| Show ' 1 I ' 1 --- I t - - o 0 I ' THE SALT - SUNDAY MORNING LA10E TIID3ILINE MAY 13 193'1 7 f i I : I most n b ellevable 1 1 " bout 1ncjent Al IA r 1 S' 111 t ikal 1 P the Invaluable 'Rinds AndWhy :!' 4 ) st :‘rit re'0c' i 3 ' " ::: :"f I ' f 4' :::"- rtvkik2''''4--14--b- '"' "': :':0111 : : ''''' - '''t--- 1: '!!!'17' :ee'-i'e ' '' 1 4:':'! 4' -" ' 'f ''" t' - " 4 '0 '''4 43 ov ::::: ''' - ' 0 o k'P: i ' - " - — : - :: y k - e '"v rf -- 00 ' : - 41 "' : i i: Agt'"' ' l' k3 e::r 4 '09:::::!')16 4544: Itti ) '" : : k:' t 8t(: I '"0' 6 ' :!: t 4i '!' ' '!"'"" 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'7'‘N: ' 1 4 :':': k - '2:: '11:1rn: V7 :::::1 ::::: :011 :4 ':''! ::':::''11:1'illiti::111:1'': v' it' 4 4 to'"t' ' 6mt- INiic §':'Zin!' 1 ' s:: ?7 ' '' '''': ' - ' ':':"'::-:'1"- : ''': - - : 1-: -: :- ::" '' - ' !ii f1A 50- 18 Lt: 'i010: ::::'co:'''''ili''''l'itvr:t''::414K:o t i ' :F1T 1 Ileatt of Woman From thoTemple of Jupiter at Olympia It Represents the Grecian Sculpturing Art at Its Zenith : : a story of aitat that These ---- ''444 :ic - f AO' 2: shad Figural a Model an of - Ancient Creek Goddess The First Seulptore Did Not Dare Represent the - "" -- : ! stminogdeirnn in eceierxspupteiaoLn is little wonder that wealthy private collectors vie with one another in 'moue ing at least one of these ancient muter-piec- es It is an old saying that all great art is for the ages The fables of Aesop the epics of Homer the paintings of Raphael and the works of Michelangelo and Leonardo da Vinci are all as coMpelling This Violin t so It o! IT might have been vase-paintin- gs 0 y eellyt4ordy adro makes all humanity - kin - ert :'"r267 '''' ':')'4'1:ivi-4o'11'"-t r'''t'''"'$4 f 4 4'r:A:44i ' 1 - ::: ' :Ak1 :4!Zi:::0'5::::':::r::: :: 4"f - i4:4-:- i:: li :: "4 :x:ti:A: t)) A rs : ' ::::::: ' ::: :::::: iae ::::::::: 14 s i 1 I ' ' 't ' i'l:' ' t - '11':k :1::mt-:4:$:::- :::: :: I A - v1 s ':''N-::i:::':i7-:i- ' "i :: :?:tiAiil: ": 14 I i ' '' " taillr4 4 ''1:::::4 ' r" ' vi Iit::i'7itJ'' ' r 4 -- r :m?41: 11 0p4' I) :::s01 :" at -- - ' v''::2k ' 'c'::?':!':x40--1 i: '4$' ::: '" ' " s 14 - '' '! k l'' se '' - -' i " i( ' Of :::: !i!ii!k!)1-:!!ili4- -' k ' ' ""'""'4 i ' o'l 411i"‘ r ' tr0 41k er ak ' '' ' ' t:4 : A '' - 4t '" - :— : ' ' - '' - e '— '' '''' " :" — '' ' 10I i r tt!N:! 4i - '" ' Stili ' " Cods As Possessing The Latest Wnrk of the Twentieth ern- "' ' 7 Modernist Braniusi? for Fear today as they were the first day they Sculptor fury ThHeads tVt4:'1 f sa the Wrath of were exhibited It Is the Ancient Bronze Model of a rude offerings to the deities have recent:::!1:t:::::1 the Divinities Would 4 Man's Head Recently Found on an ly been found on the islands The universality of Creek art is what :4i z::1::i!::0L ''it) 'f It:: and transc" BeVisited Island in the Aegean See '01 Them makes I it great in addition to Ito eve& Upon ported to Grecian museums particularly '!:-'' ::::!::-a:'::::::'i:211N v14 to those in Athens ': ' artr—the Greek ''6 No one can origins of how long ago it was Er:?11i:'1:F'(::: - 1 '" 1 ftet'l 'Ai' ':'::: the world has ever known that the first 'say for 1''0''' sculptors I 1'204 -yearning r pc i A tic:i'A i :i alwaysOei more or less of beauty carved out the idols (pictured i 4 f a brush on the surface of