| OCR Text |
Show 1 New recording; ol Alan Berg Bl Krt,' Ijd..l! .bari BlTg s i.pc-h'tt-rur- ' tu lafil jiit j ipt I.L I . r,i :: j,"M i before un.pii iit.j; 'j,i Ji-- ri- . 1 -- i ;t.c Hard ai l. u;.d u.U "Lgt, f r.t m a ' I'rl.a luis Ori. iii'sifjtcd U,i- ad f j Li. hurt u;Uu; Berg lit'. remain ubuut a(i.,i Berg m.gi.' have dune hag be nut uifd u n ('hr.-- ; mas Kit- 1933 of an n.fiitiun ( : ( -- ' - t,i,c-tin- Tht- oniv glimpse ui what In- n.uzh' tat' done exists in the ' Lulu Suite which Berg prepared in 1934 when r became plain that Adolf Hitler's Ger- - i.r.i.-ua.- - d.-l- mo'ic h s i j r 1 aili 'it lv is th- - e s th' i exprissinr' 1 -- "ts credo Wi"i hi r sma.i making tin- charaihr as amoral but strai.ti-.- I ' ' rpt i c f poda lex' c. ,f ill-a... ;,I a ! , . , mils! s lai h rejertoire ',u' 'Jii.pn'tTs have been devoting cr.tr g.es ;,j correrting that rob.t m A violist James by I1. a a' a s'. j U a 1, l.o.i a- Tile dan a so zetto. a curious viola flute and Lu.-- i i ham also shows that the instrument fits comfortably with wind groups 'Crystal SC47j The centerpiece of this recording is Jerzy Sapieyevskis "Concerto for Viola and Wind igum- , w.i.J insti umer.t.s Tree the viola taka' r a., ensemble ins'rumtT. f.a a - sue pT(..el t s a J.st.:of '.i.t n !,,v l'i A cent recording ,.J s' i - P.M. to K-- i t I h Is J.a ". rici a. ,1 Arrow Press Square PIZZERIA Sugar House 1020 E. 21st S. 3923 Wasatch Blvd. 165 S. W. Temple 'lu c II i.'t ' ahd obi-t- T Four M. matures (or violi and wind quintet Ne.tr, e: has of the Sjp.eye'ki mu-- u e KI.M U RAM to il i Gjlt t biil'i : I'rup.e h Motiiu a t.uitilimg scleitie'n trcir i.iniPi'i'sr !.im 532-GUY- S s tiiu-s- t I't Medlicr s p m 1 1 Vlcrtlicrs 'Day i he Grill. eil'IleJe.c's, I IC a iHer iTln 111.- - evei I LNGH OI DINNLU I HL ROOI 1 AT !i t V :na be preter tc' dint in tiu ot the avvard-v- x mnini; Ioot rulv eielei table Mother - tx late AC a. m -- C.CO.p ni- Also teatur ..lg tegular dinner o p.m - IC y :r. I I I MOTHERS WILL RtU lM SPECIAL GIFT, IOO! ALL A Tlie Yarrcnv The Wlstin HotelUtah r r Pamper Your Mother. T he Marriotts Mothers l)a Brunch P.M. 9:30 A.M.-3:- 0() Mums l.ivuntes Irimi eggs Bcncdiel. it. umelcllv bar. iic cl shrimp, salads. eai-- oil heel, and babul ham. lu n. neb n m cream smidai pastries. uglisli Irillc. and bar. mir Mothers Day brmieb is spcctaeular. I malw-viiur-ui- billy mouth-uatcrin- v mottie1 Marriott parking. .omplimcntars ( elimees tu delight the eve and wliel g enlile l.limlv. cumple me nled I" Bum lev die String (dual Id ami ruse s Im all Mmns tile appetite ul tile- I be q.dq lur adults SIH.dq lur senior eiliens Sti.Wq ur children ages q lu J ( .bildren under 5 tree. q I Mother s Day Brunch at the Sheraton. 10:00..M. I b"i i iits Max Ltii. uui N;r.da brunch I'lliiiieaii tl In d ichiv belle! In liei In mur, v e re -- e; v Pit; mir niu-- t lav an -- c a 1 lamb, heel and lam eai veil hi h Me unit me- -, and hi dine, anil lliei e - li li a a' A piani-- t uill (il, r. w bail rd Si:!.H.T. n 7,'.V tor eluklieii tauler 11 Ebe liru'e I hainih Weekends at The Marriott. Msu ask al'nut uur Sqf.d.