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Show i Thursday, November THE GREEN SHEET X Next Week . Gap itol Exhibit Set At Capitol SALT LAKE. During the Utah Cooperative - Preservation of Architectural Records (COPAR) conference at the State Capitol on Nov. ' entries, photographs, and memorabilia from the Utah State Capitol Competition will be on - V cry s ' 21, hibit 13, 1986 ; ex- :', "The Utah State, Capitol Competi-- . tion, held in 1912 to select an ar-- .. chitect and design for the Capitol building, was the most important architectural competition ever held in the state. ' ' p At the same time, it was the center of a storm of controversy. In the early 1900's,.the idea of holding architectural competitions was coming under attack both nationally and in the state. There was dissatisfaction in the Utah architectural community over the choice of architects. Also, the voters of Utah, ever conTtTf scious of increases in taxation, were 1 I : reluctant to vote additional funds I " jaji j when the original appropriation was a SI Ml K.ivfv:"9VW a exhausted and the building was not U i "iriElfl :l II l1 (i r li i (I J J ,M yet complete. Finally, there was a continual outcry over the use of h some materials and firms. The drive to build a proper state capitol to represent Utah actually predates the granting of statehood in mm, n 1896. In 1888, the city fathers of Salt Lake City donated 20 acres of land on Arsenal Hill (now Capitol Hill) to . the Territorial A CAPITOL IDEA . . . This rendering of what the Legislature to serve many pieces of capitol memorabilia which will be as the site of a capitol building. Utah State Capitol building might have looked like on public display Nov. 21 during the COPAR con-b- y Although plans for a building were architechts Watkins, Birch and Kent is one of the vention at the state capitol. drawn up, funding for the building was not forthcoming, and the land four men selected were John Dern, ing in January 1912, the Commission past. On Nov. 21, Utah COPAR, in remained unused for over 20 years. John Henry Smith, Charles Edwin reviewed ten entries, seven of which cooperation with other institutions Finally, in 1909, Gov. William Spry Loose, and Matthew Browning. were submitted by firms or combinwho hold or are interested in the sucAll four were urged the . Eighth , legislature to ed firms from Salt Lake City. preservation of architectural cessful businessmen. The function of develop sources of funds for the conconThese include such well known arrecords, will sponsor an y struction of a capitol building. the Commission would be first to chitectural firms as Watkins, Birch ference which will feature local and The lawmakers responded by select, through the and Kent, Ware and Treganza, nationally recognized speakers. passing acts which set up bond practice of an . architectural comThe speakers will be Mary Ison of Young and Son, Cannon and Fetzer issues, authorized the negotiation of petition, a proper design and an arand Ramm Hansen, Frank Winder the Library of Congress prints and a $200,000 loan and called for a chitect, and then to oversee the conMoore, and the "grand old man of photographs division; Richard W. special one mill tax levy to fund the struction of the building itself. Utah architecture," Richard K.A. Jackson, a Salt Lake City architect; ' structure.' The practice of holding competiKletting, who had designed the Stuart Kohler, chief conservator of The voters of Utah, however, tions to select designs for public original Saltair pavilion. archives for Massachusetts; and defeated the tax levy and the drive buildings, however, ;was at the time Finally, after two months of Peter L. Goss of the graduate school to begin on the capitol lost momenthe subject of increasing criticism deliberation, the Commission of architecture, University of Utah. tum. It was not until 1911 that a by the architectural community and selected the entry submitted by Membership in Utah COPAR is windfall in the form of an $800,000 inthe powerful American Institute of Kletting. Although the Capitol took open to any interested individual, heritance tax payment from the Architects (AIA), who felt that it ex- another four years to build, and was from design professionals to estate of E.H. Harriman, the ploited architects. The Commission, marked by controversy almost the laymen, who shares a concern for railroad magnate, ensured adequate undeterred by such criticism, an- entire time, the Utah State capitol this engaging aspect of the architecnounced the competition by sending building remains, seventy years tural record. funding to begin construction. In May of that same year, Gov.; an invitation to all local architects after its completion, a fitting symbol Registration for the conference is "of Utah's place in the United States. Spry announced the names of the and many out of state ones. $5 by tomorrow (Friday), $7.50 the men who would serve on the Capitol The Utah COPAR chapter was day of the conference. Entries, in the form of portfolios Commission. Besides the governor, of drawings, renderings, perspecestablished in the summer of 1986, to For more information on the conSecretary of State Charles S. Tingy, tives and floor plans, were then sub- assist in preserving the documentaference, contact Wayne Harper, . tion of Utah's unique architectural Conference Registrar, at 1 Attorney General Albert Barnes, the mitted to the Commission. Beginn ..'.. - - - jVu : K. li 11 is! rin non-Uta- . '. self-mad- e, all-da- then-standa- - IE I (ft fiTTfliFTlIft s'"1i. Michael Riley In Symphony Hall - Ottley, Riley Join Utah Symphony For 'German Requiem' The piece with Brahms achieved the first major success of his career, A German Reguiem, will be heard at Symphony Hall at 8 p.m. Friday, Nov. 21 and Saturday, Nov. 22. Joseph Silverstein and the Utah Symphony are joined for these performances by soprano JoAnne Ote Michael Riley tley, and the Utah Symphony Chorus. Carl Maria von Weber's Overture to Der Freischutz completes the program. The Reguiem is titled German because the composer adapted a German text from a Lutheran Bible rather that a liturgical Latin text. The tender, sorrowful work speaks of hope and resignation rather than despair and is considered one of the most moving choral works in musical literature. Riley received warm praise for his singing last year in Beethoven's Ninth Symphony with the Utah Symphony, and for his performance in 'II Trovatore" with the Utah Opera. One of today's most active artists, Riley made his New York Philharmonic debut in 1983 and has sung more that 150 roles with operas and orchestras throughout the country. Ottley, a Salt Lake City resident, is a popular soloist with the Utah Symphony, most recently performing in Mahler's Symphony No. 4 last SALT LAKE. which Johannes bass-bariton- f5r pit w w w m m FT x JoAnne Ottley one Introducing r DOUHu IFUL'S BEST USED CARS VX mmi . mm v - pre-conce- rt 533-640- Those "don't wants" around your house may be "do wants" for someone else. You can turn them into ready cash by putting them in the area market place, the Green Sheet 2 ad columns. Call to place your ad. r.im.m.Miiii mx m m October, She has performed leading roles in operas including "The Magic Flute," "La Boheme," "Rigoletto" and "La Traviata," and has sung in operas and with orchestras in the United States, Europe, South America and Japan. The Utah Symphony Chorus is the official chorus of the Utah Symphony. Directed by Dr. Ed Thompson, chairman of the University of Utah Department of Music, the chorus performs and records frequently with the Utah Symphony. talk about Preludes, a the program, will be given at 7 p.m. Friday and Saturday in the hall by Maestro Silverstein. Single tickets are $10 to $25, available at the box office, 123 West South Temple, Salt Lake City, Utah, 84101, or by calling There is short-terfree parking adjacent to the box office for ticket purchases. The concert will be given also Thursday, Nov. 20 at 7:30 p.m. at g Hall, BYU in Provo. 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