Show Famous Famo s' s II M A celebrated stir star N IN of the tho movies visits Salt I Lake Lako by the Orpheum route as asa asa a n special conference week at attraction attraction nt- nt t traction tomorrow and Tuesday only vehicle i is I Tho The Brat I r 41 p l r i r r r 1 i jE J i iA A A to announcement the tho thoi i Orpheum theatre otters offers for tomorrow tomorrow tomor tomor- row and Tuesday as a special two days days' conference attraction tin tho supreme star of stage and screen In inThe The Tho Brat her newest picture and her own version of the tho successful speaking play of the tho same samo name The Tho presentation pre presenta tion will bo be ono of the tho most pleasing of Orpheum picture offerings with Maude The Tho Brat Erat as a play Fulton ran over two years In New York and other big bis cities and aa as a screen comedy drama exceeds In human Interest interest inter Inter- est and universal appeal tho speaking version It is ono one of those Intensely human and appealing tales in which there arc both smiles and tears It fol follows follows fol- fol lows the tho picturesque career of Tho Tue Brat n. n nameless waif of the tho streets who alter after having been fired from tho chorus becomes the of a famous author who takes her to his homo and studies her as a type for the heroine of his new noveL The Tho Brat la is a quaint little body and lovable In the extreme Naturally there is a romance that has all the tho fascination fascination fas fas- of charm and simplicity In Inthe the Jio great picture Nazimova appears for forthe the the first first time on tin the screen or stage as asan ason on an American girL She reveals too loo her rare versatility proving that silo she Is equally at homo borne In the lighter moments of comedy and In the tho more serious scenes of tense tense- dramatic moments The Brat Is to bo be shown at the Orpheum Orpheum Or Or- under the tho most auspicious cir clr- I The concert or- or under the tho ship leadership of Edgar Short will give giro musical pro pro V grams J. J |