-- l.uinle Hums av a liable e ai h ivcckdv a nee re serv al inns ,m suggested tin uugli Alan mil e ml. m mir Irav c agenl s I I sk e Marnutl lur a list nl iveeklv events q Nml i I ..ike ( ht. I tali NT 1 III . (SOI I ,q,v I e-- - C3 uiile: lluee dine bee Sn lamilv salt lake aTYmriOtt0 West lent rle, -h I HSt 11 In-- i.iki ! i I hi- t u all il'CS :UU(d a : a meiiini aT.V.Nji abie "i , m 1 a-- !' u -- ei n b v . il i T O 4:00 PAL erv -'pedal pels-v-tihci e - h"t 4 nek la -ba: pecial tles-- l"i M"" Imv a ililli I ei i - ", .am- b t.i ! -- .1 - an 1 Stilt IxiUoSlu'mton I r An'.liuH a ! t" (' xner.ini-n- k!ax sjVi I'm h..ps i.' .1 SLND.Vt BRL.Nt H T I RAORUIN AIKl P.M. tu-a- a i d ,00-- 1 ",i Blogs - ,e'V t xt lint-eir'.:- le'e .It Oil I 1 1 Olte ! - 'vie1!''-- - a s t J. ue1 I i A Mother's Day dilemma-ThRoof or The Grill which will it be Mom? FALL IN LOVE WITH TWO GUYS 6 . Fuchs-Kobbetin- ! hi M 'ijfilj a u g i he r: ,s,i ,,r.l a; e: .a M,l ol a p,: a', is lie i a v ar.i t , ot r j is roll i lia pears r 'o r.t- !' s'. r' , virtuo a With tha . a I J.l g aid I .a'e.i d !.. ir,-- I , stead, a pastel reading of music that fairly seethed with '.he composers concealed passion for Hanna the Czech woman whose BOX OF CHOCOLATES This Mothers Day, May 12th 272-824- ,r,,- three-moveme- Come in and you will 486-GUY- S . i di-- TWO GUYS from ITALY Open Mothers Day "if t a m e Hi t,is life i am e i iear when a n. v r a' .quite si, owed la 'a' .1 J- - I'll rg s III p s. a: d u. e sMund v anii f (ruin T,e oii..t-'-rdistills the that quietly playing senc-- of the opera Lv r 1 he disk also me ludes Berg ai ic Suite," the rangement that Berg made for string quartet. Gielen misses some of the m tensity of this score, developing in YOU DONT HAVE TO BE ITALIAN To be an Italian Mother at 1 i Galen draws lyric-sopran- o cprr r s'a.d t Miii.i-wr,!- ' 904 2 r I r Du.v ,u- unusually lyric, romantic is vo.ee. tot and diiinn.sr.fs theatricality of it Berg seemed sue:, an iconoclast when he wrote the op era but time has re'. ealed h.tll as thi most logical descendant of romanti cism He wrote long lines for the orchestra and treated the voice with the same lyrical care that Verdi valued The Song of Lulu the third section of the suite, summarises Lulu s character but is a work grateful tu the voice. Battle sings .'m -- a- ji ,raa ti.tlen makes an and run. intic pn i e ol the fiie-ino- i meld suite Ills l ondat til.g plai t wo ,, : i ,t ( nr,d"i.e or prud.a t Optra ho' that hr.th Kleiber I'...d ft- J i .j.( or; I .ji, Jerisa'.u;, d 'r i 'I, i adt r,t m jic Some i thi t j II - .t - .1) '.i'e and .n bis 9T orchestra i.'td bi ( ta.:i A' t.e opera ha- - flourished :n uin ha' faded frorn orchestra (or, hut it r etiiain' a st unning w ort. tiiat display Berg s romantic fluency and expressive precision Michael G.eli-has recorded the work with the Cincinnati Symphon and sopra no Kathleen Battle iox Cum Laude af, Hi'Jrlt r N. 'Lulu s nt h. Intel Ml SLStfS |