Show BELASCO ABOLISHES ABOL ORCHESTRA I MONO lONG the th many mUl new nl m Ill n A Mr co I luxurious t I Thaler i thin I I ie were iver re two IWO that provoked pr kd nun much noh h aay a C New York I 1 st the t chime of or if liell whom wll wit 1 music 1 gave warning of or the then th n TI rising n of or the tit curtain ami ini v 1 the thi Ih vacant orchestral spun ept PI tOm tOmI loin w i i j h no musk of ot any n sort 11 v ith t Ii h th the first rat novelty was I the nd there lher ill ht hi h r of ot opinion It i imm Ia mm scary IT to argue raue th the artistI or e motives motive l th tb the elimination of the Ih band hand r p 1 Mr lr Is III only trying an n vi p i nt The case for tor or 1 against the t 10 theatrical orchestra Is I not nol quite i aa as It seems ma There Thre are many man persons persona for whom the thu Ih of long Ion Walt waits Is III I alleviated by any ny stint sort of f Instrumental pc pet for others other with Hh sen sensitive n tItie and nd cultivated ear 1 the Ihl lb or nr III theatrical thc mUsic I is elm simply ply pi mi tin I I tel f t the hr I least Iii kind k md I Pin Ill m trull U is I that In Iii mom mol thea Iha I i IN there ur or ox pt I tin lb h perform and Ind the th music are sr ar equally bad Ruil RI lovers Invent of music mimic visit villI the Ih theaters re occasionally and euf nf f ff I fir f tori urea front the th br bran n discords with which their car ar are arc too ton often uj In those thom places pl of almost simoi any uny kind kif If tf It U we wP wes decently played white while th tb I h ordinary playgoers playgoer would find nd It ItI a aI I I pleasant incentive to 10 conversation From one ofle point of ot view th Ih the manager manar I who to tto ti provide an evenings int n n lisa has no right to I a ask k hl his audience to 10 alt for half bait an hour b wren IW the acts act without anything to tn am them Most Mont people however v will vIll III aar agree that no music musiu mu l I is better than ban had Imd music Another Important ronald consid consider er Nallon I iii that If I there In is no orchestra there ran can be m in orchestral im nt to tB the spoken drams drama ramR which with rare I is III an loll u |