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Show Wednesday, July 12, 2000 The Park Record C-4 S St WorAs Don Rubalcava Ceramic Tile Installation Phone (435) 655-9093 fr eddie prime, ji. J h tears Experience. J DVD MOVIES AVAILABLE to Buy or Rent Over 200 Titles to Choose From Conveniently Located Next to Rite Aid Drig Open 7 days 10 a.m. to Midnight 645-9234 f . matt tmrn iMin MMWfeM F '' The L.A. Times Crossword Puzzle 'ALL STUFFED UP" Bv Bill Zais and Nancv Salomon Edited bv Jovce Nichols Lewis U'ROSS SS Rinj. as a bell Gobellv up CM) A "little woman " 122 I Pop's John 6 Smush spi.Js 11) Hood sur Ivor 14 Soda M'lcction 123 124 125 41 Cinlession of a Mai la boss ' "The Morning W atch" author Lilerarv monogram mono-gram Sellout I 'I b ol "The Donald" :0 Got on ')ft :i Si. ith a panhandle pan-handle 48 CiroundhrcaUn sitcom Hannihjl Smith's unit kind ol' mile: Ahhr. Carson's predecessor pred-ecessor Picttih. Conlession ot an inept sp" Mis psyche W Sine qua nun KKI Singing Starr 102 Coflece bii;- 24 1(14 Father and son actors rule Confession ol a manicotti maker ' P.dm grease Restrain S 104 114 115 III delic 32 Mission starter 33 Nostra 34 Market close 3s Can ol worms. perhaps 3 ft Do some tape cdiliiii: 3 Doo-uop s !- lahle 3'l tonkes' nudes 43 Conlession of a hl.iikiuck dealer lift Mrs, Chaplin IP Doclor II 12 118 Louisiana marsh tvpeiis Cioller's stroke Indian lan-iJ'iaije lan-iJ'iaije 13 14 15 114 120 121 Ift 4') Pn to 5(1 tlx is Presle. 51 " Tii": 17-1 hit 52 It comes from the heart 53 Gulaaer of The' Virginian" 54 Disperse in ever-widening circles 5ft Tidhn 58 59 ftl h3 ft5 73 Hretvch word for word Bankrolled Places to buy '.ivin tkts. "It's big joke'" Confession of u ni'.wil? River of Flanders 74 Part of MtirkS gixidbye Kind of card 75 7h Cleo's iitidoing 79 Dick and Pat s daughter S3 Computer Andrew Lloyd 85 Carol syllable 8ft Slalom site 1 2 '3 4 5 6 7 8 9 """i0 11 12 Il3 flu 15 16 117 I18- 19 20 21 22 23 2l 25 26 27 28 29 30 !""" 35 I. , j"' J37 38 r 39 40 41 4? iTj 44 45 46 47 48 53 f1 54 55 I 56 V 58 59 60 ""161 62"l . ' ." ,JZ " 64 ' "" 65 66 67 68 69 po" '7T" 72 ' 1 ' 3 r - 4 rT75 76 77 78 F" 79 80 81 82 83 84T "''"185 86 87 IT; 88 89 I I""" Ts0 sp, M u LJ 91 92 93 4 95 M 96 197 ' f"l98 I"' "''tiri I 1 mmmmmm anw I'lwl Ltrm Imnwrr Jtetmjwi-r&m?mvm " 100 101 1102 103 . !04 105 T106 107 108 .imubJ immi tauJ LaaJ i j 109 110 111 112 113 114 I I "v" Til r TiT r1 TTT l ,4 f T J 118 119 ' 120 121 I ' 122 123 124 ! 125 ' ' ' ' r ' ' ! I 1 I hmuA lilt There arem enough homes for them all-Please all-Please spay or neuter your pet. iolia , 1- One with j big nose steps P Deertlike IS Roadside retreat 2S The Magi. e.g. 24 It's cap is Ouilo Prol word ftO 62 64 ftft ft" ft8 64 70 71 72 76 Gin fla ii inu Blender biand r 1 , A- DOWN 1 Digital dispatches dis-patches 2 Roof siippoils 3 Tire topper 4 Norwegian king 5 StiJkv I D ft Pari ol New York City .30 35 3ft 3X 40 41 42 43 44 45 4h 47 48 44 t'niesponsiv e. with "to" Hall an icecream ice-cream team Type of hygiene B.H) Wave the liesses Piefix with plasm Card game for three Misau. e.g. Speak i tori Hit the decks Way to go Selloul sign Buy. so lo speak Mil. weapon From the lop W ho ille cie-alor cie-alor Shaip image receiver: Abbr. ' Piece ol cake'" Green lights Smooth and while -kin Dine s delight Legendary gilded city Tai.e laborious 78 80 81 82 84 87 54 Pigged out 55 Venomous viper Patsy proves to be a by Rick Brough RECORD GUEST WRITER The Epptian Theatre Conipan proves once again that they're committed to bringing the f inest talent available to their Main Street stage even if the star of the show has been dead for nearl 40 ears. In " Always. ..Patsy Cline" the legendary country-western songstress lives again, thanks to an amazingly talented performer named CoCo Sansoni. who proves to be an eerily adept look-alike look-alike and sound-alike. I'm not a country music aficionado but, by m non-acute assessment. Sansoni has captured that fabled voice simple and clear vet melancholy, an achv-breaky crack in her heart always under the surface. ("Always" is the kind of show that. 20 years ago. would have been billed as "Patsy-mania" with the tag line. "Not the real thing, but an incredible simulation!") Although some elements of the show seem corny and wrong-headed, wrong-headed, this is still a must-see production Irom writer Ted Swindley and director Robin Wilkes-Dunn, who take you back to an era when country stars appeared at honky-tonks in front of neon beer siens. countv fairs IT f . 