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Show A ( LOSE CALL Cecil II. Pr-Mille henceforth can direct di-rect his plays In death-defying slum . with absolute knowledge of what i. required nfter a personal exper.enec In filming one of the -ene from "Saturday Night," the latest De.Mitle Paramount production whirli will be seen at the Klnemn theatre next Sun day end Monday. In this plcturizat ion of Jeanle Mae phersnn's story two characters nr.' trapped on a railway trestle a hundred hun-dred feet from the ground. Abandoning Abandon-ing their automobile, the pair swing below the ties as the motor Is crushed crush-ed nnd tossed to the gulch below by the passing train. In rehearsing this scene, Mr. IV-Mllle IV-Mllle Joined Leatrlre Joy and Jack Mower on the trestl". All three wen-unaware wen-unaware of the approach of a train. The rehearsal suddenly became real llfp. Miss Joy an.l Mr. Mower, being nearer the end of the trestle, roach-' roach-' d the bank, hut the director was unable un-able to make i. Following the directions di-rections in his own scenario, he hastily has-tily swung himself nut on a slrlng-plere slrlng-plere of the bridge -lid clung there us the train flashed by. ! Although entirely unintentional. the experience proved of value In ,li-reeling ,li-reeling the subsequent scenes In which the actm-s duplicator Mr. IV-Mllle's IV-Mllle's eniei'c"-icy action before the cameras. Conrad Nagel. Edith Koh- i erls and Jack Mower add value to the1 cast. I . . .. . . |