a 't-'li 1 !:KiI:zt i A !k a mystery The triumphant Roman took on this page) which rfsemble violins It :: 7' ('1'A t ::::::!::::w::t vase ' '''idir ''' i:: 1 t countless cultural treasures away from is known however with certainty that I 0 4 The earliest statues ''''''i ::::!::!:-i-'4 rl:-1Athens and their art and sculpture no instrument looking like the violin was in have the found Cyclades ' ::! :::::: stemmed directly from that of the known in those distant times k li4 i:v 0 no heads It is believed rt1 ‘ ancient Greeks ':':': Some hold that these are specimens in those the that days 4V When Rome fell before the Huns of the very earliest attempts to iist i portray was worshipped 0:::: ''many of these treasures were destroyed the human form both masculine and 'r''":: I":'::"':-':k !t'Si' '00 :::1-head without a for that 54::4:::1: 'C C 0 ' For centuries the arts that flourished feminine - iN r" ' was something the artisan- p:!Vo::: i t4:!:::':::-:'!:ts:' in both ancient Greece sind the Rome of wk 4 The sculptor working in his crude and :i to not ::::: : attempt dareould were all 4': for the Caesars purposes loat untutored way struck upon these forms 1''' a ' 1 fif::::i:pm::: -44 m But with the Italian Renaissance in as representing the human torso The 144 "I"' (''''' 11:i:: itt-:‘111':''14:':'5::::1'I!li''::'!: and sucBut 4'r"fit ages passed II s4c):61i!'(1?44: k the Fifteenth Century a new day for head is long and thin in one specimen 4k::?i irir:$::4 rceeding generations of :(: :l':N 0 1t culture and learning dawned for the and neither legs or arms are repret kip ::::t4:?:K!::to dared farther go tt It t :: i'NNI 0 t world After over a thousand years of sented In the other the arms alone can than their forebears They :1 17') t:!i::piilzi:!4 increasing obscurity the statues that be seen and the head is triangularly :?:i::::fi:0:i:::!i:-:::::i1 gave shape in a rude way a 41ii were one of the chief prides of the Golshaped first of course to reat 0- ?Ns O den Age of Pericles were dug up one by difficult is It at first to believe that qi::NO:t:::Ii::::::1':r gr '''' ''e'&0'ag3':'i':!: 11 " k producing a woman's head 4 one more often than not in fragments from such rough beginnings came the i' :'1:::11!E:!1:'i':Ii''':::i:':::I::':::::::: ' with but one feature—a li::::: The pulses ef all who gazed upon the sublime art of Priodteles and his connose a very prominent ' 4:i::W:!:'::::'N:-'r'r47: at statues Greek quickoned magnificent temporaries But such is the "'t''N $i4itt ' i the revelation of perfection of line and all art a gradual evolution 1 4 v ' 'A 4:? r ::oe05-:4:- ! proportioned head possess'1 1 i classic form to be found in them and lit1004 :":r:'':-::: Perhaps the most striking thing about :':1 V 1g:::::v:::::-ing all the beauty of Venus '1 Greek art at its best is the nobility per- only in them:'N:M:i!:''::::L: ' dtta::A k::i!f':::::k:: and Juno lay centuries in Yet for hundreds of years 1 el ? the future ''1'"'' h l'':ci:':' ''” ::::z:1::::::"::4:i:if::::iA:'':i ':1:'' t'C'' 7iti:li?1::!I:1::14 1 i after that the beginnings of 4t:iy:5:::4iI:::i:::: ' The male idols of this ''':::sa ?:!''