obligation to inform the public, says the associate editor of The New York Times. Tom Wicker said during the John F. 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"I think we have to back away from this and think about how we can best do the job of informing the Reg. $24 Book with said. "We public," do Wicker it because we've shouldn't just always done it that way or because our competitors are doing it. We the Giant 60 pages (30 leaves) with plenty of room to add your most treasured memories. Steel reinforced should ask why we should descend on Iowa and say someone is the when they've likely front-runnhardly won anything at that point. We need to exercise some independer spine and rounded corners, 12.99. ent judgment." The second problem, Wicker said, is simplistic, advertising which makes charges candidates can't answer and the advertisers can't prove. Such advertising often capitalizes on pieces of the candidate's record taken out of context which grossly distort the candidate's record and philosophy. "This kind of advertising has become the single most important institution in American politics, and it should be covered as much as speeches and debates," he said. "They should be challenged and refuted if necessary." Candidates who benefit from such advertising, even if they disavow any direct participation in its preparation, should be held accountable for it, Wicker said. Thirdly, he said, the news media rather especially television than party politics decide who's going to run and they promote and lend impadt to extravagant, unrealistic political promises. Thus, Wicker said, the people come to view every candidate with a big promise as a "miracle man" with instant solutions to their prob- lems. "Because of television politics, the art of getting elected is going that direction, and the art of governing is going this direction," he said, gesturing toward opposite sides of the Hotel Utah Grand Ballroom. 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