Show t 1 x f fJ ff I f J V 4 rJ t Y 1 y 4 1 J J j 7 r y g. g r r v S t 1 i f t h N I t v 9 l y A i 5 S 'S St t t I tit lw rt a d c y e 1 Photo by Joel Feder Not all spring topcoats s are e I flared as is seen seen by this smart tailored model in modish check material e By Y Edith It M. M Burtis 1 the French designer emphasizes emphasizes em- em V the trend toward longer skirts in the gowns for formal wear pre- pre p. p Y rented in this collection for spring This his house uses both long and short 1 sleeves leeves for dresses intended for more general use and capes and cape draperies draperies' draper draper- ies' ies are a feature of frocks Th The uneven hemline is another distinctive distinctive distinctive dis dis- feature of the gowns and frocks In this collection Added length is a very distinguishing feature of the new new modes presented for spring by This creator of smart apparel likewise sponsors the long- long line and ands while skirts are tiered and draped the silhouette of fashion as expressed by is slim rather than 4 flared An upward turn to the waistline at atthe the front with a low blousing of the bodic at the back is an Interesting new shaping sponsored by DY such French de designers de- de signers liShers as Lelon Lelong g Bernard and Anna Lelong continues to advocate the short skirt Ikirt length While skirts are full the godet and ald other flared have been discarded in favor of pleats and gathers and interesting new to the skirt proper that provide the desired width One silhouette favored by Anna is is r short hort and full with a decided tendency toward belts places place at the Distinctively Distinctively Distinctively Dis Dis- mannish modes are a of this collection which type of design of necessity demands slim straight lines so 10 that two silhouettes at variance with each other make for an interesting contrast con contrast contrast con con- in designs in this collection The slender silhouette is featured in inthe inthe inthe the tailored type of apparel presented by Bechoff and capes are a n detail of dresses as well as of suits and coats introduces many blouse effects in tailored apparel and stresses waistline shaping by fitting rather than by belt placement In Jenny modes designed for spring wear the slender silhouette prevails and two-piece two dresses are developed with lim slim short skirts and lengthened Jumpers or by simulated blouse effects produced by belts or other details T ANVIL is another of the French designers designers designers de- de signers whose v lose spring modes show a tendency to a higher waistline at the front The slender silhouette is likewise noticeably stressed in Lanvin modes and broad belts and girdles tend to give the blouse effect so generally in favor for this spring se season son Cape treatments are aro noted in this collection collection collection col col- col- col lection and topcoats that are cut to accent accent ac ac- ac- ac cent a flare tIare that starts at tho the shoulder and underarm and extends to the hemline hemline hemline hem hem- line are among the outstanding silhouettes silhouettes silhouettes ettes that this house sponsors There seems never a season when the redingote in some form is not a favored I j silhouette and rightly since tho the redingote reding reding- ote oto line Une is particularly becoming to a great many women of different types This season tho the redingote has the in indorsement indorsement indorsement in- in of Charlotte and this style should hould without doubt be generally exploited exploited ex ex- by those who duplicate the style examples of the French creators of fashion Without doubt the new French fashions show decided lines and details In common noticeably tho the raise of tho the waistline at the front of the figure the blouse line and simulated blouse effects a very apparent tendency toward maintaining the slender lines that make for tor slim youthfulness of appearance Capes and cape treatments while showing a great difference in line and f 1 f i il ft r 1 y i F d l. l b Y ry 1 V x 44 i p 7 41 1 v soy ar ara i t ti a i V Photo tr from m Kadel It 4 r Lace and georgette in combination are H f used to develop T T r J r fJ many taste good Y frocks for semiformal semi semi- Photo by Joel Feder tw m formal The Theone C wear N Ns 4 s a y s M Belting ribbon in two colors one shown in in the r s v was vas used to ma make ke this youth youthful is e 4 C etching is a very 1 ful bonnet shape boasting no J y good example of than the ribA ribbon rib rib- trimming other A this popular type N bon used in in making A f R of gown charmi charming g 4 both in line and x material i if J c Sv 4 1 s d 3 F r ry 9 j k 55 y E J ay cI 1 L 1 I t t S 1 v H s J p r 7 t i A i t J development are virt virtually ally all 11 included 1 in one general classification This use j of any of these details makes for a relationship relationship relationship re- re with all modes Examples of the fashions for spring as designed by the French creators of the mode and many reports of the models presented for spring substantiate e the earlier prediction that not all spring sprin fashions affect the flared flare silhouette In fact there is much concrete evidence 1 to top p prove ove that many of the foremost desi designers design design- ners n- n ers have resorted entirely to a a a- slim straight silhouette and that even when hem-fullness hem is provided this docs does not necessarily mean menn a flared silhouette High necklines and wrist-length wrist sleeves continue to be demanded for forthe forthe forthe the smart afternoon frock and restaurant restaurant restaurant rant dress of sa satin Un velvet or velveteen The sleeves ves of the dresses and frocks arc attracting more and more attention since more or less lesl elaborate cuff details and wrist finishes arc are being introduced 5 r y Z n J II i 1 s' s ss s's s v ya 9 I J Y a Photo from Sadel A Herbert The strictly tailored hat of straw and silk is among the smartest of millinery modes for spring IT Fitted sleeves are enhanced by large flared cuffs often cuffs often reaching halfway I and sometimes all the way to the elbow v. a sort of cavalier cut seeming best beat to describe this style this cuff being some some- 1 t 1 c S I times of the tho dress material or of satin or velvet as the combination may be a fx y A t p 1 1 I. I Photo mote br bJ Jo Joel l Ft Fd Feder tr r rAn An excellent example of the draped beret done in Milan l straw with grosgrain ribbon 1 and an ornament of brass for trimming t tand and again leather is employed and lace tog the edge of the cu cuff f of lace being wired and bound with silk or ribbon to insure the correct flare M by v d r J l J |