Show At the Salt Lake Monday I Story of Pygmalion In P Pygmalion mallon George e Bernard Shaw establishes his contempt for tho It British subject of oC which he hea a la a dis dis- example The story o of ot If Pygmalion i Is practically practical five acts o of oC what Mr Shaw calls A Romance It Is written to provo prove that tho the Eng Eng- nJ- nJ 4 r rr r I ii 1 lish lan language as spoken In the gutters of ot London and In tho drawing rooms is a grave subject of ot Importance The author proves that a cockney with all nIl her terrible yowling of ac accent nc- nc cent can after being properly trained In phonetic form forni of English words pass for a duchess In a fashionable drawing room This phase of ot Pygmalion strictly is-strictly Shavian Tho romance of ot the pin play i which Is its strongest appeal to tho public Is merely merch suggested touched upon lightly and left len to tho the dramatic Imn imagination of the audience The Tho romance consists of th fact thet that MRS PAT CAMPBELL in ivL scene from Pygmalion lion ion which opens the season at the Salt Lake theatre to tomorrow tomorrow tomorrow to- to morrow night ElIza Ellra Doolittle having been u used e a as an experiment to prove that an nn En English lIsh duchess ma may have been a cockney flower girl a situation which ml might ht have been een taken from life nevertheless has the soul of ot a woman Tho Tim success of ot P Pygmalion In Lonion Lon Lon- t ion don was duo to the comedy rather than the satire of the new play But Mr Ir Shaws Shaw's real purpose of amusement in play has h been en to exhibit tho the bru bru- of the British subject and malion mall on has again accomplished hecl this but with a brilliancy of oC comic concepion concep concep- I lion ion that surpasses any anything thins ho has contributed In IN plays with tho the exception t Tell of perhaps You Never Can I |