-'::I1 this matchless art that gave the I tl''' :'i':'::i'P:'S':::::'-:':'':?t:i:::ik':':'l:: 4 :::IM:1 all ::::!: were ) t 'primitive period :::::::::-:::i 4 world such masterpieces as :i:::::::::::::-t::'?AYA:::i: :::::'::::li:-I most as crude roughly ::PA---y:" Die- 1 "The Victory" ':"'':::::::4::::::'''':'':' (:::::::i:::it:::::Ni:K::::': ::::':::::: "Winged 't - ::n::::':1:4::i'::::T::':: t' I ''''4':::'::: hewn from stone or "?'''''1 l "Venus de Milo" ti ' '':tt r: ::"":::4&-::- r ::i:004543'nl: iti:f44sf ''':V:'':A0'R:i!'': fligi:af'e:'ga' Ak"°1" 'Belvedere" " moulded out of bronze It were f and "Apollo ::i:::x:Aii: A '''''''41::Wgtg' was the Bronze Ap made 4 unknown to the world ::r ' A ::: such figures possible Pos: c s b :::::: w been there "" Only recently has k tti ': : i A sibly these early sculptors ::?: uncovered the work of the early i lacked the ability to mould -r :k't lill:::41::::éV:1t: t ' t '40 iti pre decessors of the unidentimore human-lookin- g io ::x: ' k::: fled sculptors whose sensitive v 4::01 4 ::4:::::!::iii:-::::':c: or have deities it e::'::: :::4'4:'::: 771:4:::'::T' they and capable hinds carved from : :::WO ::4:!1:i:'::':ii::: iq:i::::i::::::: I been that they dared not :4:: ::g:::::::::: liF N st i! i 4'11- " 1: - — marble these superb and splen- - 4 14 4slook i make them too 4:k'E::::::V: 0 did figures For all the world :ks:: ' i::: t much like human beings 1 i:::A::: " knew before the astonishing P :::i:::::4::::i :':':l:i'r ls' "4 excavations were made the ::::::::i:::: i::: tfhoermfeahrugoef oattnedndir:dgethaes " : f 77'44 :'t17: might T 4: '0e'''4-Agenius of Greek art instead 1:i::::777:re have flowered suddenly -- 14 if suPerior to the petty 4A:- :0'?' ''' A ) :A::i':::::!':A:f: of evolving gradually down 4 :::!F:gZ:1:'''::?-i- ':::::::::::::1::'t:1 ' ' ' lineaments of ordinary '''4::e::!:'::'::::::i:::: centuries through the earthbound persons ::1:::::: ' vanbmkoomealigiAk:Z1! Experts knew of course ? t::::::§:iii!:-But art was advancing -' l'::::i:1':17'':C that no truly great art or mil- - 1 Deniers These Festiva! Grecian if of Are and Times the : The steadily Early slowly Figtree ::::i There :':?''':i: Revreal idedea la ture is born i n this way ::::P1::::?i'::::'Z0 I 1 workers in bronze and Composition and Sculpture Fat Those of Earlier us must be crude beginning& Cur- -- Bois An Creek Panel :hivoiwthinHg a Ancient :t:-art? emreaarteblecofmepltooitmiopneellead iously enough when the begin- i!:::!''eIi:!-!:::- ' Mother Playing i:''''''1::tP!?'&:!1 : Rings of the great Greek period The Hands Shown tistic Little Son - and balance world In these paintings the Greeks powering beauty grace and charm The were finally traced they were V" :4-tb:'!:-- ::'':'A:''''4 Reaching for the Baby Are Pre- - and sobeauty!gave form to depicted scenes from their daily life little primitive sculptures excavated not so they A '" found to be not only as crude - f k::4i!::::? IL :"::'":::''':1 : famed to Be Those of the Child's the graceful dancers in a of which would havebeen known other-Ge- t long ago areeconsidered invaluable by :::: igas the work of aborigines but f' Father Wbo Wants to in on group or singly impress- - wise art experts and archaeologists ::1iy:q:k:'il: & t bore cases striking some in 7 the Fun r ) i the beholders with the ::::A:::s:::!:i Because of these homely touches In them the art experts see the roots v 1 ing '':' I mod" most