9 fPjBd Take flight to unite Anthem author Taxpayer's ID Classified material? Chips choice Deemed appropitale Firsl year ol the Lord Cube creator Out-and-oul Shoppers" meccas I'ntr.teresting Gobi's nursery Sack Lid problem Northern Japanese Be ahead b a 40 42 93 94 head 95 South African monarchy 101 Received enthusiastically enthusiastical-ly 103 Cosmetician Lauder 104 Run of 105 Slowly, in scores 106 Operative 107 Sun protection 108 I p 109 Persian Gulf country 110 "Stiver, away !" 1 1 1 CFOs. usually 1 12 Fussy fellows It J "Battle Cry" author 1 14 Air rifle ammo comment 77 Counlerfeil coin Prepare lo he shot It's good foi a laugh Seine sighi Early debugging debug-ging phase Stranger in the night .' in the and. of course, on the Grand 01' Opry, rather than on MTV-style v ideos. Patsy's story is told through the recollections of a Southern housewife. house-wife. Louise Seger (Andree Peterson), who recalls "subconsciously "subcon-sciously listening" to the Arthur Godfrey show and becoming mesmerized mes-merized w hen she hears this voice! Louise introduces, herself when Patsy appears at a local honky-tonk barn (kinda like the Westerner, she helpfully explains for the Wasatch Front audiences) and she finds that the singer is a kindred spirit, a good ol" gal who can sit back swigging a Lone Star, smoking a cigarette (these are the early "Ws remember) and commiserating com-miserating over the problems of raising kids and dealing with your man. Making it look easy. Sansoni swings through some 25 songs (and half as many costume changes). She dips into the repertoire reper-toire of Hank Williams, Neil Sedaka and Bing Crosby, but the highlights of the show are Patsy's own Greatest Hits. like "Walking After Midnight." "Back in Baby's Arms" and "Sweet Dreams" (especially memorable when done with a dreamy lighting effect from Peter Willardson). Sansoni's recreations aren't note-for-noie -1 I (BO 05 1 HOLIDAY VILLAGE CINEMA & The Perfect Storm (PG-13) Sottv. no passes or supersavers Sun-Sat: I 00. 4:00. 71X) & 9:50pm Me, Myself & Irene (R) ?-;. Sun-Sal: 1 45. 4.30. 7:20 & 10:00pm The Patriot (R) SorTy. no passes or supersavers Sun-Sal: 1:15.4:45 & 8: 15pm Answers for July 8, 2000 ilAi.JLrilo.AAXi. !L A A !w AAA A M I M-jH LINES AHA bIiT N R E n o A "TTuTr" e a t e s mT LAAAJLA o R a l sdonet" e n jilisxil r I a w e IsJti:: ; "imo n a .J c h i t w.AA eIlIsIeljk" A2.3ltLXAA j A AA -3C0 S I MjT "j H I T ! E R A S c a Mlpju" s XA IhJa b o r l a a t r: j A M I j E j S i C A Y JO A R A M E L "1 oTsTt M A h A T"L.l N a D A r Zj Cj E R E & U M S p l ac a r oHp oj & TtJr E AAAAA aaDlEaa l 3aa s tL- e v e r t S E TrjF E A R ES TrTlN uTsij RUSKS "T rMjil u LLEi!JPliTQ' B 1 E s Jj A M B I f T AX "AAAV n e eIdUf j n e 51 g as p"TT cTrTaTm N R ALJM I N TT "OjP A L rTfRjE LIVE R t w o R"T)f . ... cJa m e o I s "I c a vA LA 'lOP E I R AM P 0 R T jC7 Sujj ROAD AAAfl II A AA o!s lot"" a jl t e e 1 l I k I e I e 1st J s 1 e I e Is I a I w I A i e""d hit beyond her time perfect, but if they were, I wouldn't would-n't be filing a review, I'd be phoning phon-ing an exorcist. Between songs, she still finds time to bring out Cline's approachable, down-home personality Andree Peterson is likable enough to be a Guilty Pleasure but, in her hands, Louise is too much a broadly-played goof. Especially in the first act, she comes across like Kathy Bates, waiting to hitch a ride with a road company of "Steel Magnolias." Since the production is based on a true story, I wonder how the real-life real-life Louise would react to this. Despite all that, Peterson has her comically-beguiling moments. She and Sansoni (old school pals in real life) have several chances to show their rapport, and their brief duet on "Blue Moon of Kentucky" makes you wonder why Louise didnt hit the road w it'h Patsy. The evocative set, as usual, is Arena Stage founder to speak at Sundance Public invited to Women's Series luncheon, discussion On Tuesday. July 18. The Sundance Women's Series will feature a leading national figure in the performing arts. Zelda Fichandler is best know n for her work as Founding Director of Arena Stage and has received numerous outstanding awards for her lifetime work in theatre. Fichandler w ill lead 3n open discussion at a luncheon at Sundance beginning at noon. The cost is $25 per person w ith a portion of the profits benefiting a charity of her choice. Reservations are limited and must be made bv calling Shauna at(S01) 223-4078. Zelda Fichandler was the Founding Director of Arena Stage in Washington D C. and its primary artistic force from 1950-1990. 