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Show The Salt Lake Tribune, Schedule for Monday at U.S. Film Festival Festival United continues States Film Monday with a full slate of films from the event's different components. Films from the Australian series will be shown, as will entries in the American independent dramatic and documentary competiThe CITY PARK are By Charles Champlin Los Angeles Times Writer HOLLYWOOD Watching Charlton Heston in "The Caine Mutiny Court-Martiin London last summer, I found myself thinking of James Garner. On the court are some naval officers who never get to say a word from curtain up to curtain down. They also serve who only sit and listen to the testimony and Cap- - Emoh Ruo (Australia) 1130 Eistein On the Beach (Documentary Competition) 2 p.m. Hard Traveling (Dramatic Competition); Valley Girl (Jury Member Screening) 2:15 Dim Sum (Dramatic Competition) 2:30 Private Conversations" (Documenatary Competition) 5 The Trip to Bountiful Seven Minutes In (Premiere); Heaven" (Dramatic Competition) 5:15 Fast Talking (Austral- The Trip to Bountiful," which opened the festival Friday, will be shown a second time Monday at 5 p.m. in the Egyptian Theatre. All films Actor James Garner makes it look easy 11.15 tions. shown in the Holi- day Cinemas and the Egyptian Theatre. Tickets for Mondays films will be on sale one hour before show time at the theaters, or they can be purchased in advance at the festival box office in the Memorial Building, 427 Main. Heres the schedule: A Street to Die" (Aus11 a m. tralia); Cosmic Eye (Dramatic Competition) tain Queegs breakdown night after night. Still, it is show biz, and one of those was Garchairs on the court-martiner's start as an actor. It seems a reasonable guess that he was an imposing presence even without words. He got them soon enough. The play was in 1954, and by 1957 he was doing Maverick, the super-stylis- h television series a sort of saddle sitcom it was that not only established his career but identified the public persona that has made his company a pleasure ever since. James Garner may be to the American character what David Niven was to the English character: a lover in preference to a fighter (but capable of heroics), worldly and charming, with elements of the vagabond and the debonair rascal, a sort of innocent rogue with an easy way with urbane dialogue. If it works, light comedy looks so effortless that the actor seems in fact not to be working at all. Garner has suffered, as Niven suffered, from making excellence look so easy. It took the dramatic roles (Niven in Separate Tables, for example. Garner in The Americanization of Emily and more recently in Heart-sound- s on television) to confirm what good and versatile actors were ia) On the Loose 5.30 (Austral- ia) 8 Wrong Side of the Road (Australia); "Going Down (Australia) 8:15 Parting Glances" (Dramatic Competition) 8:30 "Listen to the City (Jury Member Screening) Whats Happening Today The Wasatch Front, lecture series sponsored by Utah Museum of Natu- ral History, Earthquakes: Prospects and Perspectives, by Walter Joseph Arabasz, Highland High School Auditorium, 2166 S. 1700 East, 7:30 p.m. The Importance of Being Earnest, Pioneer Memorial Theatre, 300 South and University Street, 8 p.m. Steve Braithwaite Quartet, jazz, E. 200 South, 8:30 19 Crow, dancedrama Ted Hughes poetry, Ladies Literary Club, 850 E. South Temple, 8 p.m. Presented by the Players. adaptaion of No-Na- "The Planemaker, Babymoon Theatre, Pageant Center, 400 North Center, American Fork, ets, $4. 8 p.m. Tick- at work. Garner is presently visible in Murphys Romance," a film of such unabashed gentleness that, for all its sophistication and roundness of character. it seems to have escaped from another time. It contains zero violence and its nearest approach to a sweaty coupling is called off on account of a fit of sneezing "People come up to me and say, Thank God. there's a picture we can take our children to, Garner said in a recent interview here. We've got three bad words, I believe, one f and two ps, and for that they were going to give us an R. But they got it down to a PG-1or whatever it is." So peaceable a film as Murphy's Romance is a nice change from "The Rockford Files, which consisted, as he now remembers it, "of wrecking cars and beating up on old Jim. Id get beat up two or three times, and then maybe Id get to beat up on somebody a little, just at the end. Garner's memories of the series are bitter, not least because it was so successful. His lawsuit against for a share of the profits from the series is now dragging on through its fifth year with no resolution in sight. "I think theyre waiting for me to die," Garner says. "But I wont, and if I do, my wife will carry on the suit, believe me. Garner, who has invested wisely over the years, can afford to sustain the suit. He also has, as he says, the luxury of being able tu sit back and wait for the good scripts. "Im a little too old to play the macho heroes," he says, "and I don't want to. But when something comes along like Heartsounds' or Murphy's, boy, you grab it." He is the Murphy of "Murphys Romance," the druggist in a small town (Florence, Ariz was the location), a mildly eccentric widower who exudes sharp wit and kindness and who befriends Sally Field as a divorcee come to town with her young son to start a horse ranch. 3092 SO HIGHLAND 5IG0IIDENIGC0BI3N0MINATI0 851 S ft S 363-62- ir (pg 13) 2:00.4:30.7:00.9:15 -- More than a movie an emotional surge into a triumph of blinding brightness. It should be against the law not to see The Color Purple. Jack Mathews Los Angeles Times Writer HOLLYWOOD Parade magazine reported Sunday, with some as- 7:20, 9:35 Rocky IV" STEVEN SPIELBERG'S ) (pg-13- A 1:00, 3:05, 5:15, 7:25, 9:30 COTTONWOOD tonishment, that the $12 million he was paid for Rocky IV makes Sylvester Stallone the highest-pai- d actor in the world. Stallones fee, said Parade, is twice that of Robert Redfords and Dustin Hoffmans. (Poor ducks, living on $6 million per picture.) It is also three times that of Jack Nicholsons, four times that of Stallones nearest female rival Meryl Streeps, eight times that of Jane Fondas, and about 200,000 times more than the Screen Actors Guild minimum. The $12 million is just for openers, of course. Stallone is also in for a large helping of Rockys immense procedes. And not to forget Rambo. With salary and profit-sharinStallone's cut from that movie may come to $20 million. H&R Block will not be doing his taxes. Is it obscene for one person to be making that much money in a profession that he presumably enjoys and which earns him the enduring obsequiousness of nearly everyone he meets? Even when the money is handed over gratefully by a nation in the throes of a hero famine? Of course it is. But at least it is based on supply and demand. No one has lost a dime on a Rocky movie, and no one is complaining. The same defense works for Red-forHoffman, Warren Beatty, Eddie Murphy, Harrison Ford, Paul Newman and a handful of others drawing multimillion-dolla- r fees, plus gross profit deals. There is the matter of track records. Generally, actors fees are based on either the success of their last movie or the anticipated success of the one they have in the can. Thus Harrison Fords fee, in the sucwake of the surprising cess of last years Witness," jumps from $4 million to $5 million while the greening of Michael J. Fox from TV series ensemble player to star of movie hits Back to the Future and Teen Wolf has reportedly put his fee near the $2 million mark. hand-to-mou- th JSaL "Out of Africa PG (pSllI 3 HRS HU IjLi 50- - OF PARKING IN DOLBY STEREO DAILY mm WITH 12 AT 278-471- 45. 3 45. 6 45. 9 45 "Troll 1 I MSLECTEOnCATFCS Soundtrack Available on MCA - ....... - Records - A UNIVERSAL and Cassettes 1 W4 'Mi UNIVtMSAi. 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MANN ran 03M-- MO'Hfc KOBtKEVAUlHN HAMILTON Bl'BBX SMITH DLSM ,w, h X )H.N CARPENTER WIDTH jJOELB MICHAELS X'CLAS CIKTIS TOMMY LEE X )NES BLALX MOON RISING UNUA (X IKLISS RICHARD JAECKEL on 3:40, 7:40 lb 3 OO b 4b I 4b 3 4b 4b 9 4b CHORUS ItNE (Pg I3 Todty lo Dolby Stex At 1? lb 2 4b b lb 7 4b 10 00 AUK TOMMY LEE JONES MAMN THAT WAS THEN. THIS IS 12 AT Bt 12 4b 7 30 9 AT tPG I 3i lOOAt IN Dot OO ? 30 b OO 7 30 9 TUESDAY 7 30 9 4b L TROLL S00 "JAQOED EDGE (F) 1140, !i40, 9:30 NOW" AG I AI lUOAY TUfSOAV 30 9 4b 7 I REGENCY. 