to the resemblance of artistic exprep have achieved their vastpopu- - from which flowered the great works of paintings work futuristic :'::1' ::::'q0:::i: ernistic and the ancient crude be-- laritYfor they teach us to see that the ancient Greece To the archaeologist trayed in its subjects sion 'trifling from :t: z' :i!":'' " :::'i: now being done in the studios t'4:!::4 '!'A':'N::: and historiaa custonts and manners ginning& Breeding 'splendid 'fi: :4::!' people of Greece were not all conquerors ki'::li::':::::!Photos of New York and Paris Ache rac ter honesty --: The genius for art was stronger and twarriors and were in-- portrayed-in- " the paintings and sculp4:: cii-iI 4:'4-: V:'::''1:-::':':-!:':of a few of them are shown were the 1 caught by t'4 greater each generation and by the Sixth 'tensely human and did things much as tures tell the story of the various stages 0 ' this page "::4'::41:::::!:i!‘i1::' sacaulapetovrer abandf a preeinatendr oCfenGtreeuryk aBttCwilohimebehoafeathaetoodmasuterrapoiedeeelas theSyttsitdrye dtohnaet bpyauisattoiadgayf Some of the mok ancient of the woman of Aandciriealitzhautioolnegte ts are also interested these productions were found L -1 "::':::i'':':t:1::ME:::1 ' '':':::::': such bedies—the Greek to child ever With since little came It has in the Cyclades the island from which into the 4 '"''''i!::::r': on the islands in the Aegean ideal—that never be- - being 15:::::::::ii:'i'::: inthe small human touch that brings home these treasures came Today '1:': : Sea known as the Cyclades i:: 4 fore or since have been The Temple of hpiter (or Zeus) at to LIB the similarity of all human beings habitants present the best type their ' of this Ili group'ola Wands :'::':11'f:'':::::: Such li reproduced in clay - Olympia 'WU one of Abe outstanding ex- - in 'all ages Alen 'just as now the citizen and many of the islands abound Deices Little t A and Naxos Syros 1 t::::::::':':': :''':z!'4:':::::'1'::"'::!::'::marble or metal or on simples of what Greece could produce in mother was all tenderness towards her with traces of the feudal rule of great were equipped with the mat c ': 'i ''': :" canvas architecture and art and it was adorned children would stop her work to give the Venetian families :::':' 1 the t canto which I fir "v eels from ''::':-::':''with sculptures such as the woman's little fellow a ride And the hand reach-hea‘ One strange thing about these islands These statues so 1 t ' L' ' 11 7 urea that &re now astounding r- :: ::i::::" on this page ' thousands ing out presumably that of the father is that in an age when great syndicates of 'many I i ' :' ' all Note the delicacy of her features the indicates that he too was eager to play in search of natural wealth are searchyears old and so 7 Ps "rrr 1 Because of their location say t 4 modeling of the nose and lips and a part in the daily "childrents hour" cracked battered and superb ing everywhere in the world these censi: t:: " '''''''::''"'-'::-':'il:'P'1: chin What a splendid example of the :::::':''' '' leading authorities on the sub- - 0:4 2' by the ” of The Greelrpaintees power lay in his ters of ancient culture have been ravages 'i'14 "V were among Ject the Cyclades time! so far for their mineral restill look as Grecian genius for modeling is