Show 8 i 1 co I L r f THE I. I HE t SALT SAtT i.- i. LAKE LAKE TELEGRAM J. J J. J c e j 1 SUNDAY SUNDA ARCH I MORNING MARCH 26 i t 1 1 tT m 1 t 11 4 l 9 asre s' s L I e a a. a ana d Ia nC e L I I I Ji A f I t. t f B By M Mme F Frances Y me a s' s The Fa Famous Cr Creator o of 0 1 Fashions A L WAYS W A YS the most delightful dance J A frocks Z frocks frock cr c created eat ted d forth for the e spring spring g season are of pf chiffon Although satins and heavily-beaded heavily crepes may Y come and go the simple pie w wearable arable t types pes in chiffon r remain remain re re- main with main with us in a greater degre degree of per per- pe They claim this right b by y sheer seer h f force orce of f loveliness Uness and the th they y n 1 strengthen hen th the 6 claim because the varying ever-varying mode modo brings brings' with it interesting changes which make the chiffon dance frock irresistible It may be no m more re than a dextrous turn turn turn-in in the treatment 0 of f a a. a sas sash or looped end in the drape of a bodice or 01 the sl slant ant antof of neckline a a Th Then Then e n again it if may be a amore amore more more radical 1 change affecting the length length g of a waist or the line of a skirt But al always al al- wa ways ways- Y the change is there Cr Created ea t e d f for r one of the forem foremost st dancers dancers tao ers era ion on stage our ours our 8 ge t today 0 d ay t two wo 0 of f tl the c ch charming charm charm- h a ing froc frocks frocKs' ks sketched above are known known known-as known Is' as' as as s' s the s second cond a and arid third of th the e L Leonore senors series AriM series The first of th the set in blending pastel tints was shown o on this page some time tiPle ago The models sh shown wn ex exemplify inter inter- eating esting new developments in skirt sl sleeve eve eve- and bodice I treatments treatments' Circular Skirts and Debutante tc Though created to appear before the footlights foot as dancing costumes costume either of these frocks is essentially suited to the party n needs eds of the debutante or you young g matron The he skirts o of circular movement adapt themselves beautifully to exhibition dancing while at the same time they strike the height of the mo mode le in frocks for wear at the formal eVeni evening dance With the return of the circular skirt there were heard he rd varied opinions both for forand forand forand and against t. t t this is silhouette Some held held that it was j n- n w s difficult diffICult to make a woman look h her er best in this style and othe others s objected because it could not ot be used with the favored favored favored fa- fa long waistline Irr Irregular gular guJar N Neckline Favored It is true that the charm of this style is 18 0 only my completed with the small natural w waistline for to be well balanced and graceful the costume must flare from this point If it is is difficult to m make ke a woman look h her r best in ina a certain mode the designer design design- er ej has the delight of tasting the full joy oY fir of achievement of i For T it is her mission tol to l create styles which will show the e individual individual indi indi- wom viS-wom vidu vidual l woman to tiT her best f advantage g and i if f the task task- STe be difficult the effect should be proportionately striking when achieved The slender slender figure of the young matron matlon maton or de debutante I is then the one about which the cir clr circular ular skirt can be most st successful successfully Y built A style i which permits of the longer if tS waist ureT ure ure- L T- T Thew Ha waistline The is the type for rJ mt which the h more can r rest mat mature ure u at 1 S figure fig fig- 5 the H hips imparts a straighter silhouette thus disguising the curves of f a 0 amore J more f fully lly developed developed de de- figure Leonore Second at vat the right of the page above achieves chieves i its s' s effe effective the simplicity simplicity simplicity sim sim- through the medium of soft g gray ra Y chiffon The wide sleeves are banded in ingray ingray ingray gray fox while the girdle and grapes in tones of silver blue and rose are exquisite against this neutral background Th The e whole is made over a slip sUp of flesh-colored flesh Leonore Third second froth from the left above same circular i ul r skirt but ut introduces a difference of hn line in its bodice Of orchid chiffon it is girdled in orchid satin and trimmed in orchids The sleeves are less flaring th than n the other frock and the neckline