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Show Uolas and Alexandria' good We technical flaws, acting that stentorian, audacious aggressive type of acting that shows it. Janet Suzman is very good but not Academy Award good. Her part required very little differentiation. The screenplay was also very finely written in that Goldman has chosen some very stimulative Hnes and actions that were powerful and theatrical I Poor from cinematography to music that was overdraand tedious, but for the task Gold man and producer Sam Spiegel added for themselves it is oneVf Jhe better pieces lh ;,CAYLAN NIELSON Chronicle Staff Jv movies about historic : adapted from long endless ,. in tiresome, drab and ig. I suppose, to some I went to "Nicholas and -aSria" with that attitude. long, but it was never Sit in sacrificing drabness I an intolerable rate of jtss. Scenes were very and incomplete. The vik Revolution lasted two . 3 minutes, for example. ' .ads of frail over-lookings motivated and nerve-ag. nerve-ag. The only long scenes in ie, for example, are :.e ones watching people Litmd or sit. ire was anything unique rihilarating about the "if, written by James 'A is the juxtaposition of 51 of scenes that were aically opposed. M Jaston played s and he was really 1 when he was lines, but all other ;med frozen, stagnant ' little kid trying to -iw lines. He, along with !: Suzman, who plays '- are both members of "I Shakespeare Company and they both have |