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Show ji mEnnq) B I The Salt Lake Tribune, Wednesday, January 21. MNW'ynif lptavaj5Tyj,f agjpljBypyygygyi 1981 HFAff GLAD TO and R. S. Helm Bwa- p- IT, ONLY. SOVE- POC... CAUSE GOVERNOR SOME VtM MM - MM VAl -- - Things funny.... H'RKEN AMP COMPANY ARE MAKING THEIR Bv Ferd and Toni Johnson iNii'ii()rir TA (. CAM Cartoons From Series of INI tme house where - I L SsE Atfl LOCKS PLACE CAN FIN'D PEACE AND QUIET AH' w4$ Peanuts John Darling By right now is an average citizen anp 1M BRYANT GUM9EL.' THE 5UFEP0OWL THIS YEAR HELLO, OF COURSE BEING PLAYED hE 5UPERP0ME. in AT 10 me WITH Armstrong & Batiuk Drawings Bv Charles M. Schulz 3L &Art the anipromotion- cartoons -picture TESTIMONY ON HOW THE COMING OF SUPER BOWL HAS CHANGED HtB UFE new Orleans... tends ft STar Wan Question and Answer Book About Soaca to Tabby Armstrong, 9, Terra Haute, tnd , for his question: Anov How is a cartoon mated? Animation is the cess used to make mjoSjx, XJxal umM Mskc sfrCFUfc ANP HE'S HERE TO GIVE OF NEW ORLEANS . AetLMOt iD iirmmy-'p-- Ask Alldy TMFRE MUST BE By Russ Manning GOOD NEWS , HAN .' ATUARRE IS RIGHT OUTSIPE WITH THE FALCON... PULLING IT UP TO THE iiiiii'iiiiul)ii''ii'il''iriiigiiifi) Moon Mullins Starwars . Hu from a series of drawfeaings. In a ture, more than a million separate drawings are often needed. To make an animated cartoon, the first thing you must have is a story. A writer-artis- t prepares an illustrated script which is called a full-leng- Gasoline Alley By Well Frank King have storyboard. The Galhv I "YOU TO HAVE 8E A IS IT? WHERE S THE ARTICLE CALLED "YOU HALE WHAT IT TAKES TO BE IT TAKES WHAT WHERE milUOWA'RE' ..GREAT ! A By Cathy Ciusewite I CAN'T X CANT FIND THE 1 TA5LE OF CONTENTS' EVER FIND THE CODER ARTICLE ON THE INSIDE OF THE MAGAZINE ?! WHY MILLIONAIRE?? 7l KNOW WHEN .1 t'' HATE DON'T LIST THINGS IN THE TABLE OF CONTENTS. THEY Dick T racy THINK you By CAN ROUND UP A DATE NIGHT? CANT F UP A PAIR OF FREE TICKETS I By Dean Young Chester Gould POOR THING, HE S STilL SINCE V VglU B.C. Separate Drawings the background artists and animators take over. The background artists draw all the backgrounds for the Now Johnny Hart By id uVaJTDMeer W fpenp... ANDFAUMA! while the picture animators make riA6MT60T (WA A v. Hagar the Horrible OMA. rate drawings YoU With 5 of frames or separate pictures that will be needed to express each word of the re- Gordo corded Arriola By Gu8 Beetle Bailey By Mort Walker the general WOULD LIKE YOU TO MOVE YOUR DESK CLOSER TO THE DOOR HERE VO Tumbleweeds By Tom K. Ryan WHY'S THIS AREA CALLEP THE NAL&HTYLANPS? ' ITS WHERE HAVmiAL VOO-VO- ' COMM ITERS TAKE THE CURE Garfield By M Jim Davis Faif AlsrpOMS Andy Capp 191 By Reg. Smythe She CAN, y'know. I KNOW EVERYTHIN gar Field, l"c when YDUR MOThERyn-LAUVES IN THE DISTRICT, SOUND IfcAVELS FASTER THAN LIGHT. ABOUT pYravwrQ By ah T tte, 19ft Fwura Srxgct1 Parker and venue YO)A iV W (LttTEfLU y tutors D ' 'Meve C.anvon t ' iL . -- ME PAM KtAL Ct,tf R VLA A. REAM MA s I Sf,s Av T-t- PJvINl. A s .Mfc i, - I OP -- SLiNEP SUCH A DOCUMENT sAt? N C OF TOMBSTONE, JK AflECL CMO IUI Rroom-Hild- a - By R. Myers , ANDNOW,HERE' f" Test1 Sr OTIS WONIE WITH THE NEW4 ' ' IN VMORLP AFFAIRS the... nif... om, 'N NOT UP JHE NEWS MOAN... TERRIBLE. AWFUL... BOO TO voice. TONIUHT! TOILET 2i Bv Milton 5UT MEL ONCE in a fv t; c Jty fiit REMEVIBEK IT CObTS EXTRA TO HAVE IT CArvEP ON A HOO HOO I, TO V S Tom Batiuk a - to - SHOULD GAY IT WHILE ... Tne LAST TiYF .ae ce ThEue; , ' p :c- THEN YOU ' j Oaov y- ntSjfcFhr LOVE YOU, MOMMA 6PT TIL FFHR4T 70 MAKE I OF COURSE ? fAPrT. By f fL LOVE ME wA- - mTANaV e.,v v f' l (.aniff V44(tn4 t iKr igu.Nierc Fred Basset I'CULE BEEN COLLING ' IN SOMETHING NASTY J, blame him... j''' its instinct designed OFF His SCENT :v's VJ y. 7 By Alex Whoever heard cf Graha m a&GSSEt) hound having enemies J r ft BOWL & TANK ON IT $5495 m 1 :aj 'FIRST QUALITY" ll'CF "h al KETCHUMS 400 irt a0pi.rii!l com- pleted, the sound track is added. Prints of the film are then made ready for the theaters or television studios. Perhaps the most famous animated cartoon character in the world is Mickey Mouse. This friendly talking mouse w as the invention of one of the most famous -picture producers in history, Walt Disney. Mickey was born in Devember of 1928, which means that just a month ago, this little guy celebrated his 52nd birthday. Disney himself provided Mickey Mouses motion- "IX- In 'll JL Funks Minkrrhean lYk rfOPLt Bv Mell TUOMAS, DO I HPU create the exact number of drawings required by the dialogue. If a character says Mother in one episode, the timing chart will show that eight frames are required for the single word. The animator must then make eight drawings in which the characters moth moves in sequence to form the word Mother. He must also include all the characters body movements. After the animators complete their drawings, other artists trace them onto sheets of transparent celluloid called cels. Color is then applied to the reverse side of the cels. The cels and backgrounds are finally sent to the camera department where the cels are photographed frame by frame over the proper background. Camera Department In the camera department, an exposure sheet tells the operator what cels and background he needs for each frame. photography is Momma ( The Finally, after the W ilder l I JfJ 3JilYK H - tor 'vip'cHlls fop WHILE THE SEHATC-AfiPVEKE A7 HJNOH ? r- -m - Jnrtcd dialogue. animator then must S' lA A work number a heap colp . the chart which indicates the comb Home MUCH... sepa- of characters. The animators from a timing By Dik Browne I WisR YoU WoUlpN't 60 TO EMOLANP 50 Mb Iffe fel: ; ; storyboard so that his music will match each ' sequence of the action. Next, layout artists ; work with the director to determine what settings will be drawn, how each character will look and ! act and how the story can best be broken down into I scenes. and Jim Raymond HEAR O AGWOODS SICK the ful to follow TRACY I DONT KNOW I HAVENT BEEN OUT FOR SATURDAY Blondie storyboard looks a lot like a giant comic strip and it includes rough sketches that show the action of the story. Once the storyboard has been approved, the music and dialogue for the motion picture are recorded. The composer must be especially care- - So. 800 W. 355-46- |