7 278 4711 sms. IBROADWAYTk OO 12 45 3 45. MANN 5 FROM WARNER BROS "COMMANDO' 10 30 AT 1 10. 4 OS. 7 00. 10 00 THE HOME AND THE WORLD iMwitmww 7 DAILY S AT MANN 6 4:30, 7:00, 9:30 iRCADE b Oft ? 30 bPtlb UKI US (PG) 30. 3 30. 6 30. 9 30 12 AT TODAY DAILY 364-347- 1 MON Utj) TOUAY AI 1? 40 2 bO ?0 TUf SDAY AT 7 10 9 20 NKHlb (Pg 1J) 1O0AV AI 9 10 CHECK THEATRE GUIDE FOR SHOWTIMES! MANN THEATRES 100 So. E. Ji bTIRfO MID VALLEXCINEMAS- 76Mofh Redwood RflJ64T9 h roTie MEMllfaS! w! SOUTH TEMpIT OPEN 7 P.M. JT(Y OO 3 7 VYHlM I? OO (pg-13- ) CALL N.I fryJ8 Thursday OF MAWK TWAiN Gi TODAY b OO I IJt S(At b OO ONLY NC V! Clerk GeNe. lane Tamar 1fkOouU..llltC"-"IH- l lb At lb (' BCTV H&R Block probably will not be doing their taxes either. There is no such thing as equal pay for equal work in Hollywood. STATI iHti lb b lb lb 9 IS bib UM Ub on target with excellent acting and a suspenseful story... Tommy Lee Jones is outstanding. You should be standing on line to see this film. box-offi- S. Hu; daily in 6 0 9 30 J 30 IV AMILYlCENTERJiflS K d, 360S OO I bHU S b OO "BLACK MOON RISING is right -N- o AT l.moHuS iNt (Hu 1 3b 9 bb IN D(HHv A1 THE TOCAY PoaY CO PGi LUlijH HVjNKt iF'GlJ) i; 4S 3 4b b 4b 9 4b is I A YODAV TIMES PUBLISHED ARE FOR TODAY ONLY OutOfAfRICA AT h iHt ALiVtNIUHlS , MERIT, STREEP lb RiDel HeOtQfO III OOI Or At HK.A tG) Today At I? 30 3 30 b 30 9 30 tufsdrty at b 30 9 30 1:00, 2:50, 4:30, 6:20, 8:10, 10:00 ROBERT REDF0RD At b 20. 101 Dalmatians" (G) 1:00, 2:45, 4:30, 6:15, 8:00, 9:45 i,t( eo9 At30 I 7 I 1:00, 3:10, 5:20, 7:40, 10:00 1:10, 4:05, 7:00, 10:00 COTTONUOOO" JOOl HIGHLAND DB VALIDATION o S U Ht blatKMte 3 Thursday Ymi, Jewel Of the Nile" (pg Out of Africa" (pg 13) 9 (J W:MU4WHFH': redwood ro. 54th so. - 6266 8 CKH bft'v7klr 1:00, 3:05, 5:15, 7:30, 9:45 (6 tf969 alt p 13 luLlrfy luflay OuIOFAEHkA iN "IRON EAGLE 5 1b 7 30 The Jewel Of the Nile (pg-13- ) 12:45, 3:45, 7:00, 10:00 lMt S StfHtO 'N W1 b 30 (G) 1:30, 3:15, 5:00 lb V 'Ho 1J L?mnii.-77- . Color Purple" PL 4890 SO HlGHl StfVlN SHIIlBtMtj Enmvr-- highland (pg 13) 12:45, 3:45, 6:45, 9:45 UJiljHt lenidy in Lmliy 9 40 Tuevttdy CLUl (PG) PRIZ7) S HONOR (K) 5:00, 9:30 Mark Twain" Hi S 7 TUfSOAY Black Moon Rising" (pen) Ml 1 OO 4 4t (X) 9 1b MICHAEL DOUGLAS IN AX. AT 7 10. TONIGHT 940, soot so. 1:00, 3:00, 7:00 (RO) (G) 1:00, 3:00, 5:00 ODAY, NBCTV, Gene Shall! -T- Troll "Spies Like Us' 1l CROSSROADS CINEMAS 5 WoutN TemplAsAll INI 4 1:15, 3:15, 5:15, 7:15, 9:15 1 K i AtJO i 4b b JO J Spies Like Us" (pg) A. HAiN OU WuhftAtVWY 7TH EAST AT 5TH SO. 1 278-47- 1 "101 Dalmatians" Dolby Swrao J 40 A 00. 3:00.5:00. 7:10.9:15 1 i 1? T Train; (R) STO f Enemy Mine" I Rd4F66A8Jj UAL in I, lb Wvl.iy SMtHlOMK MOtWtb Q b OO 1 10 9 ?0 VOUNL. By now Garner is almost as well known for his car and camera commercials (tailored to his insouciant style) as for the rest of his work. I figured, what's good enough for Lord Olivier is good enough for me Garner says. "Oh, you still get a little of that nonsense: 'How could you. But there used to be the same kind of snobbery about theater people going (SjSr-Runwif- li Ki At lodity Victor-Victori- Purple, Runaway, Africa ledwevd 4$ time out as a producer; Marty Ritt, the Ravetches, Irving and Harriet. There was a great ambiance, as there was with Blake (Edwards) and Julie and (Andrews) on on 'Heartsounds. Everybody liked each other. It's not always like that, and theres nothing worse, nothing, than an unhappy company. If this person or that person's going to be involved with a picture, I won t do it. Life is too short." Excluding y CARRIAGE.SQUAREJROUI "Now those were people you want it was her first to work with; Sally ALL DAY TUESDAY f to do movies, and then about movie people doing television "I wouldn't do beer commercials. That wouldn't help me and I dont think it would help the beer, and it cer'ainlv wouldn't make me happy," to Hollywood , Uni-vers- CSM Stallone leads film actors money race By D.B. Coopers, B7 Monday, January 20, lOM (POlJ)liM 1 It. 7 Today It. t It, It. I It 1 lJ)Net Today 00.3 45,9 00, 7 00. I 45 (PQ 2 Showt t 7:00, 9:00 Mt. Sftturdfty 3:00, 5:00 THE GODS MUST BE CRAZY PG k 5lrto 12 UO, I 30 9 45 I'ttOKlH ,1 5 15 7 30 9 45 U L'tv 100.315.5 50 ."'.'"J Wc'wir.iv awi ia t 4a (iiv 8W 1005 AT I 05 |
