Show 1 i i 5 hy J Ri a 1 i Th t. t i i y yI yr f. f iY v Ar J I 1 I r- r i g j Dainty Toilettes for Grand Stand an and Paddock d dr i r 2 J 1 D I d. d E Emerald ld i r r t. t r A R. R eve e o ope a in mera 3 I I. I L 11 1 1 i Jt I G Green In c Wh While I T 1 ll J I t. t i reen 1 e Top Top- op- op t. t f t 1 f r IA co a ts s an d V i vi d J w i rJ 1 1 q I. I 1 i I j r i J P Parasols I Will Be i 1 t. t k ar co S j 1 e. e J t f fl Decorative e t. t i t r- r I 11 r t. t I co II Accessories es I II I rr r i r 1 hJ jI j 1 I I II I C J I I II O 11 K J i i Ar 1 SM 1 A t I I J j I I I r. r I i 1 11 I I I I i III u r I 11 I I I I I I II I I S yr I I II I 1 II II I I I I I I I I 1 S P k wA us ld 1 I I I I I I I I I I. I Ills III I II r I II I I I I I 1 a I I IIi t I I I D I II j I Ii I I t I pf I I I I I II I I f I II I I I I II I I I I S Nr I f l I 1 I. I I II fl rd I I r I 1 I I I. I I I II I l r lr I I I I I M I M r 7 a Y 1 I I I J I I 1 I I I J t 4 5 4 JY 5 r Mk II I I II II I I h I I IM Ii I I I I l A I I l. l A SY t 4 r I t 1 I I I i I I 1 ti J. J I r Iy I I I r v r rr i r s 3 r Sr r I I I I I I I I II I ii I 1 I I I I I l I I I I IJ T J r I I I I I I r tS Y 4 I XI I Y f A f II I II 1 I Ij I I I I II r NI j S Q I I I 1 i i. i I I I I I t I In n I I I I F i f N. N r p I I I I I I I I I I I I i I I I I i C i. i C I I I kJ I I II 4 1 o i i I I k I A Changed at Waist A ruA f nv V p t iA y i 1 iy from Eton of r r 3 an Y L f Black and White r f vi n i t R a i White Flannel to Quite Dotted Foulard Foulard J Y j rj v il t Long tails Coat Which 1 Is Bound in Lemon S t F I Are Held by a Belt b 1 J I S Satin at i n. n White te Satin bi t t I I t i f I of Black The Skirt l 1 t For Forms the Underskirt rr a y I I A 5 f ii 1 t and Hat Are of In This Dainty The Big Pockets A When hen the Late Y t I Is' Is I L LI Black Flannel 4 Costume Cashmere If t Afternoon Brings Cuffs and Collar t t a f the Color of th the e in theAir the I Are of J a n Chill Chili to Satin Y w. w Air She Slips Green Turf Is White Silk Floss A J. J Jk II II 1 Mme rne Frances FrancesI SW I 1 The Famous Creator of Fashions 1 jj 4 HERE is something about a horse race that lifts our spirits to the nth Ia Degree gree off 1 and everyone f stable boy to lovely lady is on s Jfe alive with the thrill of blood that s l J in tune with the clatter of hoofs on course urse JJ rhe e outdoor setting of a race with the t green of the paddock and the clear of the sky is just the background for fory fory lly y picturesque frocks The so-called so ts apparel or country clothes as I r Ifer rr r fer erto to call them are d delightfully adapt adapt- ar r r wear year at the races Since one motors I t. t horse orse race na nowadays and since motor 91 l j are also important in the list of ot g meets most of the costumes defor defor de- de d. d for such functions are especially ted to motor wear Che rhe day of the trailing lingerie gown leghorn hat that used to ado adorn rn boxes at the races and horse shows o more One is more apt to wear a t g hat however the charm of a Md d j black picture hat is never more aca ac- ac a than when shown in an outdoor r I l g and because stunning black hats JI Jf definite note i in the panorama of a aIng jig Pg scene they are still afT affected b by Y r smartly gowned women J The e Th Importance of the Parasol costume designed for wear at the should possess a poster quality y that thatA A color olor to the picture in the j 3 of t f its details Such costumes enliven of the scene J f e French races at Long Longchamps champs and and j il ull are the rarest panorama of fern fem loveliness The French all their talent and enthusiasm to q Ling r. r g f frocks that merge with the ani- ani i Ki racing scene t Ascot and R Rydal Y dal th the e English 4 t ies who sit atop the coaches or are ged eged to adorn the royal enclosure the ithe most picturesque toilettes of the thet t Abroad one sees a variety of cos cos- er from lingerie frocks to strictly strictly tailored J A 3 suits Over here tho the NY youthful semi tailored frock is popular worn vorn perhaps with a dashing v coat of the soft wool k Yr goods that resembles es polo cloth This material is is sold under various trade trademarked trademarked marked names m in a variety variety vari varr- ety of lovely colors Silk poplin also presents an au ideal fabric for brilliant coats Parasols are a decorative accessory at at atthe the races The artistic woman makes of her parasol a telling color note in her cos cos- tume The brilliant shades and black and white are popular The manufacturers have found ways o of f endowing a parasol with personality I have just been looking looking look look- ing at a lovely one of changeable taffeta in blue and cerise that presents a purplish effect It is is trimmed with red violet velvet velvet velvet vel vel- vet ribbon and its colors are lovely A vivid parasol contributes an effective color contrast in its sharp combination oE Ot black and emerald green Such a parasol is carried by the lady who wears the foulard foulard fou fou- lard dress of black and white Black and white well made will register charm m many in any assembly The blouse of this gown is cut in a plain kimono which is brought into distinction distinction dis dis- by its unusual collar of white satin The collar is cut away at each side of the neck and reaches almost almost al almost al- al most to cape depth Cuffs of peek from beneath