is bateau instead of square Chiffon Continues a Favorite i. I I Fabric and the th e Circular Skirt Jt 1 r with Wit Irregular Cut D Dec Decol- Decol l. l 4 4 J for Fo Formal Form rm al l Frocks v Are Favor in f B By M Mme F Frances Y me a s' s The Fa Famous Cr Creator o of 0 1 Fashions A L WAYS W A YS the most delightful dance J A frocks Z frocks frock cr c created eat ted d forth for the e spring spring g season are of pf chiffon Although satins and heavily-beaded heavily crepes may Y come and go the simple pie w wearable arable t types pes in chiffon r remain remain re re- main with main with us in a greater degre degree of per per- pe They claim this right b by y sheer seer h f force orce of f loveliness Uness and the th they y n 1 strengthen hen th the 6 claim because the varying ever-varying mode modo brings brings' with it interesting changes which make the chiffon dance frock irresistible It may be no m more re than a dextrous turn turn turn-in in the treatment 0 of f a a. a sas sash or looped end in the drape of a bodice or 01 the sl slant ant antof of neckline a a Th Then Then e n again it if may be a amore amore more more radical 1 change affecting the length length g of a waist or the line of a skirt But al always al al- wa ways ways- Y the change is there Cr Created ea t e d f for r one of the forem foremost st dancers dancers tao ers era ion on stage our ours our 8 ge t today 0 d ay t two wo 0 of f tl the c ch charming charm charm- h a ing froc frocks frocKs' ks sketched above are known known known-as known Is' as' as as s' s the s second cond a and arid third of th the e L Leonore senors series AriM series there were heard he rd varied opinions both for forand forand forand and against t. t t this is silhouette Some held held that it was j n- n w s difficult diffICult to make a woman look h her er best in this style and othe others s objected because it could not ot be used with the favored favored favored fa- fa long waistline Irr Irregular gular guJar N Neckline Favored It is true that the charm of this style is 18 0 only my completed with the small natural w waistline for to be well balanced and graceful the costume must flare from this point If it is is difficult to m make ke a woman look h her r best in ina a certain mode the designer design design- er ej has the delight of tasting the full joy oY fir of achievement of i For T it is her mission tol to l create styles which will show the e individual individual indi indi- wom viS-wom vidu vidual l woman to tiT her best f advantage g and i if f the task task- STe be difficult the effect should be proportionately striking when achieved The slender slender figure of the young matron matlon maton or de debutante I is then the one about which the cir clr circular ular skirt can be most st successful successfully Y built A style i which permits of the longer if tS waist ureT ure ure- L T- T Thew Ha waistline The is the type for rJ mt which the h more r mat mature ure u 1 S figure fig fig- 5 H Chiffon Continues a Favorite i. I I Fabric and the th e Circular Skirt Jt 1 r with Wit Irregular Cut D Dec Decol- Decol l. l 4 4 J for Fo Formal Form rm al l Frocks v Are Favor in r 41 i ic c 4 U 4 v e d i t I z 4 b i. i IN 1 c 4 Ji r t v j Great Sleeves Sleeves- t. t of Gray Gray Are 1 t ti Chiffon li r. r in inGray sy Banded rr I ha y Ss r l r h y il 0 i r t ti a 9 rl i t II I Gray Fox Foa r rk t- t r i r 4 r q N d dA w k f l' l i rF 1 f F i A. A of r a i Syr 7 w S V S lp iS r l r q a v 1 V l rf I At Left Varying Left Varying Nf r f 6 Tints of Pale PaJe R Orchids and anda DO a Garland of f d oj That Flower f a 1 1 t. t t f s 9 U S' S Sr L I C n Y d r s JC C T E 1 sY e f 1 JYL A y g t T y l t l 5 s i Fy or F j 5 F vo 4 f 1 v 1 p I r i l r 3 f c L ati f i ii C vr V or 4 3 iv t u b s w. w b v ivyl J JI 4 I r 7 e lr rt Il i r fC rY 1 l i 1 n i M 1 4 r I p 1 1 i v t f 1 A a to 1 f iii 4 F r SW r rr b x r 5 nr I 0 3 fir 1 fl A 1 n v. v i E Yf 9 r i J k r f i D J 4 I t rr T af u uy y 3 r a l 4 4 r t t C f iS r r l 1 tx t. t r Sl Y 4 lr 4 H 1 r d rf i fly t 4 t vJ t. t 4 r ri 1 i 4 tr r dY v rl pc s I I l S i y 1 r t r 9 S' S 5 fY i f t Y i. i S 'S k sy t R t 3 f y r 1 r. r MG C Yr r t r i r H 6 3 Q l Q v J r fi e i D A f y K Cr kj I mw S y N u S tt t r rt aid i w i 1 ft Coat of 11 t 9 D p s' s T 2 w y l V k f d usual usually a associated so Mauve Chiffon i b 1 t. t 02 1 4 y 6 t k S 'S p r with wit h b brides rl d es 4 f u 4 a i I v. v fD f Bound with 9 S. S J D Dt t r go gowns ins Weddings Wedding K t a. a Y i F t ti r 4 f