Show ornamentation ornamental Ornament at ion Is feature of gowns bowns that tile the trimming makes the gown was never more evident than it la Is this season declares declare a fashion writer in the now new york times tho the slogan of simplicity has applied in runny many way to runny costumes but the very reverse has haa been illustrated by the number of 0 impressive and elaborate models that emanate front from tho the masters of the art at paris parin lines composition the silhouette remain consistently simple and free from any suggestion of fussy detail but the attention of those who create and those who wear the gowns of the present mode Is centered on the type of its ornamentation with a plain background it Is possible to work magic with beautiful trimmings the laces the needlework and the printed patterns now in style the extremes in vogue offer the broadest opportunity and the manner in which artists are establishing these Is interesting quality artistic design poetry and beauty in form and in color are illustrated in many of the latest gowns wraps and accessories coming coining front from parts paris its as well as in those desIgn designed od by artists on tills this 8 side ide rn rare r e lace ace la is being used lavishly needlework that goes into the composition of afternoon und and evening cos costumes costeines tuines even sports clothes reflects the days of court society and tho the fashions of great ladles ladies even tile the suggestion now and then of the mid victorian for which there Is somewhat of a craze at the moment has in it a n dignity and touch of elegance in the search for inspiration the makers of fabrics have found their answer in museums of fine art in the treasures of 0 the urte indents un dents lents old portraits murals even the details of architectural ironwork as in the Ferron ter prints have caught the eye of men of imagination and arp are now reproduced in the materials of which many of the newest models are made creation of now new styles it Is Is interesting to see how by de g arces rees a now style Is created how nce the rigidity of any mode la Is relayed one feature after another Is developed ve loped often in something quite the opposite of the original the uniformity which has characterized the fashions 1 of the past few years Is being varied in tho the ur up to dute date models in many attractive ways relief from monotony Is grateful and are introducing panels sections borders of one kind of dress goods upon another giving an entirely new effect in many of alie printed bilks salka the dominating color la Is used to edge the plat plantings tings and flounces now so fashionable io lo A Ferron ler printed crepe in beige and blue a fine line of scarlet running through the pattern I 1 old black lace borders a dress of heavy flesh satin Is made in the usual one piece frock with the very latest mode of trimming u 1 placed flounce at the bottom on tile the item hem of this Is a narrow land band of navy blue silk the slit silt neckline with rever has haa also a touch of the dark blue in the tie ends and the same hit bit of color Is used tit at the wrists of the long plain sleeves eeves A similar scheme la Is illustrated in another of these brandt prints in the mellow shades of brown and beige with will the same fleck of the handsomest designs in this model from n prominent parisian couturier thus honoring art an american industry three plaited ruffles of tile the figured goods are added to 0 o the skirt all the wity way around enell of Is 13 with a two lucli band of brown gros ros grain ribbon which Is added d to the jabot on tile the bodice anti and to tile the bottole of the long semicircular semi deml circular flaring alieves another innovation so much for or the border of color which emphasizes the har ranny in the of colors another innovation Is the combining of if materials 4 of different kinds the band which Is shown in some borne ot of the latest cos COB fumes has in others widened to tho the knee and even to the line of the hip showing a long bodice of figured goods and a skirt of plain the contrast la Is carried through the costume to give this effort effect ot of two materials A geometric or loral floral pattern stripe check or one of the bold plaids that are having such a vogue la Is combined dress trimming in back made mad of golden pheasant satin plain goods to emphasize the daml bating tint in the design the manner in which this idea Is established is an individual problem being worked out with originality and success by style creators paris leading tile the way the two material plan Is expressed in more than design merely for in addition to these there are shown some particularly interesting costumes in which worsted and silk are put together plain cloth with mixed wool satin with wool and most prominently of all velvet with either silk or woolen fabrics while it Is unsafe to make conclusive ft statements ate ments about the coming mode and futile to prophesy too far ahead tile the straws that blow in the wind of tho the rue de la a paix pair point tc velvet as tile the material pa par r excellence for early autumn in feeling thell thel way parisian designers are illustrating the beauty and the flattering appeal of velvet in mill luery and in various incidental trimmings many of the newest hats are made wholly of velvet or have a velvet crown with brim of stray straw horsehair leghorn madlne or lace semi sports hat of velvet A semi sports hat of velvet with draped crown Is a charming bit of millinery that Is going like hot cakes it responds to almost every informal occasion and la is suitable tor for all times and places for day time town or country it is literally a chic top note with sports costume with a more conventional tailored outfit or with a frock of the foulard type of dress conspicuous among the evening gowns are some of diaphanous materials tile the tulles marquisettes marqui and chi chiffons frons on which either the fluttering ends of a velvet sash aro are shown or a large velvet flower Is added to point up the costume these last accessories ries are to be had in glorious big rosea in tile the natural shades from the lat est tea to deep cri crimson nison in flaming poppies pop ples mammoth in size in white calla lilies wit with long slender leaves and willowy stems all of these are fashioned by skilled craftsmen of tile he finest materials and give to a frock of delicate fabric the most enchanting effect one or two singly or cluster la is usual but in some delightful dancing frocks of tulle with many guilles ruilles or plantings tings tile the flowers are added n a different arrangement on one model from a prominent designer tile the very bouffant tulle skirt tins has it a leep deep flounce caught at intervals straight around with a large flat velvet rose in this ensemble tile the material of the dress docsa Is lightly traced with silver thre thread tio and a line of silver givs gives a glint here and there to ti tile flower motif tile the velvet tint hat has bus intrigued cremora creator to give n touch truell of richness to the gown by using velvet for sashes bashes and for the edge of frills most of the summer gowns gorni have a little tie tit at tile the neck or tt of velvet ribbon introduced trod in some manner As a distinctive tj tive trI trimming mining or mode of embellishing a frock velvet and velvet ribbons are in a way taking the place of tile the birrow band of fur that has i stuart smartened ened m many n ny costumes from froin carls houses liou sos A checked coat tins has nearly always the lining und and tile the accompany hW frock in plain fabric and vice versa the these thee e frocks tire frequently comp composed oseI of a blouse and skirt or A let and sk e kart I 1 rt |