the scallops of foulard that are bound with lemon yellow char char- meuse satin A vivid note you ou see The girdle is is just a crushed belt and a full overskirt of the clotted material is scalloped seal seal- loped and bound with lemon yellow char clar meuse Beneath this falls a narrow drone drop drop- skirt of white satin The e pic Iric- black hat worn with this gown describes that lovely line turned up in back to show the coiffure The brim tips forward and shades the eyes should one be facing west You recall that story of how men first on This mis l Warm warm Hunu 1 Coat of French Blue Wool Lined with hW White hits Satin a. a t Big Pockets n came to bend the brims of their soft hats down in front The late Kin King Edward then the Prince of Wales Vales was vas an Ian ardent L lover of racing One day when the sun was shining b ba in his eyes in his effort to get geta a better view he turned down the brim of his hat and behold a new fashion was born What man now wears the brim of his hat turned up Fashionable Shades of Green GreenA A decorative coat is observed on the lady wearing the gray lace veil It combines com com- combines bines white satin with a French blue wool material of that downy texture heavier than and lighter than polo cloth The coat is of the box variety long associated with riding and coaching The white facing of the collar turns away vay from the throat in a youthfully becoming neckline and the bound buttonholes and ball buttons make a trimming of a sity The cuffs are perhaps the most striking striking striking ing feature of this coa coat t. t Very wide and also quite deep white satin cuffs emerge from a loose sleeve of the blue material that wears a small cuff The he white cuffs are trimmed with ball buttons This coat is worn with a white crepe de chine gown whose skirt is 18 pleated giving giving giving ing an effective complement to the silhouette silhouette silhouette ette below the edge of the coat Another smart black and white costume costume costume cos cos- tume is worn by the rakish maid with her hands in the pockets of her black flannel skirt which is embroidered in a checkerboard checkerboard checkerboard checker checker- board design of white sills silk floss This floss is applied in heavy machine stitching The softly turned back hat matches tho the thol l 1 nur ko 1920 1020 J Collared and ana anu r Cuffed with ec White Pique skirt The smart jacket that I may aY almost al al- al almost most be forgiven for calling jaunty is white flannel The Eton left its mark markon on this coat in the cutaway line in in front which is bound with the material Self- Self covered buttons and bound buttonholes add attractive notes Turned back cuffs complete the loose sleeve and are bound with white satin This fabric also makes the belt and the tie is vermilion And now for a grand finale of color color color- emerald green What could be lovelier against the varied greens of race track scenes than this exquisitely vibrant vibrant shade shade Emerald green cashmere develops the youthful frock which because of the intensity of color is simplicity itself This dress is made in the popular straight t line silhouette which in this thi model attains novelty through four inserted inserted inserted in in- sections of knife pleating The soft texture of cashmere takes take pleating beautifully and holds the pressing pressing pressing press press- ing well A tiny cord of the material neatly marks the inserting of the pleats The small and becoming collar and cuffs are white pique that give just a line of white on neck and arms The e tie girdle is is' made of the cashmere The close straw hat with its becoming upturned brim is white which is tho most striking contrast for emerald green This hat is enveloped in a black lace veil A scarf of black fox also contributes its spot of intense color to the charm of this striking striking striking ing costume Color Effects in Topcoats J Topcoats are a feature of races because because because be be- cause it is so often necessary io o wear a wrap over weight light gowns both in motoring to the races and while sitting in inthe inthe inthe the boxes or grands grandstands Cross barred fabrics are in high favor for topcoats topcoats- English Irish Canadian and Mountaineer homespun contribute ideal fabrics in a range of plain colors that embrace lawn fawn like tans horizon blue rose wood brown and dull mauves Broken check and plaid designs in which the English and Irish homespun are made are lovely in mixtures of old blue and rose brown and tan fIl gray y yand and blue mauve and purple coral and gray and coral and darker red Vivid shades of cerise burnt orange and the other nasturtium colors Copenhagen Copenhagen Copenhagen Copen Copen- hagen blue Kings King's blue emerald lemon yellow and magenta poplin and velour together with the dyed camels camel's hair fabrics also contribute brilliant topcoats topcoats topcoats top top- coats for wear at the races tT The The Fas io FOre Forecast t J r t 1 Lace veils vez will be a decorative tote note in s spring sprigg and summer millinery So Sometimes these veils fall all grace gracefully y over the se back o of a hat Iza again 9 the they are worn over the face ace reaching r just j below ow the eyes in ill acco accord rd r with the Oriental influence in ill the new millinery r t Ten West Sixth fifty Street i New Hew York tiry i t j I r J JI I i iI i I 1 |