Show K Mary Pickford's Romance I t BY MRS G C IDSON Mary has been married three years eus to Owen Moore Picture actor who is III n a tier leading ma man I Th The marriage Is one or of two IO e and amI great p. p Each world and one goes coes his or her own wa way In the tho works work day 01 the they hold their r home hom lire life absolutely b separate from their burl t life hen ness neBS I 1 asked d her lf It she Bhe uc d nn an Should actress should she said Id marry Young v very ry bap y ps I I nm am think not a competent girl Irl Is to Judge nil as m mr married life has been tn much more s settled after she Is maM rIM and nd when hen I look r around s today i I 1 think a devoted de husband nt at the unmarried Is girls that are earning their living a great safeguard ard Miss MI I Ickford nn and Owen Moore I their marriage In e and tina nn n arc aro now Ow v both ri 1 ili played i. i before dore rn In many f movies movie i together before eore i- i tho ho Universal fornia studios cameras In Call Cali i I II v I r. r r e et 1 t a r. r 1 j jFe 1 Fe t ct t i r 1 S y r a fF t 3 1 1 R TaS 0 OK OKI M ry I PIG PIGI d r ri f I i i 1 t Posed POled Especially for or the Salt Lake Telegram The moving picture actress may be sure that not on only her Generation but J generations to come will see lee her work MARY work MARY PICKFORD This Is the last chapter chapler of Mali blab McGlone McGlone Mc- Mc Ic- Ic Glone Gibsons Gibson's Interview lew with Mary Iary Pickford In which the noted mo movie a sir sir- I tress tres tells the story etory o of her life Edl tor or CHAPTER V V. V Dy Dr IDAH GIBSON Copyright latS 1115 b h by the lie Newspaper Enterprise En- En e Association Someone I think It t was Goethe said Mary Mar I Pickford ickford has declared that genius l Is fa ani only taking care of oC the detail I have ha often ofton wondered if tf when the tho spectator J gazes upon a moving picture he really realizes how much care has haM haMb b been n given to cr c every detail In the pic plc ture lure she ehe he continued I Tho The camera camcro ia Is pitiless anal anil sun sunshine shows hows up ever every o defect Combine these thes nn and l you OU have havo the most unflattering ve vehicle vo- vo hide hicle that an nn artist can n use to project his Ideals Every er woman ha has sometime sometime some some- time lime In her life posed 1 for Cor a it photograph and arid doing t so o. o In the tho Knots If die that she had on a ho hIt hest t frock her J pret yvet prettiest t. t lest and her hel most moat en engaging rl f nn on 1 roT following P page I MARY PICKFORD I ICon Con Continued from preceding pl e. the these will be he the smile mlle has hs decided that e had taken best pictures she has ever eve And what was her hel disappointment and surprise e to ind that not only nor her dress but hut her smile nullo was awry and ami that her hel Jewels had hart not caught the light so eo they the showed showell to the meat advantage The woman in this case cae can sit again 1 She can face the camera over and over perfecting perfecting- all these little de de- de tails But when we face the tho moving mo picture picture picture pic pic- ture camera It means that this Is our only time When the instrument begins to click one Is making movie history and antI It must remain good or 01 badI badi hadI bad had I have ha known pictures that were ruined for mo no because the detail had hadnot hadnot hadnot not been een closely studied because there was a bad had fit to t the gown or a gesture made malle too abruptly to be he graceful I tell you thero there Is no place In tho the world to toNee sr Nee ace e ones one's self sel as others sees one as on the mo movie screen An And sometimes It Is very d discouraging A A great deal Is said about the tho large lane salaries R. that are arc paid to the tho high class artists who 1500 for the moving pictures pic pic- Ic- Ic t tures u rC The salaries arc nrc not high you will realize If you estop lItO to think that It Is only a oer very short time that one mo may maybe maybe be he a moving mo picture actress Tho The working period of oC a movie actress actress ac ac- ac- ac tress is even shorter horter than tho the stage life of or the tho I legitimate actress As s I said before beron tho the camera is pitiless piti piti- I less g. g and while whilo the mature woman may make herself up to represent youth and h by softening the lights perfect this Illusion the movie actress must have ab absolutely no lines to show I 1 do not think that one can successfully successfully success success- s- s fully pI play 1 youthful parts before the theca ca camera mera after 30 Con Consequently it behooves the most of us to make hay while the tho sun shines or or speaking literally to mal make c pictures while the sun shines We Ve people of or the stage and the movies must mURt use uso ourselves as tools as the artist roes does his pigment or the sculptor sculptor tor his Ids marble In one way however howe the picture actor ac actor actor ac- ac tor has the advantage e over the le legitimate legitimate mate male actor The picture will live 1100 after You ou know Sarah Barnhardt Earnhardt e said ald after she sho had posed aa at Queen I Elizabeth lIzabeth At Atlant last lant T am Immortal And An had sho she not done this In a few fe years her h r glorious achievement would woul live 11 only In the memory of a few But the moving picture actress can be sure Hure If sho she is a successful one and loves her art that not only her generation but the childrens children's children of her generation will know of and see Meo her work Personally Personal I j would much rather bo ho boa hoa a movie actress than one who talks from the tho lc legitimate stage You see sec J I 1 have chosen I |