this mas- ability to depict every changing mood :::4A::: ':'::::':::::::k the early trading ceders from x:::'::1'A though some divinity terpiecel sources ''''''' : " : 4 ' of Men and women He made his pic': ' ' ' ' 4'": out :: went ':: ' 4:: z commercial life which ' ' ' :' had endowed The marble of Paros has been prac:t Not content with proving their artistic tures vivid and memorable by the ea them 4 'I?::::':! :t:N 1 :3::r ' to the surrounding lands -with life They' seem power in statue and tsmple the Greeks pressions On the countenance!' portrayed abandoned although that of 1' tically 1: i'L'":::'::: :i ''' ':::11464ii:q - Their little ships plowed ::::'i ':' :1::4 "''''''''''":"':'"""4'-- 4 '''i:!: breathing living peo next developed a fine technique in paint No one would say error lay in interpret Tenos is being extracted from theearth - 114 through the roves from island of the woman with the by a British syndicate Iron ore is expie not just somewhing mg demonstrating their on urns ing the to island and reached the main- - Old Woman Carrying a Stick portrayed on a Fifth Century B C Vase carved out of cold and vessels which are abilitythe chief stick as painting one oppressed by sorrow for hir ported from Seriphose and manganese among and Interpreted As Illustrating the Sorrows of Old Ageo land of Greece with the first stone or splashed with ornaments of every art museum In the pose' aawIll as the bowed head all tell and sulphur from Me lot's ir l Coonttit 1134 KIM ralteras Smdkate let THE- 7zAt' ' i":':''4'4417 tfi‘cter141c '''s:eoke0!!l'i'o1::"§'11'44"‘::4':'7":""'::'"r'"?':''"ii:':a''4!5'4:1-''''"1':'''!'- Ji ''':::':''!''::::'':':71 '744''''''':!' ::::: A - IAvo ' j" 4:: ' : -- ::7: ' ' i :v7'en:'i—cr:It'stetil:''''41 i' : - e 1- 4: :Aier 74‘'::t ''''4::':!:::':!:::?4iP zxf: ' '' - No history i e4 Vi '' 1Vi Faros—quantities of the world-famowmtrbite Parian materials at hand - it Wu quits natural that the devout worshippers at the islanil shrines of the earliest gods should have made :their idols out of the marble bronze and clay ' : si - i5' Ancient 516""---zonlie Figure With a Head From the Very Modernistie Cyclades Islands Near Greece Note the Crudely Carved Head and the Arms Clasped Around the Body ' -- 1 — 4:' 09:::§'" 1 I':V!! 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T t '!'7'Lt '‘k?: a ': '‘' I ''''' I '') kto 4 s 7t '(''4''' ' i4 464 ' - 4 t'ic- 4 ::::K:!:iti i0 oi ': PI' 1:': r le 1 k4 - :?''' :: ::"! ' ' - ' p -' A i: k"$ 4 fr :' 4 ?? :''V - 4-?- 4 '' ' r ti s ‘ e'''VZ:q ' 44' otik ' -- It -- "71 ' " 1q:"i: ": - ''''' 1 ''' - ' P i: - '':'':''' ' — - 4 ' :'t'' - ' r! 41 N: ''1 '' ' ' k ' 3 t i "''''! " ' - :'''': - - !-- e i' A0 - 4:"3 ' i: - ):1 or - AO " ' e :i:s - 4 6 : i- 4 - -4 ' - - 4 - :' - :f tti - crii':94 t cik4 ' '':j:'1:s 4": :: ---- 1- 2 k t - i CtiMi': ' :' e4 - tk t '1' 111::: '::::::' :: 1' '''''' ' '''''':' - !:- ''‘'''':-''- ' ' ' A:t4-e::':'y- 4 ''0: - :'' ::i: '::): t 1 'v ' '!:'!--' 'i-- 4i: - i 71'::: '4:4 - $'1'i Made on the Cyclaaes Recently ":v t2421MP4000 t ' Islands in the Aegean Cast Fresh LTIitt on the t 4'f'5 4st :')! 'ei:i0 the Classic Sculpture of of Origins l' t '' i:"0't:' 4 4ntiquity r:: :' " t - - - ''r?::":":::'? 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