OCR Text |
Show Meal Iflflococe in I Institute, , IfceArt vs. Commercial Art ; I and Professional Jealousy Jeal-ousy Apparent. That Gov. Wells Is Trying j Break Up Paris Clique, Which . left Institute in a Body. K ' Sr Browning, speaking by nuthorl- fri the Society of Utah Artists, makes 4i LfclloirUiS statement: , I te Me and simple statement given L .. ty the Society of Utah Artists to .irKt tl'at its members would not l with the Vtah Art institute con-,; con-,; to all intention or calculation-Ss calculation-Ss to have gKen rise to much un-i un-i Lfeminent from various sources, and Ms artists of the society prefer Lr brushes do the talking wher-af'trtttlcablo. wher-af'trtttlcablo. It becomes necessary to i Slet omc erroneous inferences that JEiW have been drawn. Controversy 23tbrcst upon Hu m in the beginning: Sflnj always unwelcome, and Us pro- intta is not desirable to them, but 7r 6ma tho following statement lm- Irttlve .it this time. True vs. Commercial Art. 1 ttuld like to say for the society, in: tlft differences betwetn the artists tte Utah Art institute can be slm-rirjd slm-rirjd down to two points: one Is, art political Influence, and the other tree art versus commercial art. It Is ul a rcatter of jealousy as has been MMUd, Vut a matter of justice. There itiarlbt connected with tho Instituto iit tha memlcr of the society enn In ci rnson feel Jealous of. The artistu dlhj society are, for tho greater part, M rtn have undergone many deprlva-fti! deprlva-fti! and denied themseles much in IwpM (fcrts to arrive at excellence, and ilfcltic s-ork has btcn recognized elsc-tyml$t elsc-tyml$t stilrtly on its own merits judged ?Pj acknowledged authorities. llenc:e imtxj have alw-ivs been accustomed to ilfcstc their fate on whatever their worlc ikrttcMe speaking for Itself, and have jBo tcllnatlon whatever toward politlenl I'ScubuisLllon. or counting on social or Mgitiouhip tics, business connections or lfcTtrtUlns to maiv.. themselves indivld-jfcjj-prominent as artists. I Political Influence Charged. "Its Institute is. to a great degree, w&i to political influences, which btcre the artists have every reason to MX ci3n as a bad one for tho best ar-mts-jt progression. Tc cit6 an Illustrative Met; lUhas been said that the present flkaslAl of tho Gubernatorial chair Bp time ago expressed himself as being fckTorof breaking up what he termed 'Paris clique' in tho instituto. We wi. presume that this "breaking up" has effectually accomplished, since nic 't! of European schooling havo with-tiini with-tiini from the institute almost to a We trust, however, that tills iESr3 up ,tftVCS the Institute an ar-,BjpreKntatlon ar-,BjpreKntatlon satisfactory to the II Ptrsonalttles Disagreeable. '"le rtsjrtlng to personalities is al-'KlJl al-'KlJl oarable. but since mention has fE?.?lclc 10 ln0 public to tho effect 'T i ,at0 wa' deprived of acquiring W by a rtuln artist for only $303, JM mention that tho fact seem3 to JB2,.Wta ovtfloo.'-d that tho $30) in iKSS? vas turnci1 back to the State KJ duo decision of the court, and BBfc'.i . Slntc xna deprived of acquiring IBeir iro 11 waB a,so di-prlved of an-IBKv an-IBKv a 'bti("' one by another artist m-i .1 me raonO'- Wo must admit L&. flJst mi-'niioned vas a larger represented a vast rocky ifj perhaps a river at tho bottom i031toukl 'Titrate thousand!? of MCru , nd' wh;,p llie other one por- -iM'only :i small clump of trees bo-Sl?ra bo-Sl?ra that wuuld hardlv turn a BkL Commercially viewed, of c-j me purchnser would get more K.m?oney ,n tko flrst instance, but kSf-M,. noi 10 1x1 counted by quantity K'-ttu11 18 unbiased artistic Judg-'to!1 Judg-'to!1 Jhf!rtist3 of the society hope fRiiiiL0 estimated by, and it 13 K tS10 discernment thnt they hope VT 'r iJn. .l,h general public to T rcitflnt their efforts may reach. Igt State Fair Exhibit ifc&n SJV an hiblt: The iRatdia t wliliheld contributions to JPlfcFBbc,?lu,ie thoy were satisfied MCit Jbnu." mInds lnal ue outcome of and lts management would iM&r fci iE.1 ?s, u doveloped. What lnj-j cxl'bit, I will not undortako lG6Slc,chr,,ria !)eo" said by the mora- Imi I to rvS1' f 10 tholr 0cpi? T havp ,b.Ulnr ,n outsldo towns. MtoJ. villi IS ?VCI? l,,oy ,J,snocl to !! iii thc stltute at all. 1 Collection to Be Shown. H-3 LLoE tb, ,atil-uto. uud will IK1 4lMHBn , i"l ln thu comlncr inatl- Wt?l aeS?hSS,Uo? f'ual"s works by Wli I MiiSr th. 80cletyr wo hope At Jar-ihl,1 ,b, uniifstood-a3 it was 14 Save nnW'" co?trl,3uli"lJ. I |