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Show THE SALT LAKE TRIBUNE, SUNDAY MORNING, APRIL TTBWWI 11 15, 1928. AT evening attire is lengthening is an undisputed fact. Without exception, Paris houses are taking a firtn standvm the length of all their latest models which are at least three or four inches below the knee at their shortest and considerably longer at the tjps of their jagged point and irregularities. derantly youthful, are shorn of the silly foibles and frills which formerly made "youthful models" such a bugaboo. In these frocks, softness of material pombines .beautifully, with, simplicity of line. tomediately below is pictured a dress of flowered chiffon over a flat crepe foundation, which cleverly the moded e and feminized trailing skirt In a small panel to the right is afforded another view which shows the long back and tiered effect. In the center of the page appears a gown of dotted net lace hung over a chiffon and satin foundation. Combining two motifs, a rounded line in front grows into a pointed decolletage in back and harmonizes skilfully with the trailing length of skirt A belt of cire ribbon knotted through the lace grows into a full bow at the as may be seen in the accom- panying panel. In the upper right hand corner is a lovely dance frock of two thicknesses of mousselaine over a crepe satin foundation in which irregular points cascade, from scalloping, about a snug A large fabric flower and small crystal and rhinestone buckle are its only ornamentations. Evening wraps have not lengthened with dresses They remain pretty much unchanged, with velvet taking over the popularity of last- season's brocades. The model seen on this page is in chiffon velvet lined with georgette, and features the furless collar and attached tabs. Deep cuffs of dyed flying squirrel add richness to its simplicity. rratea hip-lin- left-bac- k, . BBMHfBMI Irregular Hemline Features the Mode evening mode, favored by TREATMENT for thestresses the uneven hemline which lends itself to all manner of graceful feminities.' Skirts, starting high in front, cascade down to the ankles in back, slant downward from right to left, dip in front and back, or at both sides, and are delightful in irregularity, XL " w hip-lin- e. hj rhotrph4 The lab Studio - (Copyright. Keatura by Inttrnatlon&l Grcat Britain Bights Reserved.) 192S, 8rIc, f mm SECONDARY VIEW of Dotted Lace Model Pictured to Right lne- - I H Ar f zw? jbbbbb wmt mmWmmi&j rtl,u sYBaBBnEsWiJHr J JEW- - ADMIRABLE FOR DANCING u this Drees of Mousselaine, v:. . fi &jmk r; aaai mmmrm- m ; i Mill i m l . Bl ' rT'? Ifl ''ir KWIr BBLV EBB BBWcHnHBBft 3B mm wmmm, .MJ HIlMi BiHHBi jh' in j- i Sp Ife JP BBBBB. Bsf f - lL..""BBfe pigMlflBViI. 1 bbbbbb- Anoiner vipu 4 PJP. y --m. "t-rx- u effect Illustrated in rftjjkBBBB' 3 of Dotted bbbH HbH bbbV flBf EVENING FROCK Net Lace. 4m k I vm & r JiB I :' j. 9f-:- . fla BKs BlB sBfl h Be aK'Bfe HmBr B:"' l-hiB ' B BBBja FLO Lrpe!L mVmrt Evening Dress. "BK' Bk bW BbI BBbV SttBlH' ' ' stBr B'4 jBvjBB s7 bi tWMM til tLM p5 vl p 8 B Bd I H9 BB B bK Chlff0 3f B p9 . . j |