dresses are perhaps per- per Cerise Is Worn y t r. r 6 1 Y Y r h haps a p s 's n not o t so sta stately state state- t et e- e OP Over er Cerise I R i a f i I A i i F i 2 H C v ly y and awe Ly w t r a Kf a 4 es 8 1 ti in ing mg as formerly form rl r vS but if anything l f l Ct t r Od f r D s Hwn c rr 0 Z il f R Y L K ff A rH 9 they are lovelier 1 e P w p 4 x y t 1 4 n 4 1 b r 4 9 r Pre Present day s en t day dayl brides do not of 1 dr ln i fl Y 3 Y rK f necessity go to the altar deathly y N s Yf p pale ale as in in days da Y s D' D s ti S a E 5 of f yore Core for an an ti n Y x f introduction of i some p pastel a stel color often em em- i J f 1 the the lovelin loveliness e ss o of the j. j white ih te frock j j yes Oty f 2 r 1 Vi i 0 ir An 1 t K 1 p p N effective frock created 1 a for a recent sin smart art wedding 4 VI a preserved p the he mode of all alI white J 3 r Ind struck a note of graceful ul- ul j r Y simplicity ty m its w white hits ch chiffon an and real real I lace f with lace and a draping of chiffon 1 n 1 ft a tram tran at eith either side The neckline neck- neck j f f Ic line Ime v was straight was across bu but t allowed to j fa drop a bit at the centre the sleeves r were I 11 real la lace ace e. e while the narrow trains trams of lace laco r s' s and chiffon dr dropped from m either shoulder The frock made a thoroughly effective Be Beneath e th the layer of chiffon chiffon Green Chaff Chiffon an n J wedding essentially gown wearable and at type the as same shown show n time b by the the an 1 fact that the bride which forms the blouse the ordered three other shaped heart-shaped line of the char char- 1 Covered with wilh tl J colors for her trousseau in the same model meuse bodice imparts added l Sl Silver Edged 1 ver Ed ge d L t She chose pastel tints one of orchid slenderness ss to the wearer P v fon f fen n trimmed in i orchids and silver lace one i While this straight-across' straight ne neckline kline m Fluttering Cluttering Fluttering fe r m in peach chiffon wI with h real lace Jace and j tea j. j teal I Imore J continues to appear in frocks for formal t I Petals roses roses an and one oe in m pm pink without lace and and semi-formal semi occasions the irregular trimmed in int In pink camelias camelias- is growing in favor Many of f r rf n 1 f v ft f fa I 11 Be Beneath e th the layer of chiffon chiffon which forms the blouse the shaped heart-shaped line of the char char- 1 meuse bodice imparts added l slenderness ss to the wearer While this straight-across' straight ne neckline kline continues to appear in frocks for formal and semi-formal semi occasions the irregular is growing in favor Many of f the newest frocks use a bodice which tapers to a slender point at one shoulder and introduce introduces a strand of brilliants or a narrow strap at the other A newer verlion ver yer- yer sion lion of the the shoulder the shoulder neckline is a a dashing affair which instead of dropping coquettishly off one shoulder avoids the shoulder entirely and makes a line under line under the arm This leaves one arm and shoulder shoulder shoulder der entirely bare and is very striking especially if the frock be black or or some dark shade Dreaming second from the right gives an air of careless grace and strikes an irresistible color combination in its use use of three tints of green chiffon The frock is d in silver as are the chiffon petals which scatter over its surface from sno shoulder shoulder l. l der del to hemline The girdle too is silver Newspaper Feature Benl Service e. e 1022 Green Chaff Chiffon an n J Covered with wilh tl J Sl Silver Edged Ed d L 1 ver ge P m Fluttering Cluttering Fluttering fe r I Petals If one intends to wear a frock fiock of pastel tint to the evening dance one may wish to effect a gown of more vivid coloring f for r afternoon tea Into Intoxication the te tea tea- gown at the l left ft is exotic in its colorings of mauve cerise orange mid arid yellow The is o of cerise pulled in close about one ankle and left loose about the other in trouser effect Ov Over r this the Goat coat of mauve chiffon softens the the brightness of the cerise at the same time introducing narrow lines of color in its cerise piping The flowing filmy sleeves impart a lovely soft line while the bit of I train adds grace to the wearer Trains are coming into their own again and many lovely gowns for evening show the simple dignity and general silhouette I The Fashion Forecast Spring Spring fails Hails Hails' the tIle t return o oo o of f the tha trained framed gown r r |