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Show II With Scarf of Crepe HJj At Drecoll's there Is n dress with a ijwl j .scarf of crepe thut is draped from the fflfH ' shoulders und caught at tho wulst HH Iwltb u wide band of fur, fulling again mtu ' in a floating panel to tho edge of the rim jnklrt In back. This panel muy bo de- fHfu itached nnd twisted about the neck, mOt (forming a scarf. A gown of black Nil crepe do chine carries no other trim- fi lining but a long queuo of black fox 5 which Is hung from the wulst down Iff ono side. jf? One cannot help but notice that IJfJ 'Beers' skirts aro slightly shorter and (Mi Innrrower than the skirts shown else- BuB iwlicre. Charlotte likes very much to t9 jf Icorablno unusunl colors. On nn after- I ' Jj (noon gown of maroon ono lluds a , Ibroad girdle of scarlet nnd panels of I tho sumo draped over either hip. Ai " other dreBs of maroon crepe lias huge i ifull sleeves of muslin, Intricately em- J broldered with red beads In u quaint, ft st) to. e remains faithful to tho Bus-ouse, Bus-ouse, with the wulst ahvuys full ig. A fanlike panel draped from 'JiQHas0fll9PPffffsw-i-'PRHPnBlfli tho shoulders or from the wnlst gives moro nmplo lines to the silhouette, n means which Is frequently resorted to rather thuu the actual widening of tho skirt. At Molyneaux's simplicity dominates, domi-nates, with skirts that aro not long, nor yet excessively short; at about the length, thnt Is', which tho American Ameri-can women ns u whole novo long fnvorcd. Tho wulst nt this house, too, Is shown by n low girdle. A gown of copper colored velvet Is embroidered with steel beuds, nnd has ono long sleeve, nnd tho other arm remnlnH bare. Pointed necks for tho decollete frocks replace tho but on u line nt this house. |