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Show ourttain Republican suvoy MARCH 14* 1909, Tessa ' Ty, c ai WV, rile x ar SS 36 ia SNNS N SSS SG \ SDS Me Ie 2 Wyio Gy Hf)y yj y ti 4 iyiy NG SS WS Sy SSS Rens x eee ae = SS = ee enter anes eeneansbe Ss Seer : . SG YY WS ‘"\ SEE WC typi" y Yyityy YY YU Yy GOW? OFF 084 FLYFF LY PEED CRHPE, BRALD PeA- GOING AWAY COSTUME IY SATIN= FLL SAYAD LReOAD CLOTH, COMBIIVED WITH BEALD ATLL, HLALDT OF SATU AND BGRALD, APPLES WTP! FOLLTAG® needed contrast to balance the whole scheme. This draped turban would be quite as effec- LL USHA GE" tive in net of gray ening over satin; maline, to the that or satin would with be even swathings more soft- face As one of the gowns for the trousseaus of 3 bridal attendant, a matron-of-honor or a bridesmaid, model three would be equally appropmate é By Marjorie HE fourreau or | princess style | is the upon which the model par ¢ xcellence adal robes are built majority of br waistline as , The in to lift the tendency Directoire are and the Empire is a strong unegree,> but t here bring the natwill eventually s own place again ee eD Cea dercurr ural waistline imto it wwe to the woman who is She ‘waited mi grievos ort-waisted ahs becomingly oba style that would inclined patiently 0sof ency of length between the sboulyiate the det S And alas! hardly had ber dream a shootders and BIS before' it sped off, like fashions. the realm of abandoned realize been ing star, into rincess a8 shown herewith in : developed | upon =n variously rt th 8b The for this bas eee and outlines; = gpodel. one,e, out7 of a mul chosen been eee Ds a rSea par , very the titude' of Be on a rin satin, of charmeuse & most dese sbioned ' d by & 1p series chiffon treated of ce ids are of me They are for oe a S It lends itself admirably for development in & supple cloth, voile, wool satin, a corded silk, " airectly e the shdplders. Thus the throat and a snmMl ‘V"' extending to the shoulders were left uncovered. The long, close-fitting sleeves pointed over the wrist to the knuckles, were of chiffon entirely overlaid with silver applique. folds oddly The laid so as to form silver applique and sweeps directly the motif same of effect silver outlines the angles equare over the shoulder line prevails applique of the yoke toward mght in the the under yoke Quite back, only that from the ailes extends the front from the bustline to mented with silver applique each side of the skirt is of e the glistening embroidery, with arm. thx carried out with these few changes, silver appliques was laid at the base collar, giving 1t an admirable finish Each side of : the height extended to the knees, the embellishment back to the wearer. were end ‘Two carned bands of the yoke from of the gown, and around hem swept a four-inch border of decoration An adaptation of the original even ning than the preceding models, raised waist-line, emphasized medalhons of silver appliques fon and These From line, the the latter outlined with were placed just under two hips and lines two of from more stun- a slight!y oblong on chif- silver cord the bust line. side to the footOthers of the and the long train carried a wide border same rich trimming. The top of the esty' of directly in the same had applique. each this the by two mounted the centre of these medallions swept portion was trimming of from back of the bodice cut away entirely revealing a ‘‘mod chiffon across quaintly the shirred front and back that and extended meeting This gown, I may say in passing, was recently worn by the daughter of a well-known grande dame in Parisian society. Few Amenrecan brides, however, bare the neck for their wedding gowns The long tulle veil is caught with a satin lily at the side of the coiffure, completing the finishing touch to model one. of This lovely grays, are shade, much in fact favored the whole by Easter family brides, the tones running from light to dark. Model two portrays a three-piece costume, a very typical model, with its long, gracefully sweeping lines suggesting height and slender- ness It is developed lustrous deed, all beauty cloths of and are satin-faced quite soft as and broadcloth supple easily as silk, draped manipulated; even wiry serges have lost characteristic The long coat with its rounded skirts takes of¢the semi-ftting rather than of In- or this par the close- fitting qualities, which Through were shaped it soie stands is net, over shaped beads fashioned satin. several erystal it or for fastening As de crepe-de chine; one of the most beautiful ‘o modish materials. The high skirt is laid in : : softlyy F pressed yiplaits, supplemented at the sides: PP by wide panels of satin, overlaid with silk braid, or filet net embroidered in silk floss of dark tenes, outlining bold scroll patterns. The deep, square yoke and the bertha are of the same material as employed for the panls on the skirt. Beneath the shaped bertha are clustered deep folds of crepe de chine perfectly fitted and crossed at intervals by lines of oval waist-line, a cashmere, panel from the shoulders to the edge of the garment and outlined at intervals on each side with satin covered buttons. The deep, square . oe with scrolls cut revers are of satin overlaid worked out in silk braid glistening with a silver thread. Ont each snide ofthe: feontodiveetly under the revers extends two bands slantwise, toward the hips, with two buttons as a finish, From under these narrow bands spring "pinch" tucks of afievantlencth The gracefully-shaped fronts of the coat meet the extends W!D- styles. at back in ter inches the apparent reflecting of satin-finished varying amethyst invisibly. The sleeves are smal) and close-fitting, with a slight fullness at the armhole. Deep turn-back cuffs are of satin and braid. The hues. Quite ap original fancy, don't you think? The sleeves, long and close-fitting, are of shaped folds separated above the elbow by a band of princess tmmming. sides These to the with gown has shaped its and circular plaited skirt inlet insets rise ct irregular heights from hips. The bodice portion has on the of satin the knees a circular yoke of chiffon and satin relieved by discreet touches of the braid with silver threads. The headpiece is a draped turban of selfmnatching satin, with the fashionable garniture of ripening apples in hand-painted satin, encircling it. The foliage in mch coloring gives the The yoke ~ : is outlined matching the deepest Orchid-colored net with a band of velvet shade in the trimming. is chosen for the hat, which is a large, wide-bmmed model, with an oval crown. The edge and each section on the underneath side is outlined by a band of satin From a large rose-shaped chou on the left side toward the front springs a forest of self-toned aigrettes, |