1950-1990. Her history-making example, force of personality and eloquence elo-quence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage, a model for scores of cultural institutions es'ab- " lished across thd country. Her concern for the development of young actors led her in 1984. to NewApaper RccycIcA! Tbs PaH City Recycling Certtr is kca'td at '951 Hoodtme Way by Marnie Sears. The time-cap-sule elements of the show are conv eyed by costume designer : Tamara Cobus (remember how bad those ladies' pantsuits used to look?) Also indispensable to the show's success is the band, com- prised of musical director Kevin . Mathie, Gar Ashby, David Evanoff, Ed Pearce, Steve Wesson and Eileen Dempsey. You can travel back in time just listen ing to the s tkicker twang of the keyboard. "A!ways...Patsy Cline" casts a spell that's almost too potent for ; its own good. (After "Faded Love" serves as a prelude to news of the fateful plane ride, the mood isnt so easily dispelled by a cheery encore.) This production should be on . your summertime schedule, whether you're a Parkite, a local, or just somebody w ho "subcon- . sciouslv listens" to country music. take the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts. Fichandler has received the National Medal of the Ails, awarded in 1997 by President Clinton, the Common Wealth Award. The Acting Company's John Houseman Award, the Margo Jones Award, Washingtonian of the Year " Award and the Ortho 21st Century Women Trailblazer Award. The New York commercial commer-cial theatre world aw arded her 5 and Arena Stage the Antoinette Perry (Tony) Award in 1976. the first to be given to a company outside of New York. This year she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside out-side of New York to receive the honor. The Sundance Women's Series is a quarterly program designed to celebrate the women of Utah while addressing issues faced by today's busy women. Some of the topics include business, the arts, politics, parenting, par-enting, cooking, fashion, deco-rating, deco-rating, current events and " , women's issues. For more information infor-mation on Sundance proerams. please call (801) 225-4107. Peer at the faces of art Continued from C-1 seldom see in portraiture today. '"Gobby." " Santa Fe Bandit" and "Marietta Man" are three male pof traits. Again, the personality of the individual is registered in your mind. The colors are brilliant, the brush strokes strong and the faces ; live. "The turning point in my artistic life," says Venzer, "came from traveling trav-eling with fellow artists across the Pacific Ocean to the interior of China. Watching the people, looking look-ing into their knowing eyes, admiring admir-ing the dignity of their time-etched faces, I knew in my heart that 1 could no longer be satisfied with painting a 'pretty picture.' I needed to capture the deep emotions of people w hose cultures are caught between the past and the present "I have sought to paint the inner beauty of people of dignity. Tibet, Kathmandu. Bhutan. Tanzania. Kenya and the American Southwest are a few of the places I have visited and painted. I am particularly drawn to Native American culture and the people Is resurging determination determi-nation to hold onto and pass on their customs and traditions. Each individual or subject has a particular quality or strength that makes it unique to the world. Combining this uuduiv wiui my ixuet in the umaic dignity of man is the essence I strive to capture on canvas And she accomplishes this as few artists do today. The Kimball Art Center is located locat-ed at 638 Park Ave., Park Citv. Perfect Storm j lC-t. I 'Spccul Enptgcmrru frl. Tu. 2:1$, 4:30, 7:00. 9:30 pm Kiili Mtvit Rug Rats Wd. ft Tfcur. 12:00 ft 2:00 pm r- 01 - 1 15 H. Main St. 1 The Patriot QQ'SfKCul Enpgnnrnt DDy 1:40, 4:45 A 1.00 pm |