Show SLEEVES AHT3 RIBBONS The OldFashioned Brooch Again Coming Into Play There is a constant effort to get away from the puff at the top of the sleeve and all reminiscence of the gigot form Many sleeves are quite fiat at the top and they no longer look queer A jockey extends out from the blouse and quite satisfies the eye Some times a ruffle or a rosette or a jabot and pretty effect The jockey may be slashed through the middle to allow the lace to rush through At other times In I I stead or a Jockey there Is a cluster of I j I ruffles over the arm hole They are I hound with velvet with a wire in the I I velvet and so are made to stand out with a little stiffness But i should be II j added that these novelties are princl I pally reserved for silk and cotton gowns and that wool and other out of door gowns have the sleeve with the usual puff made very small and as simple as possible I possble V j i I locks now as though the old and I the natural method of closing the i I bodice at the front of the neck would come back into fashion The collar has run up so high that there is no longer I a possibility and can scarcely be a pretense of a fastening at the back The bow so long worn behind has disappeared I dis-appeared and little bv little the front begins to be marked Some of the dressmakers finish silk and cotton gowns with a bow at the front of the V neck or with an oxidized brooch to match the buckle at the belt Linen j collars with a tie in front have been i worn for som time and tulle bows j I have been spoken of above I will soon be time to take out from jewel I boxes the breastplns that have lain i I idle so long And this return to what was once a matter of course has all the I effect of a brand new fangle As is Usual in summer ribbons have takeii t a considerable Importance The great novelty transparencies On 1 foundation of colorless gauze ore lOUntlton sUze ae wdvenn stripes of green rose blues blue-s in widths of from I hair line to a half Inch and when this ribbon is gathered Or ruffled or looped in bows the foundation disappears against the gown and tile colored bands stay airily In place without any visible support These transparent ribbons are Used equally to trim evening gowns of gauze and tulle The idea l is adapted also to cottons and foulards by trimming the ruffles of these materials with parallel tows of narrow ribbon Thus a black foulard with a pattern in rose has I ruffled stripes with rose ribbon Ecru batiste ribbons striped with I satin in color are used to trim gowns cf ecru batiste The ribbon and the ground being alike the stripes are thrown UB in relief The some ecru ribbon is used to trim gowns of alllc the silk being the same color as the stripes Both these effects are novel and are extremely good A model is an old rose taffeta trimmed with cerU ribbon striped with rose Overlapping knife plaited ruffles of the ribbon trim the skirt and there is a blouse of batiste striped round with the ribbon 1 V under 1 bolero of the silk The blouse V falls low over the taffeta belt In front I and the belt rises high behind the pass under the bolero A plaiting of the i I i ribbon stands round the back of the I neck inside the high cellar of the bolero Organdie ribbons with silk embroidered i embroi-dered dots and silk selvedge are provided pro-vided to trim organdie gowns TKepe V suited to girls and are best young i 1 children in i whose dr Sunerr play a i verp useful part |